Sentences with phrase «forming elaborate patterns»

Conscious of the different moods that the combination of colors would evoke, Ding superimposes layer upon layer of the motifs, forming elaborate patterns that resemble the flat surfaces of traditional cloth weaves, fields of green and yellow, or even the pixelated grids of digital art.

Not exact matches

Fogler's group found those can form elaborate geometric patterns in granules of spheroidal shape.
This elaborate pair of dangle earrings is handcrafted of silver to form triangle shapes that result in spiral patterns.
One must carefully navigate the tight spaces between five separate «island» forms that compose the installation; black panels emphasizing different degrees of depth punctuate those with elaborate color and pattern.
In several paintings women are featured in elaborate tignons, an 18th century headdress imposed by law for women of color in New Orleans and a tradition that although imposed as a form of oppression became, through elaborate patterning and design, a symbol of power and beauty.
Working in a stunning variety of materials — including wood, stone, metal, plaster, resin, acacia thorns — the artist makes palpable and present the analogous processes of nature and art: carving large trees along their growth patterns to reveal the sapling contained within; elaborating the interior space of his closed hand into a large - scale sculpture that both contains his hand and enlarges the space it contains; rendering the swirling mists of his breath in the cold in tactile clay forms that contain the impression of his body.
Adorned in elaborate headdresses and jeweled designs, the female muses of Iannone's painted motifs (almost always self - portraits) commingle and collide at various angles with the male form — most often that of her longtime lover, the German - Swiss artist Dieter Roth — while intricately patterned mandalas radiate crystalline hues of gold, royal blue, and crimson.
In the autumn of 1967 Frederick Hammersley gave a series of lectures in Claremont, California in which he laid out and elaborated on what he considered to be the seven essential elements of the painter's language: shape, line, value, color, form, pattern, and texture.
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