Sentences with phrase «forms and color harmonies»

Not exact matches

Otherwise, the elements and criteria of the work are much the same; pigment color and property, paint binder of oil or gum arabic, form or composition, and asymmetrical balances, dissonances, and harmonies.

Focusing on form and rhythm as formal autonomous entities, the artist sets his figures hovering in baroque atmospheres awash with subtle color harmonies.

MIDTOWN & UPTOWN & HARLEM Rebecca Horn; Forms of Attraction / Kelly / 475 Tenth Avenue @ 36 / thru 6/21 James Siena / Dieu Donne / 315 W 36 / thru 6/29 Spencer Finch thru 1/11 Opening 6/20; Etc. / Morgan Library / 225 Madison @ 36 John Cage curated by Chris Murtha / Horticultural Society of NY / 148 W 37 / thru 5/23 Nikki Lindt / Heskin / 443 W 37 / thru 6/28 Opening 5/22 Washington Color Abstraction / Gabarron Foundation / 149 E 38 / thru 5/30 Failing to Levitate curated by Kerry Downey & Natasha Llorens / EFA Project Space / 323 W 39 / thru 7/3 Opening 6/6 Reception 6/19 S.Polke thru 8/3; Jasper Johns thru 9/1; Lygia Clark thru 8/24;... Silence thru 6/22; Gauguin thru 6/8; R.Heinecken thru 9/7; Etc. / MoMA / 11 W 53 Urs Fischer / Lever House / 390 Park @ 54 / thru 5/30 Frank Bowling / Spanierman / 625 W 55 — floor 5 / thru 5/28 Seven Decades of Optic Art / Davidson / 724 Fifth Ave. @ 57 — floor 4 / 5/13 thru 6/27 Reception 5/20 (5 - 7 PM) Emily Mason; Claire Falkenstein; Beatrice Mandelman; Nina Tryggvadottire / Findlay / 724 Fifth Ave. @ 57 — floor 8 / thru 5/24 John Newman / de Nagy / 724 Fifth Ave. @ 57 — floor 12 / thru 5/30 Fairfield Porter / Hirschl & Adler / 730 Fifth Ave. @ 57 / thru 6/13 Mark Rothko / Pace / 32 E 57 / thru 6/20 Elena del Rivero; Yvonne Estrada / McCoy / 41 E 57 / thru 6/16 Group / Alexandre / 41 E 57 / thru 5/23 Traces / Blum / 20 W 57 — floor 2 / thru 8/1 Opening 5/29 Jack Youngerman / Washburn / 20 W 57 — floor 8 / thru 6/27 Leon Kelly / Naumann — floor 3 / 24 W 57 / thru 5/23 Lothar Baumgarten / Goodman — floor 4 / 24 W 57 / thru 6/14 Alex Brown / Jancou / 24 W 57 — floor 6 / thru 6/21 Dana Melamed; Josef Fischnaller / Stux / 24 W 57 — floor 6 (new location) / thru 5/31 3,000 Years of Geometry / Seve / 37 W 57 / thru 5/24 Santiago Calatrava / Marlborough / 40 W 57 / thru 5/31 Look At Me / Heller / 43 W 57 (new, second location) / thru 8/29 Lucy Williams / McKee / 745 Fifth / thru 6/20 Dawoud Bey / Boone / 745 Fifth / thru 6/28 Out of Hand thru 7/6, Etc. / Museum of Art and Design / 2 Columbus Circle @ 59 Knud Lonberg - Holm / UBU / 416 E 59 / thru 8/1 Michael Scott & John Chamberlain: a conversation / Gering / 14 E 63 (new location) / thru 5/31 Lyonel Feininger / Moeller / 35 E 64 / thru 6/27 (extended) Billy Al Bengston / Franklin Parrasch / 53 E 64 (new location) / thru 6/28 Image and Matter curated by Yumiko Chiba / Boesky / 118 E 64 / thru 6/14 Mark Grotjahn / Blum & Poe / 19 E 66 (new in NYC) / thru 6/21 Lynda Barry / Baumgold / 60 E 66 / thru 7/11 Kan Yasuda / Eykyn - Maclean / 23 E 67 / thru 6/27 Horacio Zabala; Eduardo Kac / Faria / 35 E 67 / thru 6/21 Anna Maria Maiolino / Hauser & Wirth / 32 E 69 / thru 6/21 Copied / Roth / 160A E 70 / thru 6/20 Nalini Malani / Asia Society / 725 Park @ 70 / thru 8/3 Pierre Soulages / Levy / 909 Madison @ 73 / thru 6/27 Pierre Soulages / Perrotin / 909 Madison @ 73 / thru 6/27 Robert Rauschenberg / Starr / 5 E 73 / thru 5/23 Frank Stella / Van Doren Waxter / 23 E 73 / thru 6/27 Carved, Cast, Chrushed, Constructed / Freedman / 25 E 73 / thru 5/31 Peter Sis curated by Charlotta Kotik / Czech Center / 321 E 73 / thru 9/1 Aftershock / Edelman / 136 E 74 / thru 5/31 Harmony Korine / Gagosian / 821 Park @ 75 (new, additional location) / thru 6/21 Biennial; Etc. / Whitney Museum / Madison @ 75 / thru 5/25 Kathleen Kucka / Geranmayeh / 956 Madision @ 76 — floor 3 / thru 6/28 Opening 5/20 (6 - 9 PM) But that joke isn't funny anymore curated by Ryan McKenna / Tilton / 8 E 76 / thru 6/7 Jasper Johns; Roy Lichtenstein / Castellli / 18 E 77 / thru 6/27

Spontaneity and formal color harmonies combine with shaped - foam forms to create colorful transformations of a consumer - driven society.

In her 1941 text «Handweaving Today: Textile work at Black Mountain College,» she argued that art should grow from «a playful beginning, unresponsive to any demand of usefulness, an enjoyment of colors, forms, surface contrasts and harmonies — a tactile sensuousness.»

A substantial American School abstract oil comprising concentric rectangular forms in a palette of primary and secondary colors devolving in geometric harmony towards an ivory center...

It is undeniable, however, that Pousette - Dart can be seen as one of the most important American artists of his generation for the harmony of his work discovered through color resonance paired with a resounding concert of shapes and forms.

The monumentality of the figures and elements that compose my paintings does not follow the rules of perspectives, but simply helps me to create a general harmony... I am entirely unfettered in my use of form and color.

The striking quality of her portrait paintings and other art is the way she expresses color relationships and the interplay of light, shadow and form into balance with simple harmony.The striking quality of her paintings is the way she expresses color relationships and the interplay of light, shadow and form into balance with simple harmony.

Using a rough - textured sackcloth, he created a friezelike composition whose flat but monumental forms and exotic color create visual equivalents of the peace and harmony he had admired among the Polynesian natives.