Sentences with phrase «forms in primary colors»

His minimalist paintings are often comprised of circular forms in primary colors and display his knowledge of graphic design.

As a member of Grupo Frente, along with artists like Lygia Clark and Hélio Oiticica, Pape employs in her early work a universal language consisting of simplified forms in primary colors.

Not exact matches

My 4 year old knows about color mixing as it's a favorite of ours around here (in a variety of forms) however, we have not gotten into much of the vocabulary so used this opportunity to talk about primary and secondary colors as well as the color wheel.

It's a type of charge that borrows a naming convention from our understanding of visible light because it comes in three forms that must be combined to form a neutral state — similar to the way the three primary colors of light (red, green, and blue) combine to form «neutral» white light.

The primary clinch of this achievement is Stockholder's sensibility, which permeates all of the chosen works and follows a set of necessary prescriptions: the form must in some way be related to the readymade; the formal palette of the work must be intentional (either works are steadfastly the natural color of the material, or the artists» chosen colors directly relate to the concept of the piece); and above all the approach must be inventive, but avoid novelty.

Sawyer's free form shapes overlap / underlap or emerge by incising in her palate of primary colors plus black white and gray.

Slender wisps of brightly - colored «ribbons» of color applied directly with a lyrical, swooping brush are the predominant forms, rendered in primary colors applied from tube paints on his palette with brushes, rather than the frothy oil paints de Kooning concocted just a few years earlier.

Unlike Mondrian, however, Bolotowsky did not limit himself to primary colors in his painting, preferring instead to emphasize a variety of colors and geometric forms.

Delineated in high - key primary and secondary colors and sequenced horizontally across nine panels, they embodied the unifying thread here: abstraction as coded communication in pictographic form.

In Opposing # 15 by Frederick Hammersley, while the geometric forms seems to be in balance, the colors seem almost random, and are mainly primarieIn Opposing # 15 by Frederick Hammersley, while the geometric forms seems to be in balance, the colors seem almost random, and are mainly primariein balance, the colors seem almost random, and are mainly primaries.

The works in the exhibition span the breadth of LeWitt's printmaking career, from 1970 to 2006, exemplifying several major themes: complex forms, incomplete forms, lines in four directions and combinations of four colors (primary colors plus gray).

Made on stretched canvases, works like Mother and Child (2016), with its horizon line and eclipsed celestial bodies, have a strong relationship to landscape (a genre that greatly interested the artist in his student years at the Rhode Island School of Design), as well as to the modular paintings, with their strong geometric forms painted and primary colors.

The home, in particular, is an ongoing theme for Chun, whose third exhibition at Poem 88 delivers her familiar world of primary colors and basic shapes in a variety of media, fluctuating between recognizable imagery and geometric form.

She creates a personal and contemporary fiction within her works, bringing to light issues of race and representation throughout the history of traditional figurative painting: «My work is a form of tribute, analysis and intervention: tribute out of sincere admiration for the figurative tradition; analysis, by making something vast,» the role of race in the history of figurative painting «comprehensible to both myself and to my viewers; and intervention, by positioning a woman - of - color as primary picture - maker, in whose hands the figurative tradition is refashioned.»

The interplay of Daphnis» carefully chosen palette and dynamic shapes results in a vibrating, tension - ridden energy that allows color to be the primary element of the work, unconstrained by line or form.

In Sala de Dos Hermanos», horseshoe arches frame lyrical «Venus» forms in vibrant primary coloIn Sala de Dos Hermanos», horseshoe arches frame lyrical «Venus» forms in vibrant primary coloin vibrant primary color.

In the new works, Bradley tempers the use of color in bold, primary swathes with approaches to form and surface that remain resolutely contingenIn the new works, Bradley tempers the use of color in bold, primary swathes with approaches to form and surface that remain resolutely contingenin bold, primary swathes with approaches to form and surface that remain resolutely contingent.

Their tubular, conical, and cubed forms are laconically rendered in rough patches of primary colors plus green, black and white, as seen in the series of paintings with the title Contrasting Fforms are laconically rendered in rough patches of primary colors plus green, black and white, as seen in the series of paintings with the title Contrasting FormsForms.

This isn't an immediately satisfying thing for the viewer to experience, but getting lost in the unreal washes of color and how effortlessly they interact with forms and lines is where the primary pleasures of Welling's work are found, anyhow.

A substantial American School abstract oil comprising concentric rectangular forms in a palette of primary and secondary colors devolving in geometric harmony towards an ivory center...

Pushing the edges, often literally, of his primary disciplines, artist Tony DeLap has dedicated close to half a century to exploring the seam between sculpture and painting, merging the boarders of architecture, design and art, reducing to the most basic expression of form, shape, scale and color, while remaining devoted to the search for beauty in the creation of a simple object.

Artists representing various movements and geographical backgrounds are all there: Cubist, Dada, and Russian avant - garde artists of the 1910s and 1920s, with their images of flat, intersecting planes and floating shapes; artists associated with Minimalism, Op art, and hard - edge abstraction in the 1960s and 1970s, whose primary interest lay in the investigation of reductive form and color; and contemporary artists who continue to exploit the infinite potential of simple geometries.

Often pairing two opposing colors, as in the case of Contact, in these earlier works there is a discernible effort to put the principles of color theory to the test, while enlisting form as a primary component of the experiment.

He developed a rigorous form of abstract painting known as Neo-Plasticism, which generally reduces forms to geometrical shapes in primary colors.

Bradley is perhaps best known for his compositions of canvases in primary colors, which recall Color Field paintings and are arranged to form colossal, if schematic, human figures.

Months afterwards the results of Martinez's stylistic shift — near mural - sized canvases of primary colored forms set against open white backgrounds — are shown on exhibition at The Journal Gallery in Brooklyn.

This exhibition features four wall drawings of forms derived from the cube from the 420 series (first drawn in November 1984); two wall drawings rendered in primary colors and grey from the 412 series (first drawn in March 1984); wall drawing 540 — a floating cube (first drawn in September 1987); and two wall drawings from the 606 series with exuberantly colored backgrounds (first drawn in May 1989).