Sentences with phrase «former exhibitions director»
There will also be a section called Collections curated by Sir Norman Rosenthal, the former exhibitions director of the Royal Academy, which shines a light on the collecting passions of various people in the art business.
https://www.theguardian.com/ Not exact matches
Curated by FOR - SITE Foundation Executive Director Cheryl Haines, the thematic, site - responsive exhibition will be installed in former military structures overlooking the San Francisco Bay — some open to the public for the first time — and brings together work by 16 contemporary artists and collectives from around the globe to reflect on the human dimensions and increasing complexity of national security, including the physical and psychological borders we create, protect, and cross in its name.
Reed Travel Exhibitions, organiser of Arabian Travel Market (ATM), has given former group exhibition director Mark Walsh an expanded remit and directive.
Automotive journalist and museum consultant Ken Gross, former director of the Petersen Automotive Museum, is the exhibition curator, and Barbara Wiedemann of the NCMA is managing curator.
Organized by the Virginia Museum of Fine Arts in partnership with the Munch Museum in Oslo, the exhibition was conceived and organized by John B. Ravenal, Executive Director of deCordova Sculpture Park and Museum and former Sydney and Frances Lewis Family Curator of Modern and Contemporary Art at the VMFA.
A two volume exhibition catalogue documents both exhibitions and features contributions by Hamza Walker, LAXART Executive Director and former Director of Education and Associate Curator at the Renaissance Society, and Michael Rooks, Wieland Family Curator of Modern and Contemporary Art at the High Museum of Art.
The exhibition's development has been supported by a curatorial advisory committee which includes, Erika Balsom, Lecturer, Film and Liberal Arts, King's College London; Heather Corcoran, Former Executive Director, Rhizome; Ed Halter, Co-Director Light Industry, Assistant Professor, Bard College; and Sarah Perks, Artistic Director, Cornerhouse and HOME, and Professor at Manchester School of Art.
To coincide with the final day of this exhibition, Steve McQueen will discuss his work in conversation with Sir Nicholas Serota, the former Director of the Tate Museum, at Plaza Cinema in Truro.
Rodrigo Moura, former Director of Art and Cultural Programmes at the Inhotim Institute, is the commissioner for this exhibition and has selected over 200 pieces that showcase the artistic tastes of the collector.
10:30 am Panel: The Exhibition, The Contemporary Arts Center, and Arts Censorship Moderated by Raphaela Platow, Director, Contemporary Arts Center, Cincinnati, with panelists: Dennis Barrie, Principal, Barrie Projects, and former Contemporary Arts Center Director, Cleveland; Jock Reynolds, Director, Yale University Art Gallery, New Haven; and H. Louis Sirkin, Senior Counsel, Santen & Hughes, and former trial counsel to Dennis Barrie and the Contemporary Arts Center, Cincinnati; and Michael Ward Stout, President, The Robert Mapplethorpe Foundation, New York
The exhibition was curated by Tàpies scholar Manuel Borja - Villel, director of the Museo Nacional Centro de Arte Reína Sofía in Madrid (Museo Reína Sofía) and former director of the Fundacio Antoni Tàpies in Barcelona.
The exhibition is organized by Carolyn Peter, director at the Laband Art Gallery, Loyola Marymount University and former associate curator at the Grunwald Center for the Graphic Arts, Hammer Museum.
Maura Reilly, former director of the Linda Pace Foundation, handpicked Diaz for the upcoming exhibition before leaving her post in 2014.
Colin Gleadell interviews Emma Dexter, former curator at Tate Modern, who is now Exhibitions Director at Timothy Taylor Gallery:
The exhibition is accompanied by a comprehensive book featuring a newly commissioned essay by Angela Vettese, former President of the International Jury of the Venice Biennale and director of the graduate programme at the Università Iuav di Venezia.
Studio Visitors 2014 Christopher Allen, Founder, Director of UnionDocs Alexander Benenson, Independent Curator Heather Darcy Bhandari, Director, Mixed Greens Gallery Jennifer Blessing, Senior Curator of Photography, Guggenheim Museum Sherry Dobbin, Director of Public Art, Times Square Alliance Taraneh Fazeli, Education Associate, New Museum of Contemporary Art Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Media Gabriel Florenz, Chief Operations Officer, Pioneer Works Larissa Harris, Curator, Queens Museum Paddy Johnson, Editor, Art Fag City Naima Keith, Assistant Curator, Studio Museum Emily Liebert, Curatorial Assistant, Department of Painting and Sculpture, MoMA Barbara London, Independent Curator / Writer, Former longtime Curator of Media and Performance, MoMA Jennifer McGregor, Director of Arts and Senior Curator, Wave Hill Julie McKim, Director, Kunsthalle Galapagos Magdalena Sawon, Owner / Director, Postmasters Gallery Manon Slome, President and Chief Curator, No Longer Empty Cara Starke, Director of Exhibitions, Creative Time Lumi Tan, Associate Curator, The Kitchen Gregory Volk, Writer, Art in America
But, as former director of the Brooklyn Museum, I've done numerous exhibitions dealing with African American artists, either as large solo exhibitions or in large group exhibitions.
Over the years, through a series of high - profile exhibitions and a booming performance program, the museum, led by director Joseph C. Thompson, has brought life to a run - down, former factory town.
Co-curated by Alfred Pacquement, the former director of the Centre Pompidou (which staged a groundbreaking retrospective of Hantaï works in 2013), the exhibition primarily tracks Hantaï's early use of his «pliage» method - an intricate technique of folding and knotting an unstretched canvas before Hantaï painted the configuration, unfolded and then stretched it, so that colourful geometric shards and unpainted negative space were revealed.
Each exhibition will be organized by curators with specific expertise in the area of focus, with WhiteBox artistic Director Juan Puntes curating the China - focus exhibition, independent curator Kyoko Sato for Japan, WhiteBox Curatorial Advisors Blanca de la Torre and Raúl Zamudio for Mexico and Latin America, and the former Yugoslavia portion curated by WhiteBox Director of International Programming Lara Pan, in collaboration with museum curators from across the region.
Cocurated by Alfred Pacquement — the former Musée National d'Art Moderne director who previously helped organize the artist's 2013 retrospective at the Centre Pompidou — and uniting fourteen large - format paintings, the exhibition tracked Hantaï's production in the crucial years 1960 — 71, when he developed his signature practice of pliage: painting variously crumpled or knotted canvases and then subsequently unfolding and stretching them for exhibition.
The exhibition is co-organized by Terrie Sultan, Director of the Parrish Art Museum, Long Island, NY, and Colin Westerbeck, an internationally acclaimed author, independent curator, and former curator of photography at the Art Institute of Chicago.
The exhibition will be accompanied by a fully - illustrated catalogue authored by Dr. Kellie Jones, Associate Professor in Art History and Archaeology and the Institute for Research in African American Studies at Columbia University, with an introduction by Dr. Robert Storr, former Dean of the Yale School of Art, and a contribution by Alanna Heiss, founder and former director of P.S. 1 and current founder and director of Clocktower Productions.
A fully illustrated catalog of the exhibition includes a conversation with Alice Quinn, director of the Poetry Society of America and former poetry editor of The New Yorker, that elucidates the back - stories and the processes of Wynne's art.
Its authors include David Anfam, author of the seminal book Abstract Expressionism (1990); Susan Davidson, Senior Curator, Collections and Exhibitions, at the Solomon R. Guggenheim Museum, New York; Edith Devaney, Contemporary Projects Curator, Royal Academy of Arts; Jeremy Lewison, former Director of Collections at the Tate; Carter Ratcliff, author of Fate of a Gesture: Jackson Pollock and Postwar American Art (1996); and Christian Wurst, researcher for The Catalogue Raisonné of the Drawings of Jasper Johns (forthcoming).
Xandra Eden, Executive Director & Chief Curator, DiverseWorks (former Curator of Exhibitions, Weatherspoon Art Museum)
Nat May, the former executive director of SPACE Gallery in Portland, will curate the 2018 biennial exhibition of contemporary art at the Portland Museum of Art.
In agreeing to curate the 2018 PMA Biennial, Nat May, the former executive director of Portland's groundbreaking alternative arts venue SPACE Gallery, wanted to ensure the exhibition raised awareness of the cultural moment in Maine and America, and focus on artists participating in those conversations.
The exhibition was curated by Heidi Zuckerman Jacobson, former Phyllis Wattis MATRIX Curator and now director and chief curator of the Aspen Art Museum.
Invited by former museum director Lynn Zelevansky, Schaffner is a curatorial innovator — and Pittsburgh native — known for her intensely researched and widely accessible exhibitions.
The gallery has documented the exhibition with a catalogue, which features an interview between the artist and Rachel Cozad, former director of the Kemper Museum of Contemporary Art.
This comprehensive catalogue, published to accompany the eponymous exhibition on view at Dominique Lévy London February through March 2016, features a commissioned essay by Angela Vettese, former President of the International Jury of the Venice Biennale and director of the graduate programme at the Università Iuav di Venezia.
Beeler Gallery's new Director of Exhibitions Jo - ey Tang will speak with his predecessors Dr. Natalie Marsh (Director and Chief Curator of the Gund Gallery, Kenyon College), Michael Goodson (Senior Curator, Wexner Center for the Arts) and James Voorhies (Dean of Fine Arts, California College of the Arts), as well as Assistant Director of Exhibitions and former Interim Director of Exhibitions Ian Ruffino about the unique role of galleries within an art school context, the evolution of Beeler Gallery, and what it means to «take over» a space from a predecessor.
The exhibition is a portrait of a giant of modernist abstraction from a particularly intimate and revealing point of view,» said Karen Wilkin, who served as guest curator along with Marcelle Polednik, MOCA's former executive director.
The exhibition is accompanied by a monograph — the first scholarly publication about the art collective — that features an artist project and includes writings by Cesar Garcia, curator, writer, and founding director of The Mistake Room in Los Angeles; former Blaffer Art Museum director and chief curator Claudia Schmuckli, Curator - in - Charge, Contemporary Art and Programming, Fine Arts Museums of San Francisco; and Naomi Beckwith, Marilyn and Larry Fields Curator, Museum of Contemporary Art Chicago.
Originally conceived by the Michener's former director Bruce Katsiff, these exhibitions were juried from submissions by some of the most accomplished artists in the Philadelphia region, using the experience and skills both of Michener staff members and two distinguished curatorial consultants: writer and independent curator Judith E. Stein and Judith Tannenbaum, who recently retired from her position as Richard Brown Baker Curator of Contemporary Art at the Museum of Art Rhode Island School of Design.
The exhibition is accompanied by a fully illustrated catalogue, which includes essays by Miranda Lash; Eleanor Heartney, critic for Art in America; Patricia C. Phillips, Associate Provost at the Rhode Island School of Design; Patricia Covo Johnson, former critic for the Houston Chronicle; and Herb Tam, Curator and Director of Exhibitions at the Museum of Chinese in America; and poet Andrei Codrescu.
According to Kristina Van Dyke, former curator for collections and research at the Menil Collection and now the director of The Pulitzer Foundation for the Arts, one of the points of origin of the three - part exhibition - and the inspiration for its title - is a body of sculptural installations by Stephen Friedman Gallery artist Yinka Shonibare (born 1962) based on paintings by Jean - Honoré Fragonard.
Art melds with design at Studio Leigh, a commissioning and exhibition space in Old Street set up by Mario Testino's former art director Tayah Leigh Barrs.
Trina, Cory and Samantha were formerly titled Directors, while Teneille's former title was Head Artist Liaison and Exhibitions Coordinator.
The exhibitions program are part of a strategic initiative introduced by the new director of the Glass House, Henry Urbach, who is leading efforts to rededicate the site as a lively, creative cultural center consistent with the spirit and values of its former occupants, renowned architect Philip Johnson and independent curator David Whitney.
As a gratifying collection of new work by a vast range of Chicago - based artists, this exhibition aims to create «a contemporary sense of semiotic flexibility as a whole while allowing for individual experiences,» according to the catalogue essay by curator Britton Bertran, former director of the city's Gallery 40,000.
The exhibition presents album covers designed by John Berg, a former Art Director and Vice President of Columbia Records.
A former Director (2000 - 06) of CCA Wattis Institute, at California College of the Arts in San Francisco, he has curated numerous group shows at the Hayward Gallery over the past 11 years, including The Painting of Modern Life (2007), Psycho Buildings (2008), an exhibition that included interactive and immersive installations by artists such as Mike Nelson, Gelitin and Do - ho Suh; and The Infinite Mix (2016); he also has curated important retrospectives and solo exhibitions by Ed Ruschka, Jeremy Deller, Carsten Holler, Tracey Emin and George Condo.
The exhibition is curated by Olga Viso, executive director, Walker Art Center and Jeffrey Grove, former senior curator of special projects & research, Dallas Museum of Art.
A former Director (2000 - 06) of San Francisco's CCA Wattis Institute, he has curated numerous group shows at the Hayward Gallery over the past 11 years, including The Painting of Modern Life (2007), and Psycho Buildings (2008), an exhibition that included installations by artists such as Mike Nelson, Gelitin and Do - ho Suh.
Pope.L Joins Board of New York Institute of Fine Arts The New York Institute of Fine Arts added three new board members: artist Pope.L, director of undergraduate studies in the Department of Visual Arts at the University of Chicago; Jennifer Russell, former associate director for exhibitions at The Metropolitan Museum of Art and alumna of the Institute; and art historian Rachel G. Wilf.
The exhibition is conceived and supervised by Dr. Miyeko Murase (Professor Emerita, Art History and Archaeology Department, Columbia University and former special consultant for Japanese Art, Asia Department, The Metropolitan Museum of Art) with Dr. Masatomo Kawai (professor emeritus, Keio University and director, Chiba City Museum of Art) in consultation with Yukie Kamiya, director of Japan Society Gallery.
Kirsty Ogg On the opening night of British New Contemporaries at the Institute of Contemporary Art, we spoke to the competition's director and former curator at the Whitechapel Gallery, Kirsty Ogg, about curating this year's exhibition in London, the selection process and how BNC acts as a barometer for contemporary art.
Heather Darcy Bhandari (Director of Exhibitions, Smack Mellon) Carla Hernandez (SOHO20's Board President / Programs Chair) Nadja Verena Marcin (Artist and former + / - Project Space participant) Rachel Steinberg (SOHO20 Gallery Director)