Conscious of the different moods that the combination of colors would evoke, Ding superimposes layer upon layer of the motifs,
forming elaborate patterns that resemble the flat surfaces of traditional cloth weaves, fields of green and yellow, or even the pixelated grids of digital art.
Not exact matches
Fogler's group found those can
form elaborate geometric
patterns in granules of spheroidal shape.
This
elaborate pair of dangle earrings is handcrafted of silver to
form triangle shapes that result in spiral
patterns.
One must carefully navigate the tight spaces between five separate «island»
forms that compose the installation; black panels emphasizing different degrees of depth punctuate those with
elaborate color and
pattern.
In several paintings women are featured in
elaborate tignons, an 18th century headdress imposed by law for women of color in New Orleans and a tradition that although imposed as a
form of oppression became, through
elaborate patterning and design, a symbol of power and beauty.
Working in a stunning variety of materials — including wood, stone, metal, plaster, resin, acacia thorns — the artist makes palpable and present the analogous processes of nature and art: carving large trees along their growth
patterns to reveal the sapling contained within;
elaborating the interior space of his closed hand into a large - scale sculpture that both contains his hand and enlarges the space it contains; rendering the swirling mists of his breath in the cold in tactile clay
forms that contain the impression of his body.
Adorned in
elaborate headdresses and jeweled designs, the female muses of Iannone's painted motifs (almost always self - portraits) commingle and collide at various angles with the male
form — most often that of her longtime lover, the German - Swiss artist Dieter Roth — while intricately
patterned mandalas radiate crystalline hues of gold, royal blue, and crimson.
In the autumn of 1967 Frederick Hammersley gave a series of lectures in Claremont, California in which he laid out and
elaborated on what he considered to be the seven essential elements of the painter's language: shape, line, value, color,
form,
pattern, and texture.