Sentences with phrase «former contemporary art curator»

To learn more about Latino artists in San Antonio, I turned to David Rubin, independent art curator and writer and former contemporary art curator for the San Antonio Museum of Art to ask which Latino artists to follow.

Not exact matches

Organized by the Virginia Museum of Fine Arts in partnership with the Munch Museum in Oslo, the exhibition was conceived and organized by John B. Ravenal, Executive Director of deCordova Sculpture Park and Museum and former Sydney and Frances Lewis Family Curator of Modern and Contemporary Art at the VMFA.
A two volume exhibition catalogue documents both exhibitions and features contributions by Hamza Walker, LAXART Executive Director and former Director of Education and Associate Curator at the Renaissance Society, and Michael Rooks, Wieland Family Curator of Modern and Contemporary Art at the High Museum of Art.
Stephanie Rosenthal, Chief Curator of the Hayward Gallery, and former Curator of Contemporary Art at Haus der Kunst in Munich, will talk at the gallery on the enduring significance of...
Panelists include Brian Wallis, Curator of the Walther Collection and former Chief Curator of the ICP; Paul Milkman, scholar and author of PM: A New Deal in Journalism 1940 - 1948; Jason Hill, Associate Professor of Modern and Contemporary Art and Visual Culture at the University of Delaware and author of the forthcoming book Artist as Reporter: Weegee, Ad Reinhardt, and the PM News Picture and Laetitia Barrere, Andrew W. Mellon Postdoctoral Curatorial Fellow at the Metropolitan Museum of Art.
(Other prominent names mentioned were Sheena Wagstaff, the chairwoman of the department of modern and contemporary art at the Metropolitan Museum of Art and a former chief curator of Tate Modern; Iwona Blazwick, director of Whitechapel Art Gallery; and Nicholas Cullinan, director of the National Portrait Gallerart at the Metropolitan Museum of Art and a former chief curator of Tate Modern; Iwona Blazwick, director of Whitechapel Art Gallery; and Nicholas Cullinan, director of the National Portrait GallerArt and a former chief curator of Tate Modern; Iwona Blazwick, director of Whitechapel Art Gallery; and Nicholas Cullinan, director of the National Portrait GallerArt Gallery; and Nicholas Cullinan, director of the National Portrait Gallery.)
The Menil quietly acquired it in 2011 after having previously declined the accession, which followed former Contemporary Arts Museum Houston senior curator Toby Kamps's arrival at the Menil to replace departing curator Franklin Sirmans.
Chris Hill, former video curator at Hallwells Contemporary Art Center in Buffalo, New York, curated the project.
Cuauhtémoc Medina, independent curator and art critic from Mexico City, Mexico, has written extensively on contemporary art and is a former curator of contemporary art at the Museo de Arte Carrillo Gil in Mexico CityRead more
Enrique Juncosa, former curator of the Irish Museum of Modern Art and Miquel Barceló's solo exhibition at the Venice Biennale, describes Barceló as «one of the few contemporary artists who feels comfortable working in a rural idiom.
The exhibition is co-curated by pre-eminent authorities Andrey Erofeev, a leading art critic and writer, and former head of the contemporary art department of the Tretyakov Gallery, Moscow; Marco Livingstone, an independent curator who has worked on numerous publications, retrospectives and Pop Art exhibitions that have toured throughout Europe, Japan and Canada; and Tsong - Zung Chang, a curator and guest professor of China Art Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong Koart critic and writer, and former head of the contemporary art department of the Tretyakov Gallery, Moscow; Marco Livingstone, an independent curator who has worked on numerous publications, retrospectives and Pop Art exhibitions that have toured throughout Europe, Japan and Canada; and Tsong - Zung Chang, a curator and guest professor of China Art Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong Koart department of the Tretyakov Gallery, Moscow; Marco Livingstone, an independent curator who has worked on numerous publications, retrospectives and Pop Art exhibitions that have toured throughout Europe, Japan and Canada; and Tsong - Zung Chang, a curator and guest professor of China Art Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong KoArt exhibitions that have toured throughout Europe, Japan and Canada; and Tsong - Zung Chang, a curator and guest professor of China Art Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong KoArt Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong KoArt Archive and the well - established Hanart TZ Gallery in Hong Kong.
Studio Visitors 2014 Christopher Allen, Founder, Director of UnionDocs Alexander Benenson, Independent Curator Heather Darcy Bhandari, Director, Mixed Greens Gallery Jennifer Blessing, Senior Curator of Photography, Guggenheim Museum Sherry Dobbin, Director of Public Art, Times Square Alliance Taraneh Fazeli, Education Associate, New Museum of Contemporary Art Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Media Gabriel Florenz, Chief Operations Officer, Pioneer Works Larissa Harris, Curator, Queens Museum Paddy Johnson, Editor, Art Fag City Naima Keith, Assistant Curator, Studio Museum Emily Liebert, Curatorial Assistant, Department of Painting and Sculpture, MoMA Barbara London, Independent Curator / Writer, Former longtime Curator of Media and Performance, MoMA Jennifer McGregor, Director of Arts and Senior Curator, Wave Hill Julie McKim, Director, Kunsthalle Galapagos Magdalena Sawon, Owner / Director, Postmasters Gallery Manon Slome, President and Chief Curator, No Longer Empty Cara Starke, Director of Exhibitions, Creative Time Lumi Tan, Associate Curator, The Kitchen Gregory Volk, Writer, Art in America
Curated by John B. Ravenal, Executive Director, deCordova Sculpture Park and Museum (former Sydney and Frances Lewis Family Curator of Modern and Contemporary Art, VMFA).
The exhibition will have a companion catalog titled «Convergence», featuring the artwork of the ten NOLA Studio Program artists, along with essays by writer Denise Frazier, former New Orleans Museum of Art (NOMA) Curator of Modern and Contemporary Art Miranda Lash, Deborah Willis and Joan Mitchell Center Program Associate Tara Foster.
Infinite Blue is organized by a curatorial team including Yekaterina Barbash, Associate Curator of Egyptian Art; Susan L. Beningson, Assistant Curator of Asian Art; Meghan Bill, Curatorial Assistant, Arts of Asia, Africa, the Pacific Islands, and the Islamic World; Edward Bleiberg, Senior Curator of Egyptian Art; Connie Choi, former Assistant Curator of American Art; Joan Cummins, Lisa and Bernard Selz Curator of Asian Art; Susan Fisher, Director of Collections; Barry R. Harwood, Curator of Decorative Arts; Deirdre Lawrence, Principal Librarian, Libraries and Archives; Cora Michael, former Associate Curator of Prints and Drawings; Kimberly Orcutt, Andrew W. Mellon Curator of American Art; Nancy Rosoff, Andrew W. Mellon Senior Curator of Arts of the Americas; Lisa Small, Senior Curator of European Art; Sara Softness, Assistant Curator of Special Projects; and Eugenie Tsai, John and Barbara Vogelstein Senior Curator of Contemporary Art; with guidance provided by Nancy Spector, former Deputy Director and Chief Curator, Brooklyn Museum.
As Charlotte Cotton, critic and former curator of photographs at the Victoria and Albert Museum (London) as well as the Wallis Annenberg Department of Photographs at the Los Angeles County Museum of Art, writes in The Photograph as Contemporary Art (World of Art): «Harris makes a map of visual and ideological connections... blending high criticality and personal narrative to suggest that all photography inherently carries representational meaning beyond the intent or making of the photographer.»
Dieter Roelstraete is a curator of Documenta 14 and the former Manilow Senior Curator at the Museum of Contemporary Art Chicagocurator of Documenta 14 and the former Manilow Senior Curator at the Museum of Contemporary Art ChicagoCurator at the Museum of Contemporary Art Chicago (MCA).
James Welling will discuss his project with Alex Klein, artist and curator at the Institute of Contemporary Art at the University of Pennsylvania, and a former student of Welling on Thursday at the Brandywine River Museum of Art.
Curator Alexandra Schwartz, who will be giving the opening night lecture, is a former curator at MoMA and founding curator of contemporary art at Montclair Art Museum in New Jersey, and she knows herCurator Alexandra Schwartz, who will be giving the opening night lecture, is a former curator at MoMA and founding curator of contemporary art at Montclair Art Museum in New Jersey, and she knows hercurator at MoMA and founding curator of contemporary art at Montclair Art Museum in New Jersey, and she knows hercurator of contemporary art at Montclair Art Museum in New Jersey, and she knows her stuart at Montclair Art Museum in New Jersey, and she knows her stuArt Museum in New Jersey, and she knows her stuff.
Circa 1970 is organized by Lauren Haynes, former Associate Curator, Permanent Collection, at The Studio Museum in Harlem and now Curator, Contemporary Art, at Crystal Bridges Museum of American Art.
Following a public conversation between Turrell and former Contemporary Arts Museum Houston senior curator Lynn Herbert at noon Oct. 18, the Skyspace opens to the public starting Oct. 19.
And art, of course, is exactly the focus of the Boston show, painstakingly researched by Helen Molesworth, the Institute of Contemporary Art's former chief curator, and Ruth Erickson, an assistant curator theart, of course, is exactly the focus of the Boston show, painstakingly researched by Helen Molesworth, the Institute of Contemporary Art's former chief curator, and Ruth Erickson, an assistant curator theArt's former chief curator, and Ruth Erickson, an assistant curator there.
-LSB-...] Paul Schimmel, the vice president of the Hauser & Wirth gallery here and the former chief curator at the Museum of Contemporary Art, said Maurice Marciano's interest in art was revived when he toured a Takashi Murakami show at the museum in 20Art, said Maurice Marciano's interest in art was revived when he toured a Takashi Murakami show at the museum in 20art was revived when he toured a Takashi Murakami show at the museum in 2008.
Its authors include David Anfam, author of the seminal book Abstract Expressionism (1990); Susan Davidson, Senior Curator, Collections and Exhibitions, at the Solomon R. Guggenheim Museum, New York; Edith Devaney, Contemporary Projects Curator, Royal Academy of Arts; Jeremy Lewison, former Director of Collections at the Tate; Carter Ratcliff, author of Fate of a Gesture: Jackson Pollock and Postwar American Art (1996); and Christian Wurst, researcher for The Catalogue Raisonné of the Drawings of Jasper Johns (forthcoming).
It includes an essay by Dr. Stephanie Hanor, Senior Curator, Museum of Contemporary Art San Diego and a personal narrative on the creation of one of Johns» light bulb sculptures by the artist and former Johns studio assistant Mark Lancaster.
Medina has written extensively on contemporary art and is a former curator of contemporary art at the Museo de Arte Carrillo Gil in Mexico
Join the MOCA Contemporaries for a discussion about art and fashion with celebrity stylist and Academy Award - nominated costume designer Arianne Phillips, fashion designer Michael Schmidt, and painter Kimberly Brooks, moderated by fashion and culture writer, curator, consultant, and the former West Coast bureau chief of Women's Wear Daily, Rose Apodaca.
SHOWS (selection) 2014 still on view: Kunst im Bau 5, installation in the former engineering workshops of the Isarthal Railway, Munich (curator Christoph Nicolaus) UNPAINTED media art fair, Munich, lab 3.0: positions of media art (curator Li Zhenhua) 2013 ikono On Air Festival on ikonotv, ikono Menasa and numerous locations in Berlin Villa Biesental, Berlin, K - Geist 100 Economy Pack Installation in the studio building of the City of Munich, K - Geist 100 Studio, (with Jutta Burkhardt) 2012 Satellite For Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germart fair, Munich, lab 3.0: positions of media art (curator Li Zhenhua) 2013 ikono On Air Festival on ikonotv, ikono Menasa and numerous locations in Berlin Villa Biesental, Berlin, K - Geist 100 Economy Pack Installation in the studio building of the City of Munich, K - Geist 100 Studio, (with Jutta Burkhardt) 2012 Satellite For Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germart (curator Li Zhenhua) 2013 ikono On Air Festival on ikonotv, ikono Menasa and numerous locations in Berlin Villa Biesental, Berlin, K - Geist 100 Economy Pack Installation in the studio building of the City of Munich, K - Geist 100 Studio, (with Jutta Burkhardt) 2012 Satellite For Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, GermArt, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, GermArt in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, GermArt Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, GermArt Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, GermArt Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, GermArt Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, GermArt, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, GermArt Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, GermArt Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germart / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germany
2:45 P.M. Break 3 P.M. Panel Discussion 210 McKnight Art Center West (WSU School of Art and Design) Ulrich guest curator and WSU Assistant Professor of Art Ted Adler joins On the Verge artists Heather Mae Erickson and David East, and Kansas artist Conrad Snider, former studio assistant for artist Jun Kaneko, for spirited conversation and active debate on the contributions and changing nature of ceramics in contemporary aArt Center West (WSU School of Art and Design) Ulrich guest curator and WSU Assistant Professor of Art Ted Adler joins On the Verge artists Heather Mae Erickson and David East, and Kansas artist Conrad Snider, former studio assistant for artist Jun Kaneko, for spirited conversation and active debate on the contributions and changing nature of ceramics in contemporary aArt and Design) Ulrich guest curator and WSU Assistant Professor of Art Ted Adler joins On the Verge artists Heather Mae Erickson and David East, and Kansas artist Conrad Snider, former studio assistant for artist Jun Kaneko, for spirited conversation and active debate on the contributions and changing nature of ceramics in contemporary aArt Ted Adler joins On the Verge artists Heather Mae Erickson and David East, and Kansas artist Conrad Snider, former studio assistant for artist Jun Kaneko, for spirited conversation and active debate on the contributions and changing nature of ceramics in contemporary artart.
And in the midst of this unfolding moment, Hunter, a former New York Times critic and curator at New York's Museum of Modern Art, was given about $ 50,000 to spend on contemporary art for the Rose by a couple from New York, Leon Mnuchin and his wife, Harriet Gevirtz - Mnuchin, who had inherited the sArt, was given about $ 50,000 to spend on contemporary art for the Rose by a couple from New York, Leon Mnuchin and his wife, Harriet Gevirtz - Mnuchin, who had inherited the sart for the Rose by a couple from New York, Leon Mnuchin and his wife, Harriet Gevirtz - Mnuchin, who had inherited the sum.
A former curator of modern and contemporary art (Philadelphia Museum of Art; Seattle Art Museum), she has published widely on Trisha Brown in international museum catalogs and academic journaart (Philadelphia Museum of Art; Seattle Art Museum), she has published widely on Trisha Brown in international museum catalogs and academic journaArt; Seattle Art Museum), she has published widely on Trisha Brown in international museum catalogs and academic journaArt Museum), she has published widely on Trisha Brown in international museum catalogs and academic journals.
More than 75 of those paintings are currently on view in «Photorealism: The Sydney and Walda Besthoff Collection» at the New Orleans Museum of Art, curated by former NOMA curator of modern and contemporary art Miranda LaArt, curated by former NOMA curator of modern and contemporary art Miranda Laart Miranda Lash.
From their first days working in the studios of the former PS160, AAI's founding artists strove to nurture, support, and exhibit the work of underrepresented and emerging artists and curators, and invite the public to directly engage with contemporary art.
For «I Am For An Art Criticism That...» the new director of Witte de With, Defne Ayas, and associate curator, Amira Gad, managed to present an eminent line - up of participants, including Brian Kuan Wood, editor and co-founder of e-flux journal, Jörg Heiser, associate editor of Frieze magazine, Aimee Lin, former editorial director of the Contemporary Chinese art magazine «Leap», and Carol Yinghua Lu, a Chinese curatArt Criticism That...» the new director of Witte de With, Defne Ayas, and associate curator, Amira Gad, managed to present an eminent line - up of participants, including Brian Kuan Wood, editor and co-founder of e-flux journal, Jörg Heiser, associate editor of Frieze magazine, Aimee Lin, former editorial director of the Contemporary Chinese art magazine «Leap», and Carol Yinghua Lu, a Chinese curatart magazine «Leap», and Carol Yinghua Lu, a Chinese curator.
The exhibition is accompanied by a monograph — the first scholarly publication about the art collective — that features an artist project and includes writings by Cesar Garcia, curator, writer, and founding director of The Mistake Room in Los Angeles; former Blaffer Art Museum director and chief curator Claudia Schmuckli, Curator - in - Charge, Contemporary Art and Programming, Fine Arts Museums of San Francisco; and Naomi Beckwith, Marilyn and Larry Fields Curator, Museum of Contemporary Art Chicaart collective — that features an artist project and includes writings by Cesar Garcia, curator, writer, and founding director of The Mistake Room in Los Angeles; former Blaffer Art Museum director and chief curator Claudia Schmuckli, Curator - in - Charge, Contemporary Art and Programming, Fine Arts Museums of San Francisco; and Naomi Beckwith, Marilyn and Larry Fields Curator, Museum of Contemporary Art Ccurator, writer, and founding director of The Mistake Room in Los Angeles; former Blaffer Art Museum director and chief curator Claudia Schmuckli, Curator - in - Charge, Contemporary Art and Programming, Fine Arts Museums of San Francisco; and Naomi Beckwith, Marilyn and Larry Fields Curator, Museum of Contemporary Art ChicaArt Museum director and chief curator Claudia Schmuckli, Curator - in - Charge, Contemporary Art and Programming, Fine Arts Museums of San Francisco; and Naomi Beckwith, Marilyn and Larry Fields Curator, Museum of Contemporary Art Ccurator Claudia Schmuckli, Curator - in - Charge, Contemporary Art and Programming, Fine Arts Museums of San Francisco; and Naomi Beckwith, Marilyn and Larry Fields Curator, Museum of Contemporary Art CCurator - in - Charge, Contemporary Art and Programming, Fine Arts Museums of San Francisco; and Naomi Beckwith, Marilyn and Larry Fields Curator, Museum of Contemporary Art ChicaArt and Programming, Fine Arts Museums of San Francisco; and Naomi Beckwith, Marilyn and Larry Fields Curator, Museum of Contemporary Art CCurator, Museum of Contemporary Art ChicaArt Chicago.
He is the former Director of the Museum Ludwig, Cologne and Senior Curator at the Museum of Contemporary Art, Los Angeles.
Originally conceived by the Michener's former director Bruce Katsiff, these exhibitions were juried from submissions by some of the most accomplished artists in the Philadelphia region, using the experience and skills both of Michener staff members and two distinguished curatorial consultants: writer and independent curator Judith E. Stein and Judith Tannenbaum, who recently retired from her position as Richard Brown Baker Curator of Contemporary Art at the Museum of Art Rhode Island School of curator Judith E. Stein and Judith Tannenbaum, who recently retired from her position as Richard Brown Baker Curator of Contemporary Art at the Museum of Art Rhode Island School of Curator of Contemporary Art at the Museum of Art Rhode Island School of Design.
Ellina Kevorkian is an artist, independent curator, and former artistic director for residency programs at the Bemis Center for Contemporary Arts, Omaha, NE.
Among them are Paul Schimmel, the longtime chief curator at the Museum of Contemporary Art in Los Angeles, who partnered with Hauser & Wirth two years ago to develop Hauser Wirth & Schimmel, a hybrid, museum - like gallery in a sprawling former flour mill in downtown Los Angeles, which will open early next year.
Mergel is an independent curator, former Senior Curator of Contemporary Art at the Museum of Fine Arts, Boston, and current Vice President, Programming, for the Association of Art Museum Curators, an international membership group for the art curatorial profcurator, former Senior Curator of Contemporary Art at the Museum of Fine Arts, Boston, and current Vice President, Programming, for the Association of Art Museum Curators, an international membership group for the art curatorial profCurator of Contemporary Art at the Museum of Fine Arts, Boston, and current Vice President, Programming, for the Association of Art Museum Curators, an international membership group for the art curatorial professiArt at the Museum of Fine Arts, Boston, and current Vice President, Programming, for the Association of Art Museum Curators, an international membership group for the art curatorial professiArt Museum Curators, an international membership group for the art curatorial professiart curatorial profession.
Speakers: Iwona Blazwick — Director, The Whitechapel Gallery; Sonia Boyce — Artist; Caroline Douglas — Director, Contemporary Art Society; Ann Gallagher — Curator and Head of Collections, Tate; Professor Hilary Robinson — Dean of Art and Design, Middlesex University and author of Feminist - Art - Theory: An Anthology 1968 - 2000; Vanessa Jackson — Artist, former Senior Tutor at The Royal Academy Schools; Elizabeth Neilson — Director of The Zabludowicz Collection and Jennifer Thatcher — Art Critic.
Presenters included artist Lissa Hunter, former Maine Arts Commission director Donna McNeil, Rose Contemporary Director Virginia Rose, Maine Jewish Museum curator Nancy Davidson and Portland Museum of Art Director Mark Bessire.
Kirsty Ogg On the opening night of British New Contemporaries at the Institute of Contemporary Art, we spoke to the competition's director and former curator at the Whitechapel Gallery, Kirsty Ogg, about curating this year's exhibition in London, the selection process and how BNC acts as a barometer for conteContemporary Art, we spoke to the competition's director and former curator at the Whitechapel Gallery, Kirsty Ogg, about curating this year's exhibition in London, the selection process and how BNC acts as a barometer for contemporary aArt, we spoke to the competition's director and former curator at the Whitechapel Gallery, Kirsty Ogg, about curating this year's exhibition in London, the selection process and how BNC acts as a barometer for contemporarycontemporary artart.
Weyland is represented by Kerry Schuss and lives in Tucson, Arizona, where he is the former chief curator of the Museum of Contemporary Art, Tucson.
Medina has written extensively on contemporary art and is a former curator of contemporary art at the Museo de Arte Carrillo Gil in Mexico City.
The jurors: • Daniel Birnbaum (Sweden)-- Director of the Städelschule Art Academy, Frankfurt am Main; Director of the Venice Biennale 2009 • Okwui Enwezor (Nigeria)-- Director of Documenta XI; Former Dean of Academic Affairs and Senior Vice President at San Francisco Art Institute • Yuko Hasegawa (Japan)-- Chief Curator of the Museum of Contemporary Art Tokyo (MOT); former Chief Curator of the 21st Century Museum of Contemporary Art, Kanazawa • Ivo Mesquita (Brazil)-- Chief Curator at the Pinacoteca do Estado de São Paulo; Curator of the 2008 São Paolo Biennial • Eckhard Schneider (Germany)-- General Director of the PinchukArtCentre • Robert Storr (USA)-- Dean of the Yale University School of Art; Director of the Venice Biennale 2007 • Ai Weiwei (China)-- Former Dean of Academic Affairs and Senior Vice President at San Francisco Art Institute • Yuko Hasegawa (Japan)-- Chief Curator of the Museum of Contemporary Art Tokyo (MOT); former Chief Curator of the 21st Century Museum of Contemporary Art, Kanazawa • Ivo Mesquita (Brazil)-- Chief Curator at the Pinacoteca do Estado de São Paulo; Curator of the 2008 São Paolo Biennial • Eckhard Schneider (Germany)-- General Director of the PinchukArtCentre • Robert Storr (USA)-- Dean of the Yale University School of Art; Director of the Venice Biennale 2007 • Ai Weiwei (China)-- former Chief Curator of the 21st Century Museum of Contemporary Art, Kanazawa • Ivo Mesquita (Brazil)-- Chief Curator at the Pinacoteca do Estado de São Paulo; Curator of the 2008 São Paolo Biennial • Eckhard Schneider (Germany)-- General Director of the PinchukArtCentre • Robert Storr (USA)-- Dean of the Yale University School of Art; Director of the Venice Biennale 2007 • Ai Weiwei (China)-- artist
MORNING PROGRAM 9:30 - 9:45 Dr. Steven Nash Chief Curator / Deputy Director, Dallas Museum of Art Introductions 9:45 - 12:00 Panel Discussion Sue Graze, Moderator Curator of Contemporary Art, Dallas Museum of Art Panelists: Richard Andrews Director, Visual Arts Program The National Endowment for the Arts Scott Burton Artist, New York City Kathy Halbreich Former Director, Albert and Vera List Visual Arts Center, Massachusetts Institute of Technology Architect, to be announced 12:00 - 12:30 Panel discussion, question and answer period 12:30 - 2:00 Lunch available in the DMA Gallery Buffet.
Beuys Kantor: Remembering is curated by Jaromir Jedlinski, former director of the Muzeum Sztuki, Lodz, under the direction of Suzanne Landau, Yulla and Jacques Lipchitz Chief Curator of the Fine Arts and Landeau Family Curator of Contemporary Art at the Israel Museum.
Kery James Marshall's «Mastry «exhibit, is co-organized with The Metropolitan Museum of Art and the Museum of Contemporary Art, Los Angeles, and cocurated by former Manilow Senior Curator Dieter Roelstraete; Helen Molesworth, Chief Curator at LAMOCA; and Ian Alteveer, Associate Curator at The Met; with the assistance of Karsten Lund, former Curatorial Assistant, and Abigail Winograd, former Research Associate at the MCA.
Former guest curators have included: Laurie Simmons, artist; Liam Gillick, artist; Daniel Birnbaum, Director of the Städelschule Art Academy and Portikus Gallery, Frankfurt, Germany; Douglas Gordon, artist; Jens Hoffmann, Director of Exhibitions Institute of Contemporary Art, London, England; Nathan Carter, artist.
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