Sentences with phrase «forms photograph used»

«Freaks» are no less natural or ingenious than «normal» biological forms Photograph used with permission from Bucks County Courier Times / Jay Crawford.

Not exact matches

By registering for the conference you grant permission to pulsus Group to photograph, film or record and use your name, likeness, image, voice and comments and to publish, reproduce, exhibit, distribute, broadcast, edit and / or digitize the resulting images and materials in publications, advertising materials, or in any other form worldwide without compensation.

Using a 1,600 - pound Cold War - era camera (originally used to film nuclear tests) retrofitted with digital sensors and special software, Samaras strove to capture the dazzling moment a lightning strike is born, hoping these high - resolution photographs would provide insights into how lightning forms and why lightning bolts often follow an erratic path.

For me, the two visual landmarks come in the form of a cue to the cover design for Pink Floyd's 1977 «Animals» when hero Theo (Clive Owen) goes to see his industrialist cousin Nigel (Danny Huston) for help and a re-creation of Richard Misrach's remarkable series of 1987 photographs documenting, among other things, a dead - animal pit in Nevada purportedly used to dispose of victims of a plutonium «hot spot.»

This form of instructional teaching is highly effective and still has its place in the classroom, so schools that have invested in visualisers should still make use of them, as they can project images without the need for photographing or converting them for use on the display.

You can see from the example photograph that my students were able to use the structure strips to help form their response.

Parents can use their mobile devices or computers to complete forms more quickly, submit e-signatures, scan or photograph student documents, and upload them securely.

Entrant hereby releases, discharges, and agrees to release and hold harmless SEMA, its agents, representatives, affiliates, successors, and assigns from any liability, including, without limitation, any claims for libel, slander, or invasion of privacy, incurred by virtue of any blurring, distortion, alteration, optical illusion, or use in composite form, whether intentional or otherwise, that may occur in any works incorporating Entrant's name, voice, signature, photograph, or likeness, or in any reproductions thereof, as well as in any subsequent processing, broadcast or publication thereof.

Inspired by Edgar Lee Masters» classic Spoon River Anthology, Myers uses a variety of poetic forms and vintage photographs to explore the hopes, dreams, and disappointments of the iconic African American community

I would feel quite confident in going out on a limb and guessing that most owners of the iPad use the device in some form to scroll through albums of images and photographs.

By participating, each Customer and selected winner agrees: (a) to be bound by these Rules and the decisions of Virtual Brokers, (b) to release and hold harmless Virtual Brokers, its affiliates, subsidiaries, and independent contractors, and their respective directors, officers, employees, agents and representatives including advertising and promotion agencies, from any and all liability for claims / damages including, but not limited to, claims / damages for personal injury, for property damage with respect to acceptance, possession or use or misuse of the Prize or participation in the Raffle; (c) to permit Virtual Brokers to use his / her name, address, city, province, of residence, photograph, video, or any likeness for advertising or publicity purposes without any additional compensation and (d) the winner agrees to sign a Declaration and Release Form to this effect.

We will share with you results from research investigating the effects of photograph and video conditions on viewer interest and perceptions that, combined with practical advice from organizations around the region, form a set of best practice recommendations you can take back to your organization and immediately put to use.

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Multidisciplinary artist, Cate Woodruff, makes photographs using layers of reflective surfaces and homemade lenses to bend and distort the boundaries of matter beyond the existence of form.

Included in the exhibition are a series of paintings, photographs and collages that use the crystalline abstract structures of rocks and minerals to create visual relationships between seemingly disparate forms.

Fowler is a filmmaker who uses photographs, archival images and music, building experimental cinematic collages that ultimately deconstruct conventional thoughts about biography and the documentary; the viewer is drawn in and confronted with their own relationship to history and to film as an art form.

Some photograph themselves, some use images of their own nude form for painting references — either way, it's all them.

German artist Gerhard Richter has created Strontium, a large - scale mural for the new de Young derived from digitally - manipulated photographs, that together form a geometric black and white motif representing the atomic structure of strontium titanate, a synthetic substance often used to create artificial diamonds.

Azoulay, inspired by both their form and content, photographed the frames and used them as dominant elements in her collages.

Entering the galleries, visitors are invited to explore connections between a kaleidoscope of seemingly disparate objects such as Bentley's snowflake photographs, Shaker spirit drawings, Tibetan mandalas, Kabbalistic diagrams, and a wall - hanging by Iranian artist Monir Shahroudy Farmanfarmaian called First Family — Hexagon (2010) that uses six - sided forms.

Characterized by a seemingly objective, straightforward style and the use of large - scale, vibrantly colored prints, their work reflects the teachings of Bernd and Hilla Becher, professors at the Kunstakademie Düsseldorf, whose exacting style and dispassionate examinations of industrial forms are exemplified in their nine - photograph grid Water Towers (1972 — 2009).

And there are still regular photographers who just take these straight black and white photographs, but there are more and more people who are using it within other art forms and are mixing it all up, which didn't use to happen.

«Vertical Elevated Oblique» included C - stands used as workhorses for lighting, fabric, showcards and other apparatus in the film industry (Syms grew up in Los Angeles around this business and remains based in the city) strung with found photographs in which several hands were pictured forming the kind of gestures seen in her video, while items of the artist's clothing printed with phrases were also slung over these tubular frames, suggesting an absent body.

Luke Fowler is a filmmaker who uses photographs, archival images and music, building experimental cinematic collages that ultimately deconstruct conventional thoughts about biography and the documentary; the viewer is drawn in and confronted with their own relationship to history and to film as an art form.

Using the form of landscape photography, a tradition born with industrial expansion, these photographs evidence nature's force as it reclaims land subdued and ruled by a myopic civilization.

Desire as a Form of Energy (2015) is a new floor - standing work that expands Pirecki's Image Persistence series, using an image taken from digital documentation of an artwork the artist no longer owns, photographed directly from her computer screen with all the attendant pixelation.

He encouraged critical discussions and elevated the value of creative photography as an art form while using the magazine as a platform to espouse ideas on how to take and read photographs

Throughout the exhibition, Prager expertly guides the viewer to a predetermined end, using the play with proportion and form to question the assumption that a photograph faithfully represents reality.

This has fed into both the form and content of his photographs, which are captivatingly brutal, making use of a deeply emotive monochrome palette.

Street lamps in rural Thailand appear both foreign and familiar in Chris Mottalini's photographs, and John Murphy uses pinhole photographs to affectionately capture the male form while referencing the «fog of masculinity.»

His immaculately composed photographs explore the conjunction of nature and civilization, created in his work through a study of the forms and layout of the urban environment, and with a close look at the materials that comprise it, both in their source and end use.

Using techniques conventionally applied when photographing people, the photographs of the monkey parody this very sexualized and aggressive form of feminism.

By painting layer upon layer of whites and off - whites over silkscreened elements used in previous works — monochrome forms taken from reproductions, enlargements of details of photographs, screens, and polaroids of his own paintings — he accretes the surface of his pressurized paintings while apparently voiding their very substance.

A photograph in the exhibition catalogue shows the marble forms arranged on the artist's carving turntable approximately as they are now but still sitting on their «bankers» - the small palettes used for carving - and surrounded by sculptor's tools.

In each photograph Muholi takes on a different appearance, using different forms of dress and props including scouring pads, banknotes, clothes pegs and a mirror to emphasise the different facets of herself as a black, African, queer woman.

The grouping of this work with James Beckett's roboticized library of standard Modernist architectural forms, and Sammy Baloji's use of archival photographs to demonstrate the use of mapping as a tool for segregation in urban planning, is poignant.

The geometric forms used in the wall display and captured in the photograph resembled forms Smithson and several of his contemporaries, such as Donald Judd and Robert Morris had used in their sculpture a few years earlier.

The artist is known for his photographs that transform ordinary subject matter into distinct, poetic images through his distinct use of color, form and composition.

Sculpting gum she chewed into vaginal voids, photographing herself nude in various poses, and drawing watercolors that detailed the deterioration of her body from cancer treatments, Wilke used touch and extreme candor to explore feminine form.

Using natural found materials they are often very emphemeral, and are recorded in photographs of which several collections in book form have been published.

An outspoken human rights activist, Ai Weiwei infuses his sculptures, photographs, and public artworks with political conviction and personal poetry, often making use of recognizable and historic Chinese art forms in critical examinations of a host of contemporary Chinese political and social issues.

While the photogravures of Mazátlan insist on a more gestural relation to the image, abstracting it from its origin, the Looking for Langston photographs are presented both in their original form as silver gelatin works printed on Ilford paper and as large scale works where Julien has used both digital and analogue techniques to create an immersive, cinematic experience.

Photographs make up 30 % of the collection, with many of these works made in the late 1980s and early 90s, a period in which some artists used the documentary form of photography and related mediums to develop powerful portraits of themselves and their communities, while others highlighted the violence done to such communities.

Through the use of ephemera, letters, drawings, photographs and other printed matter, the book forms a parallel document to the gallery's own extensive 50 - year archive and runs to over 1,000 pages.

She infused a completely new set of materials: those she concocted and heavily documented in the laboratory of her studio — such as tinted polyester resin and polyurethane expanding foam — creating a post-human form of lamps that used casts made directly from her lips, to every day resources — pantyhose, newspaper clippings, photographs, with straw and resin, grass and foam — resulting in distinctly radical hybrids of the organic and inorganic.

The Listing REALTOR would have an obligation to explain any Industry Forms that are used to complete the listing process and they could take photographs from the Seller to put up on the MLS (Multiple Listing Service) and that's essentially it.

Additionally, whenever a subscriber does post a photograph on the site, it must complete an additional form warranting that he / she has the necessary authorizations to use the photograph.

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He also used a computer program that allowed us to actually see in photograph form of our actual house what each different design configuration would look like, giving us several different choices for our kitchen space.