Sentences with phrase «former film studio»

Not exact matches

On Monday, the startup unveiled a new toy robot that former animators from film studios like DreamWorks (dwa) and Pixar helped design.
Paramount Pictures» former CEO says that two of her greatest film triumphs were previously passed on by several studios.
The former, which sells and installs beehives at various company locations, has inked contracts with clients including Delta and Chick - fil - A, while the latter works with film studios and directors including Darren Aronofsky — charging them as much as $ 50,000 a pop — to make a film or television production more ecologically friendly.
April 30 Private equity firm Lantern Capital is nearing a deal to acquire the Weinstein Company, the TV and film studio whose former chairman Harvey Weinstein faces sexual assault claims, with a $ 310 million offer, people familiar with the matter said.
The defendants in that case include Alain Kaloyeros, former president and CEO of the SUNY Polytechnic Institute, who's accused of rigging bids for a $ 750,000 contract tied to that project and $ 105 million in contracts for a film studio and manufacturing plant near Syracuse.
She then debated her film in the Daily Politics studio with former Conservative leader Lord Howard and shadow foreign secretary Douglas Alexander.
The former experimental film director instills eco-kudos in her bijoux by ensuring that all her gemstones and semi-precious stones are ethically sourced, and of course she hand - makes each piece in her own New York based studio.
Yet... Hiromasa Yonebyashi's latest effort is the first film of a subsequent studio; «Studio Ponoc» founded from his former employers at Ghibli hence the character designs look so similar honoring their past legacies in this latest animated offering from the Japanese.
A former Miami Beach lifeguard, strapping Ohio - born Bob Wilke performed stunt work in Hollywood films from 1936, often working for low - budget studios such as Republic Pictures and Monogram.
Born in Chicago, Leonard began as a stage actor, making his film debut in 1908 at the Selig Polyscope studios in Chicago; his directing career began in 1913 at Rex, a former independent then operating as a unit within Universal.
The company, which has a long and contentious legal history with former Relativity CEO Ryan Kavanaugh, filed an updated claim on Thursday about the «repeated misrepresentations about an illusory investment opportunity» in the studio behind films like Henry Cavill's «Immortals» and the recent Zach Galifianakis comedy «Masterminds.»
A red Devo hat sits discreetly on a tabletop in Mark Mothersbaugh's recording studio, where the former Devo frontman composed and conducted the score for all four of Anderson's films.
Other buzzy films to screen at ATLFF included Jason Reitman's «Tully,» starring Charlize Theron and distributed by Focus Features, and Brett Haley's «Hearts Beat Loud,» starring Nick Offerman and acquired by Gunpowder & Sky, a new global content studio helmed by the former CEO of Viacom, Van Toffler.
In 2013, he traveled to the former plantation where «12 Years a Slave» was filmed with director Steve McQueen, and more recently charted how the story of Columbine came to a stage in New York and watched Angelina Jolie take on her first big studio directing job, the «Unbroken» story of Olympian and USC alumnus Louis Zamperini.
Scott, who's coordinated but also done stunts himself on films like American Beauty and The Shawshank Redemption, got the Community job after running into former collaborators — Community director Adam Davidson and first assistant director Bob Roe — while working on the Paramount studio lot.
That's because the Shakespeare and Milton work in question are two big budget studio films with CGI - loving directors at the helm, and in the former's case it's more of an unraveling of the lore surrounding William Shakespeare than an adaptation.
In addition to 34 narrative and documentary feature - length films in competition, and eight shorts programs, the festival will feature panel discussions and workshops including «The Finest Hours» author Casey Sherman (and my former WBZ - TV colleague) who'll tell you how he got from «From Page to Screen» and turned his book into a major studio film shot in Massachusetts.
The former studio has long held the film rights to the X-Men and Fantastic Four properties, and since the latter studio has more than enough characters to fill out their cinematic universe, there hasn't been much need for cooperation between the two sides.
Coincidentally, it was also an era in which former Disney and game animator Don Bluth set up a studio in Dublin to make feature films.
After a stunning supporting role in The Lost City of Z, where a gaunt Pattinson was barely recognizable, the former heartthrob is following it up with the electrifying trailer for Good Time, a film from the most exciting indie studio operating today, A24.
Continue to Ouarzazate, a former colonial trading post now known for its movie studios where films such as Gladiator and Lawrence of Arabia were shot.
Former film director Josef Fares and the team behind Brothers: A Tale of Two Sons have opened a brand new independent studio.
Michael Simpson was interviewed by Roxanne Bagheshirin Lærkesen in his studio space — a former gasworks — and also filmed at Spike Island — an international centre for the development of contemporary art and design — in England, February 2016.
Film still from the series Make it Big 2002 Involving a remake of Antomoni?s Blow up set in a former colonial film studio on the outskirts of Karachi, Pakistan Film still 75 x 100 cm
The creator of her statue — the former YBA Gillian Wearing, best known for winning the Turner prize in 1997 with a film about a squad of policemen who refuse to laugh — admits with a giggle, when I track her down in her studio in Bethnal Green, east London, that before she got the commission she had never actually been in Parliament Square or looked at its statues.
Campbell was asked if he would like to follow the former Turner prize winner Steve McQueen into narrative film, working with the studios.
A recently built bike path winds along a canal across from the former power plant, and there is talk of creating a film production school and studio in the adjacent mill.
Some of our notable entertainment and media attorneys are: John Quinn, General Counsel of the Academy of Motion Picture Arts and Sciences, who has also represented entertainment and media clients in a number of high profile cases; Kathleen Sullivan, the former Dean of Stanford Law School, First Amendment scholar, and nationally renowned appellate advocate, who heads the firm's appellate practice group; Bob Raskopf, an expert in the sports, entertainment and media bars in New York, who is perhaps best known for his work on behalf of professional sports leagues and teams, newspapers and publishers; Claude Stern, who has represented a broad array of leading software developers, videogame manufacturers, online publishers and other media clients in all forms of intellectual property litigation, including copyright, patent, trade secret, trademark, and licensing disputes; Bruce Van Dalsem, who has tried and resolved disputes for studios, producers and performing artists in the film, television, music and finance businesses, securing a top five verdict in California based on the misappropriation of a film library; Gary Gans, an expert litigator in motion picture financing, production and distribution disputes, as well as copyright and idea theft cases, who has been named in 2012 by The Hollywood Reporter as one of America's «Top Entertainment Attorneys;» Jeff McFarland, who has litigated entertainment related cases for more than 20 years, including cases involving motion picture and television series profits, video game licenses, idea theft and the «seven year rule;» and Michael Williams, who represents a satellite exhibitor and other media clients in trademark, copyright, patent, antitrust and other commercial litigation.
-LRB-(Mr Smith, a Columbia Law School graduate and former partner at Frankfurt, Garbus, Klein & Selz, has over two decades of litigation and other legal experience relating to the television and film production industries, broadcast networks, motion picture studios, and production companies.)-RRB-
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