Sentences with phrase «forms as a point of departure»

Taking the use of the age - old measurement unit the cubit (the length of a forearm) in ancient art forms as a point of departure, this show features artists who have developed their own systematic approaches to artmaking.

Not exact matches

19) of the Posterior Analytics, where Aristotle describes how the mind ascends to the first principles on which all science is grounded, he points out that the immediate point of departure of the inductive movement is not mere sense perception, but «experience»: «So from perception there comes memory, as we call it, and from memory (when it occurs often in connection with the same thing), experience; for memories that are many in number form a single experience.

[8] «The abstract category «labour,» «labour as such,» labour sans phrase, the point of departure of modern economics, thus becomes a practical fact only there [in the USA as the most modern form of bourgeois society].»

Puerto Pizarro's beautiful jetty is the departure point to visit the mangroves by boat, as it is an ecosystem formed by navigable canals which are part of the...

The three participants will consider, as points of departure, forms of reproduction enacted in Triple Canopy's 2014 Biennial installation, Pointing Machines.

Sikander's pioneering practice takes classical Indo - Persian miniature painting as its point of departure and challenges the strict formal tropes of the genre by experimenting with scale and various forms of new media.

Mixing pop culture with elements of Surrealism, French artist Pauline Curnier Jardin's theatrical films take history or myth as their points of departure and use improvisation, excessive characters and strange forms to create a «patchwork narration».

The sculptures exhibit a similar approach, with the artist taking the traditional sculptural portrait format of the bust as a point of departure and creating an unexpected composite through the addition of new forms and materials.

As an artist in residence during the R&D Season: SPECULATION, Knight completed production for Fall to Earth, which takes as its point of departure themes related to socially condemned speech and other forms of silencing or restraint and includes original scores created by different collaborating artists, inspired loosely by Salman Rushdie's magical - realist novel The Satanic Verses and other textAs an artist in residence during the R&D Season: SPECULATION, Knight completed production for Fall to Earth, which takes as its point of departure themes related to socially condemned speech and other forms of silencing or restraint and includes original scores created by different collaborating artists, inspired loosely by Salman Rushdie's magical - realist novel The Satanic Verses and other textas its point of departure themes related to socially condemned speech and other forms of silencing or restraint and includes original scores created by different collaborating artists, inspired loosely by Salman Rushdie's magical - realist novel The Satanic Verses and other texts.

This event forms part of our exhibition IN / DI / VISIBLE taking Achiampong and Blandy's work as a point of departure for artists» exploration of subjectivity and art's potential to represent new ways of being and becoming.

With the brushstroke as the artist's signature, here the acrylic sheets form the point of departure for a larger installational whole framed by a raised gangway along the walls of the exhibition space from which the audience can look at the work from above.

They elude straightforward classification, deftly using the representational as a point of departure into the abstract, allowing the subject to become incidental to the compositional form created.

By pairing three historical paintings of women by men with contemporary portraits of women predominantly by women, the exhibit takes as its point of departure the notion that both reading and authoring representational images is a form of feminist resistance.

Her wall installations, comics, charcoal drawings, and mixed media works on paper often take historical and mythic texts as inspiration and points of departure to complicate received ideas of iconic female forms.

The exhibition draws on Jakobson's distinctive ideas on the poetic function of language as a departure point for considering forms of expression situated beyond semantic clarity.

Taking 18th century furniture archetypes as his point of departure, Mr. Brajkovic makes innovative tables and chairs that mix surreal forms with fine woodcarving, bronze casting and embroidered fabrics.

Marco Antonini presents a slide lecture that takes Revolution in (Re) Form: More Thoughts on Abstraction Today, his eponymous essay for the exhibition NEW NEW YORK: Abstract Painting in the 21st Century as a departure point for an informed and timely analysis of recent trends in contemporary abstract painting.

About her process, Newman has said, «My paintings often take specific qualities of particular places as points of departure, but I try to approach the image without preconceived ideas and to discover forms through improvisation.»

The space includes a life cast used as the point of departure for a sculpture, and an early concrete work entitled Room V (1990) which initiated the artist's dialogue between architecture as a form of body space and the body as an inhabited object.

Using the life and work of Kurt Schwitters and his exile in Norway in the 1930s as a point of departure, artists such as Kenneth Goldsmith, Carl Michael von Hausswolff, Karl Holmqvist, Jutta Koether, Eline McGeorge and Selmer Nilsen presented works in various forms — homage, commentary and performance — providing a multi-dimensional take on Schwitters» life and art.

August 22 - December 13, 2014 Opening: Friday, August 22, 2014, 5 - 8 pm in presence of the artist WORKS With painting as its point of departure, Manish Nai, born 1980 in Gujarat, India, developed his practice into a unique form in which he pasted gunny cloth onto canvas and created increasingly complex patterns in the fabric by cutting out bits of the warp.

Throughout his career Parker used color as a point of departure, but as his style developed during the 1960s, his compositional forms became increasingly geometric.