Sentences with phrase «former film editor»

Being a former film editor, Clifford also talks about deleted material and unused scenes that would have made the film too hard for audiences, plus bits of trivia (such as Kevin Costner's extra work on «Frances» was the key to his acquiring a SAG card).

Anita is the former editor of The Hollywood Reporter and the former film editor of Variety.

Not exact matches

The editing doesn't quite feel as sharp as other Tarantino films - almost certainly due to the unfortunate loss of his former editor Sally Menke in 2010 - but editor Fred Raskin must be doing something right, making this nearly three - hour movie feel like it runs half the length.

Take My Nose... Please: The acclaimed film, directed by the 89 year - old first time filmmaker Joan Kron (former editor at Allure Magazine for over 25 years and at New York Magazine), is a comedic point of view on women and plastic surgery.

Yakuza stories within a modern gangster framework are immensely popular in the Japanese cinema, and Paul Schrader, former editor of the American film magazine Cinema, wrote a comprehensive survey of the genre for a Film Comment of about a year ago.

Both were, as the late Cannes veteran and former FILM COMMENT editor Richard Corliss would have said, «nifty» — smart, superior Hollywood crowd - pleasers that delivered guilt - free pleasure.

, with his former sidekick Bobby McCurdy while attending Austin's Bowie High School, and later became the chief film critic and movies editor at INsite Magazine and Study Breaks Magazine, as well as the film critic for Austin's Fox affiliate, KTBC (Fox 7 News).

FFF films were selected and presented by an esteemed crew of guest directors, film critics and scholars including: CBC Arts guru George Anthony; Mary Corliss, writer for Film Comment and Time.com and former head of the MOMA's Film Stills Archive; Richard Corliss, Time magazine critic; famed film critic Roger Ebert of Ebert & Roeper at the Movies; Jim Emerson, Editor of RogerEbert.com; veteran programmer for the Dubai & Bangkok film festivals, Hannah Fisher; Ross Johnson, arts writer for the L.A. Times and Esquire magazine; and Bruce Kirkland, Toronto Sun film critic.

The more curdled - than - cuddly holiday film already had offended this former copy editor even before I entered the theater.

Based on the real - life memoirs of Willie Morris (a former editor of Harpers), this film contains mild profanities and a few scary moments, like a challenge to spend one night in a cemetery, some threatening bootleggers, and a deer killed by hunters.

The Weinstein Company have teamed up with former Marvel and IDW editor Andy Schmidt, along with artists Chris Evenhuis, PH Marcondes, Keison, and Chee and VICE, to create a really cool web comic based on the film.

-- You will be guided through the Berlin International Film Festival Oliver Baumgarten (former Chief Editor «Schnitt») and other renowned film critics.

The issue — arguably the only issue — of exploitation is raised, and well, in the film's most honest scene: at an awards banquet feting Lopez (Robert Downey Jr.) for his profile of Nathaniel (Jaime Foxx), the former's editor / ex-wife Mary (Catherine Keener) excoriates Lopez for his reluctance to fully engage what had at that point become his near - total responsibility.

It gets messy during a section in the middle of the film, when editor Elliot Graham (21, Milk) jumps from flashbacks to the height of an argument between Jobs and his former boss, John Sculley (Jeff Daniels).

Herrmann animates, without overkill, Ebert's anecdotes of colorful Chicago Sun - Times colleagues, including late columnist Mike Royko and former editor James Hoge; leading actors John Wayne, Lee Marvin, and Robert Mitchum, among others; and great directors Martin Scorsese and Werner Herzog; and he makes genuine and touching Ebert's contentious but loving relationship with fellow Chicago film critic and TV partner Gene Siskel, who passed away in 1999.

The last biennial, which curators Elisabeth Sussman and Jay Sanders used as an opportunity to showcase the ways in which artists were embracing a hybridized approach to their mediums in order to invent new directions forward, was an enormous critical success — raising the stakes for this year's curators, the themselves - hybridized trio of former Tate Modern film curator Stuart Comer (now at MoMA), Art Institute of Chicago professor and artist Michelle Grabner, and ICA Philadelphia curator and WhiteWalls editor Anthony Elms.

In his May 24 Slate.com article, «Ask Mr. Science,» New Republic senior editor and Brookings Institution visiting fellow Gregg Easterbrook lauded former Vice President Al Gore's new film on global warming, An Inconvenient Truth, as «worthy in content, admirable in intent, and motivated by the sense of civic responsibility Hollywood on the whole has abandoned,» before baselessly assailing the film as factually imprecise and morally careless.