The air of intellectual European refinement around Georges and
former piano teacher Ann feels like an unnecessary distancing device — and the fact that they're given the same generic Haneke names (nearly all his films» couples are named Georges and Ann) should set off some kind of alarm bell.
As
a former piano teacher, I have observed a lot of «constantly correcting their manners, deriding their mistakes, and unnecessarily intruding as kids try to perform the simplest tasks.»
Not exact matches
I saw The
Piano Teacher the day after Caché (like everyone else, I am crunching for my decade list) and the
former just resonates with me so much more.
Former music
teachers, they attend a concert by an outstanding protégé; a grand
piano has pride of place in their cozy living room, filled with a lifetime of books, photographs, recorded music.