Sentences with phrase «former views of your church»

Not exact matches

Second, because of the former collusion between colonial expansion and mission, many countries still view the church as a foreigner in their midst.

As a former Catholic, I still have lots of issues with the Church and its views surrounding family planning and women.

From Boff's presentation it becomes clear that the specific image of the Trinity is being moulded by the needs of society which, in turn, is being viewed from a socially understood Trinity.12 The former becomes clear from his starting point which lies with the needs in church, society and cosmos, and with the opposition to a hierarchical church, an undemocratic society and a disregarded natural environment.13 The latter results from his dogmatic and historical treatment of the doctrine of the Trinity, especially from his developing the notion of perichoresis.

The second group reduces kingdom to redemptive power and therefore it becomes a spirituality or personal salvation or healing or a charismatic moment or a social act that breaks through with God's will or a cultural good that evokes God's will now done on earth — and like the former view — out goes Israel and the church and we lose the dynamic of the kingdom.

Bristow demonstrates consistently that the former view underlies the teaching of the Church and of those theologians who cooperate with it constructively, and that the latter is the source of much dissent and of the relativism which undermines the truth about man.

Villa Malta Suite's views, which include the church of Trinità dei Monti and Rome beyond, were said to inspire poet, playwright and former guest Ga - briele D'Annunzio, whilst the Villa Medici Presidential Suite's captivating city vistas were enjoyed by John F. Kennedy Jr..

The installation can be viewed from multiple places inside the church, conjuring memories of her 2016 installation ROIL at Smack Mellon in Brooklyn, set inside a former boiler building in DUMBO.

SHOWS (selection) 2014 still on view: Kunst im Bau 5, installation in the former engineering workshops of the Isarthal Railway, Munich (curator Christoph Nicolaus) UNPAINTED media art fair, Munich, lab 3.0: positions of media art (curator Li Zhenhua) 2013 ikono On Air Festival on ikonotv, ikono Menasa and numerous locations in Berlin Villa Biesental, Berlin, K - Geist 100 Economy Pack Installation in the studio building of the City of Munich, K - Geist 100 Studio, (with Jutta Burkhardt) 2012 Satellite For Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germany

The icons are dispersed throughout various public and private collections, including the Dia Art Foundation, the Judd Foundation (Donald Judd was one of the artist's closest friends), and the National Gallery of Canada, but since April five of the eight have been on view at the Dan Flavin Art Institute in Bridgehampton, a former firehouse and Baptist church renovated under Flavin's direction in the early 1980s and housing a permanent installation of his fluorescent light - tube sculptures.

The exhibition consists of three works: a wallpaper covering the façade of the historic building, a video, projected onto a stage (also to be viewed from the former church's mezzanine), and a large - scale neon text piece.