Sentences with phrase «former assistant curator»

Exhibit: August 11 — September 10, 2017 Awards Ceremony, Reception & Gallery Talk: Saturday, August 12, 4:00 - 6:00 PM Juror: Ashley Givens, Former Assistant Curator of Photographs, Victoria & Albert Museum, London The 2017 Photoworks Youth Competition showcases the breadth of talent among a great number of budding photographers (all 18 years of age and younger) from -LSB-...]

He is the current director of Eastside International and former assistant curator of the Torrance Art Museum.

A Call For Entries Olivia Daneker Beach Silhouette 1st Place, Juried Youth Photography Competition 2016 Deadline for Entries: July 21, at 11:59 PM WATCH ME: A Juried Youth Photography Competition and Exhibition August 11 — September 10, 2017 Juror: Ashley Givens, Former Assistant Curator of Photographs, Victoria & Albert Museum, London Reception & Gallery -LSB-...]

Organization: Exhibition curators were Joseph J. Rishel, curator of European painting and sculpture before 1900 at the Philadelphia Museum of Art, and Colin B. Bailey, former assistant curator of European painting and sculpture before 1900 in Philadelphia, who was the current curator of painting at the Kimbell Art Museum.

Featuring more than 60 works by 19 artists and collectives, the exhibition is organized by Apsara DiQuinzio, former assistant curator of painting and sculpture at SFMOMA.

An illustrated catalogue with an essay by Rachel Federman, Assistant Curator of Modern and Contemporary Drawings at the Morgan Library & Museum and former Assistant Curator of Painting and Sculpture at the San Francisco Museum of Modern Art.

Marcelle Polednik, its former assistant curator of prewar art, has been appointed director of collections and exhibitions at the Monterey Museum of Art.

Frank Stella's limited edition, Henry Garden is named after Henry Geldzahler, a member of Stella's inner - circle of New York friends and a former assistant curator of the Metropolitan Museum of Art.

A former assistant curator of drawings at the Museum of Modern Art, Ms. Beck became a phenomenon in the SoHo art scene of the 1970s and»80s for her ability to put together shows of major - museum quality on a budget based on modest grants from the New York State Council on the Arts, the National Endowment for the Arts and private donors.

We Wanted a Revolution: Black Radical Women, 1965 — 85 is organized by Catherine Morris, Sackler Family Senior Curator for the Elizabeth A. Sackler Center for Feminist Art, and Rujeko Hockley, former Assistant Curator of Contemporary Art, Brooklyn Museum.

The Drawing Center was founded by former assistant curator of drawings at the Museum of Modern Art Martha Beck [2] in 1977, with the mandate of seeking to «express the quality and diversity of drawing — unique works on paper — as a major art form».

Lauren Schell Dickens is the former Assistant Curator of Contemporary Art at the Corcoran Gallery of Art.

The exhibition is co-curated by Christina Kennedy and Charlotte Bonham - Carter, former Assistant Curator: Collections at IMMA.

Lorraine O'Grady was featured in «We Wanted a Revolution: Black Radical Women 1965 - 85», an exhibition organized by Catherine Morris, Sackler Family Senior Curator for the Elizabeth A. Sackler Center for Feminist Art, and Rujeko Hockley, former Assistant Curator of Contemporary Art, Brooklyn Museum.

She is the curator of Pan American Art Projects and former assistant curator at the National Gallery of Jamaica.

The exhibition is guest curated by Berta Sichel, former director of the Department of Audiovisuals and currently a curator at large at the Museo Nacional Centro de Arte Reina Sofía, Madrid, and assistant guest curator Mariano Salvador, a filmmaker and former assistant curator in the Department of Audiovisuals and Web coordinator, also at the Museo Nacional Centro de Art Reina Sofía.

Aliev hired Rachel Vancelette, former director of Yvon Lambert and Gladstone galleries, and Tim Goossens, former assistant curator at PS1, to oversee sales and programming.

Explore avant - garde art practices with Beard, executive director of The Lab and former assistant curator at BAMPFA.

The music and performance portion of Mike Kelley is organized by guest curator Mark Beasley, with Jenny Schlenzka, Associate Curator, and Eliza Ryan, former Assistant Curator, MoMA PS1.

Infinite Blue is organized by a curatorial team including Yekaterina Barbash, Associate Curator of Egyptian Art; Susan L. Beningson, Assistant Curator of Asian Art; Meghan Bill, Curatorial Assistant, Arts of Asia, Africa, the Pacific Islands, and the Islamic World; Edward Bleiberg, Senior Curator of Egyptian Art; Connie Choi, former Assistant Curator of American Art; Joan Cummins, Lisa and Bernard Selz Curator of Asian Art; Susan Fisher, Director of Collections; Barry R. Harwood, Curator of Decorative Arts; Deirdre Lawrence, Principal Librarian, Libraries and Archives; Cora Michael, former Associate Curator of Prints and Drawings; Kimberly Orcutt, Andrew W. Mellon Curator of American Art; Nancy Rosoff, Andrew W. Mellon Senior Curator of Arts of the Americas; Lisa Small, Senior Curator of European Art; Sara Softness, Assistant Curator of Special Projects; and Eugenie Tsai, John and Barbara Vogelstein Senior Curator of Contemporary Art; with guidance provided by Nancy Spector, former Deputy Director and Chief Curator, Brooklyn Museum.

Not exact matches

Orly was in conversation with Adam Glick, Assistant Director of Gallery Lelong and former Martin Friedman Curator of Mad.

In addition to an art - historical overview by Laurence Madeline, the catalog includes essays by Bridget Alsdorf, Associate Professor, History of Art, Princeton University; Jane R. Becker, Collections Management Assistant, Metropolitan Museum of Art; Joëlle Bolloch, former Head of Research, Musée d'Orsay; Vibeke Hansen, Curator, Nasjonalmuseet, Oslo; and Richard Kendall, former Curator at Large, Clark Art Institute.

Alien She is organized by the Miller Gallery at Carnegie Mellon University (CMU), and is curated by Astria Suparak, independent curator and former director of the Miller Gallery, and Ceci Moss, assistant curator for the Yerba Buena Center for the Arts — both of whom possess deep roots in the Riot Grrrl movement.

It's to the credit of the show's organizers — Christophe Cherix, chief curator of the drawings and prints department at MoMA; David Platzker, a former curator in that department; Cornelia H. Butler, chief curator at the Hammer Museum in Los Angeles; and Tessa Ferreyros, a curatorial assistant at MoMA — that they've been careful to make such links, and by doing so point up the fierce, steady logic of this artist's career.

Monroe inherited and oversaw the exhibit conceived by Alyce Perry Englund, the former associate curator of American decorative arts, who left the Atheneum to become assistant curator of American decorative arts at the Metropolitan Museum of Art.

Studio Visitors 2014 Christopher Allen, Founder, Director of UnionDocs Alexander Benenson, Independent Curator Heather Darcy Bhandari, Director, Mixed Greens Gallery Jennifer Blessing, Senior Curator of Photography, Guggenheim Museum Sherry Dobbin, Director of Public Art, Times Square Alliance Taraneh Fazeli, Education Associate, New Museum of Contemporary Art Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Media Gabriel Florenz, Chief Operations Officer, Pioneer Works Larissa Harris, Curator, Queens Museum Paddy Johnson, Editor, Art Fag City Naima Keith, Assistant Curator, Studio Museum Emily Liebert, Curatorial Assistant, Department of Painting and Sculpture, MoMA Barbara London, Independent Curator / Writer, Former longtime Curator of Media and Performance, MoMA Jennifer McGregor, Director of Arts and Senior Curator, Wave Hill Julie McKim, Director, Kunsthalle Galapagos Magdalena Sawon, Owner / Director, Postmasters Gallery Manon Slome, President and Chief Curator, No Longer Empty Cara Starke, Director of Exhibitions, Creative Time Lumi Tan, Associate Curator, The Kitchen Gregory Volk, Writer, Art in America

Former MoMA film curator Lawrence Kardish weighs in on the institution's controversial firing of long - time assistant curator of film Sally Berger: «I no longer understand what goes on in my old stomping grounds... Doesn't a curator have the right to pick and choose what is to be shown under his / her auspices?»

Organized by Helen Molesworth, the ICA's former Barbara Lee Chief Curator, with Assistant Curator Ruth Erickson, Leap Before You Look will be on view from Oct. 10, 2015 to Jan. 24, 2016.

The speakers, who will address Pousette - Dart's art, teaching and life, are Jennifer Powell, Senior Curator Programme and Collection, Kettle's Yard, Cambridge; Barbara Rose, art historian and critic; Patti Trimble, poet and former studio assistant; Adam Weinberg, Alice Pratt Brown Director of the Whitney Museum of American Art; and Christopher Wool, artist and former student.

And art, of course, is exactly the focus of the Boston show, painstakingly researched by Helen Molesworth, the Institute of Contemporary Art's former chief curator, and Ruth Erickson, an assistant curator there.

Njideka Akunyili Crosby's first exhibitions in Los Angeles were organized by former Hammer assistant curator Jamillah James in 2015.

It includes an essay by Dr. Stephanie Hanor, Senior Curator, Museum of Contemporary Art San Diego and a personal narrative on the creation of one of Johns» light bulb sculptures by the artist and former Johns studio assistant Mark Lancaster.

The exhibition is the result of a four - year collaboration between Piper and Christophe Cherix, Chief Curator in the Museum's Department of Drawings and Prints, Connie Butler, Chief Curator at the Hammer Museum, Los Angeles, and David Platzker, former Curator in the Museum's Department of Drawings and Prints, with Tessa Ferreyros, Curatorial Assistant in the Museum's Department of Drawings and Prints.

Elizabeth L. O'Leary is Associate Curator of American Art at the Virginia Museum of Fine Arts; Sylvia Yount is VMFA's Louise B. and Harwood Cochrane Curator of American Art and department head; Susan Jensen Rawles is Assistant Curator of Decorative Art at VMFA; and David Park Curry, former VMFA Curator of American Arts, is Senior Curator of Decorative Arts, American Painting, and Sculpture at the Baltimore Museum of Art.

The show was curated by former Carnegie International assistant curator Heather Pesanti, and represents the culmination of three years» intensive research.

2:45 P.M. Break 3 P.M. Panel Discussion 210 McKnight Art Center West (WSU School of Art and Design) Ulrich guest curator and WSU Assistant Professor of Art Ted Adler joins On the Verge artists Heather Mae Erickson and David East, and Kansas artist Conrad Snider, former studio assistant for artist Jun Kaneko, for spirited conversation and active debate on the contributions and changing nature of ceramics in contempoAssistant Professor of Art Ted Adler joins On the Verge artists Heather Mae Erickson and David East, and Kansas artist Conrad Snider, former studio assistant for artist Jun Kaneko, for spirited conversation and active debate on the contributions and changing nature of ceramics in contempoassistant for artist Jun Kaneko, for spirited conversation and active debate on the contributions and changing nature of ceramics in contemporary art.

Beeler Gallery's new Director of Exhibitions Jo - ey Tang will speak with his predecessors Dr. Natalie Marsh (Director and Chief Curator of the Gund Gallery, Kenyon College), Michael Goodson (Senior Curator, Wexner Center for the Arts) and James Voorhies (Dean of Fine Arts, California College of the Arts), as well as Assistant Director of Exhibitions and former Interim Director of Exhibitions Ian Ruffino about the unique role of galleries within an art school context, the evolution of Beeler Gallery, and what it means to «take over» a space from a predecessor.

Curated by former Art Africa Miami assistant producer Mikhaile Solomon, Rosie Gordon - Wallace and independent curator / frequent Art in America contributor A.M. Weaver, this seems like an obvious destination for all those institutional curators looking to know the next black artists they should be acquiring.

The exhibition is organized by Christophe Cherix, The Robert Lehman Foundation Chief Curator of Drawings and Prints, The Museum of Modern Art; Connie Butler, chief curator, Hammer Museum, Los Angeles; and David Platzker, former curator, The Department of Drawings and Prints, The Museum of Modern Art; with Tessa Ferreyros, curatorial assistant, Department of Drawings and Prints, The Museum of ModeCurator of Drawings and Prints, The Museum of Modern Art; Connie Butler, chief curator, Hammer Museum, Los Angeles; and David Platzker, former curator, The Department of Drawings and Prints, The Museum of Modern Art; with Tessa Ferreyros, curatorial assistant, Department of Drawings and Prints, The Museum of Modecurator, Hammer Museum, Los Angeles; and David Platzker, former curator, The Department of Drawings and Prints, The Museum of Modern Art; with Tessa Ferreyros, curatorial assistant, Department of Drawings and Prints, The Museum of Modecurator, The Department of Drawings and Prints, The Museum of Modern Art; with Tessa Ferreyros, curatorial assistant, Department of Drawings and Prints, The Museum of Modern Art.

Curated by former Art Africa Miami assistant producer Mikhaile Solomon, Rosie Gordon - Wallace and independent curator / frequent

Alien She is organized by the Miller Gallery at Carnegie Mellon University (CMU), and is curated by Astria Suparak, independent curator and former director of the Miller Gallery, and Ceci Moss, assistant curator for the Yerba Buena Center for the Arts, both of whom possess deep roots in the Riot Grrrl movement.

For managing the loan and preparing the paintings, photographs, and printed material for display and photographic materials for this publication, we are grateful to the New York State Office of Parks, Recreation and Historic Preservation Peebles Island Resource Center staff: Acting Director for the Bureau of Historic Sites John Lovell; Director of the Division for Historic Preservation Ruth Pierpont; Collections Manager Anne Ricard Cassidy and her staff Erin Czernecki, Ronna Dixson, and Mary Zaremski; Former Curator Robin Campbell, Curator Susan Walker, and Assistant Curator Amanda Massie; Paper Conservator Michele Phillips; Frames Conservator Eric Price; and Paintings Conservator Joyce Zucker.

Louise Bourgeois is organized by Deborah Wye, Chief Curator Emerita of the former Department of Prints and Illustrated Books — a longtime friend of the artist's and a leading scholar of her work — with Sewon Kang, Curatorial Assistant, Department of Drawings and Prints.

Organized by Sabine Breitwieser, former Chief Curator (until January 31, 2013), with Martin Hartung, Curatorial Assistant, Department of Media and Performance Art.

Other committee members include Flavin Judd, the artist's son, as well as scholars, curators and former studio assistants.

Kery James Marshall's «Mastry «exhibit, is co-organized with The Metropolitan Museum of Art and the Museum of Contemporary Art, Los Angeles, and cocurated by former Manilow Senior Curator Dieter Roelstraete; Helen Molesworth, Chief Curator at LAMOCA; and Ian Alteveer, Associate Curator at The Met; with the assistance of Karsten Lund, former Curatorial Assistant, and Abigail Winograd, former Research Associate at the MCA.

The exhibition was organized by Stijn Alsteens, curator of prints and drawings at the Metropolitan Museum of Art, and Adam Eaker, assistant curator of Northern Baroque paintings at the Met, a former Frick Collection guest curator.

Sarah Kleinman is a doctoral student and teaching assistant in Art History at VCU; she is writing her dissertation on former MoMA curator Kynaston McShine.

Paper Museums is curated by Rebecca Zorach, University of Chicago Assistant Professor of Art History and Elizabeth Rodini, Johns Hopkins University Lecturer in the History of Art and former Smart Museum Mellon Projects Curator.

The retrospective portion of the exhibition is curated by Michelle Ho, assistant director of Singapore's ADM Gallery at the School of Art, Design and Media, Nanyang Technological University, and former curator at the Singapore Art Museum.