Sentences with phrase «forms of art since»

The idea of minimalism has existed through various forms of art since the 1950s.

Not exact matches

Since this art form was born in the courts of Genghis Khan and Timur it naturally depicts scenes of battles and the hunt — but chivalry and romance, youths and maidens dallying in gardens, and gorgeous receptions in princely courts are also represented, and of piety and mysticism there is no lack.

It is supremely a modern art form, since it is dependent upon the development of technologies of film production and transmission.

Because Sequoia Orange Co. has been growing high - quality citrus fruit in California for close to 40 years in its current form, the Exeter, Calif. - based company has long since perfected the art of growing oranges, President Jamie Wilson says.

He then used the concentration of naturally occurring but unstable uranium in the calcite to estimate how much time had passed since the popcorn formed, giving him a minimum age for the art.

The Hubs did a great job hanging these really large form pieces of art since they're quite big and some of them are quite heavy, not to mention plaster walls aren't the easiest.

Since I think of it as an art form, finding color combo inspirations from other art forms seems like a natural.

Michael O'Sullivan has covered the arts for The Washington Post since 1993, contributing reviews and features on film, fine art, theater and other forms of entertainment to Style and Weekend.

Hidden inside the London East Asian Film Festival's programme was a rare treat: three animated features celebrating the centenary of the birth of Japanese animation, an art form that has since grown to become one of the country's most important, valued cultural exports.

I love art, I love movies, and I consider films an important form of aesthetic visual expression, and this one features the most disturbingly gorgeous, darkly lush, effective dystopian cinematography since 2015's «Mad Max: Fury Road.»

Since then, Mahlangu has become an expert and authority figure in the execution of this art form, which was traditionally only done by women on special occasions.

Although motion pictures had existed since the turn of the century, it was D. W. Griffith's controversial but wildly successful The Birth of the Nation, released in 1915, that transformed what had been a flickering novelty into an art form.

Since 1982 it has been a UNESCO World Heritage Site, thanks not only to the architecture that dominates the city but also to some world - class museums and galleries including the Uffizi Gallery and the Pitti Palace, home to art and sculpture that forms the stuff of legends.

Some of those are arguable, since they almost all contain art that appears in the book in some form or another.

A short description of this year's show says that this major change in the exhibition's form is in response to «a city and art community that has changed dramatically since the first version of the survey.»

Building Material: Process and Form in Brazilian Art, features works by three generations of artists, emphasizing affinities between the materials, processes, and forms they have embraced since the Concrete and Neo-Concrete movements of the 1950s and 1960s.

Beginning with significant historical works from artists such as Richard Long, who was one of the first artists to make walking his art form, to Ana Mendieta, who carved and shaped her own figure into the earth and documented these private sculptural performances, to Michelangelo Pistoletto's performance, Walking Sculpture, in which he and a group of people walked a large newspaper ball down the streets of Turin, the exhibition will include works from all decades since the 60s and commission artists to create new work for 2017.

The first major exhibition of Morandi's later work in America since the acclaimed 2008 retrospective at the Metropolitan Museum of Art, New York, the show will focus primarily on the period during which he developed and refined his investigations of serial, reductive, and permutational forms and compositions — aspects that had a profound influence on twentieth - century and contemporary art and paintiArt, New York, the show will focus primarily on the period during which he developed and refined his investigations of serial, reductive, and permutational forms and compositions — aspects that had a profound influence on twentieth - century and contemporary art and paintiart and painting.

Since its inception 87 years ago, UMOCA has challenged and delighted visitors through its delivery of the contemporary arts in the form of compelling exhibitions, vital educational programs and community enrichment.

Since the 1960s there has been, on the one hand, a continuous production of art in all its familiar forms and, on the other, the set of circumstances we call art — its cerebral and phenomenological incarnations.

Through the practice of modern and contemporary sculptors, the three - dimensional art form has certainly come a long way since the marble busts and butts of yore.

Since their debut album in 2001, the Gorillaz project of Damon Albarn and Jamie Hewlett has been one of the most unique and art - driven music groups to ever form.

2013 More Love: Art, Politics and Sharing Since the 1990s, Cheekwood, Nashville, USA Imagine Brazil, Astrup Fearnley Museet, Oslo, Norway Circuitos cruzados: o Centre Pompidou encontra o MAM, Museu de Arte Moderna de Sao Paolo, Brazil Now Here is also Nowhere: Part II, Henry Art Gallery, Stroum Gallery, University of Washington, Seattle, USA More Love: Art, Politics, and Sharing since the 1990's, Ackland Art Museum, North Carolina, USA Qué Desear - Colleción de Arte Contemporáneo de la Fundación «la Caixa», Caixa Forum Barcelona, Spain Masters of Chaos, Caixa Forum, Madrid, Spain Scattered Showers - Forms of Weather, Frankfurter Kunstverein, Frankfurt, Germany Yes Naturally, how art saves the world, Gemeentemuseum Den Haag, Den Haag, The Netherlands The Insides Are on the Outside I O interior está no exterior, Casa de Vidro Lina Bo Bardi, Sao Paulo, Brazil YOU, Mostyn Gallery, País de Gales, Wales, United Kingdom KaboArt, Politics and Sharing Since the 1990s, Cheekwood, Nashville, USA Imagine Brazil, Astrup Fearnley Museet, Oslo, Norway Circuitos cruzados: o Centre Pompidou encontra o MAM, Museu de Arte Moderna de Sao Paolo, Brazil Now Here is also Nowhere: Part II, Henry Art Gallery, Stroum Gallery, University of Washington, Seattle, USA More Love: Art, Politics, and Sharing since the 1990's, Ackland Art Museum, North Carolina, USA Qué Desear - Colleción de Arte Contemporáneo de la Fundación «la Caixa», Caixa Forum Barcelona, Spain Masters of Chaos, Caixa Forum, Madrid, Spain Scattered Showers - Forms of Weather, Frankfurter Kunstverein, Frankfurt, Germany Yes Naturally, how art saves the world, Gemeentemuseum Den Haag, Den Haag, The Netherlands The Insides Are on the Outside I O interior está no exterior, Casa de Vidro Lina Bo Bardi, Sao Paulo, Brazil YOU, Mostyn Gallery, País de Gales, Wales, United Kingdom KaSince the 1990s, Cheekwood, Nashville, USA Imagine Brazil, Astrup Fearnley Museet, Oslo, Norway Circuitos cruzados: o Centre Pompidou encontra o MAM, Museu de Arte Moderna de Sao Paolo, Brazil Now Here is also Nowhere: Part II, Henry Art Gallery, Stroum Gallery, University of Washington, Seattle, USA More Love: Art, Politics, and Sharing since the 1990's, Ackland Art Museum, North Carolina, USA Qué Desear - Colleción de Arte Contemporáneo de la Fundación «la Caixa», Caixa Forum Barcelona, Spain Masters of Chaos, Caixa Forum, Madrid, Spain Scattered Showers - Forms of Weather, Frankfurter Kunstverein, Frankfurt, Germany Yes Naturally, how art saves the world, Gemeentemuseum Den Haag, Den Haag, The Netherlands The Insides Are on the Outside I O interior está no exterior, Casa de Vidro Lina Bo Bardi, Sao Paulo, Brazil YOU, Mostyn Gallery, País de Gales, Wales, United Kingdom KaboArt Gallery, Stroum Gallery, University of Washington, Seattle, USA More Love: Art, Politics, and Sharing since the 1990's, Ackland Art Museum, North Carolina, USA Qué Desear - Colleción de Arte Contemporáneo de la Fundación «la Caixa», Caixa Forum Barcelona, Spain Masters of Chaos, Caixa Forum, Madrid, Spain Scattered Showers - Forms of Weather, Frankfurter Kunstverein, Frankfurt, Germany Yes Naturally, how art saves the world, Gemeentemuseum Den Haag, Den Haag, The Netherlands The Insides Are on the Outside I O interior está no exterior, Casa de Vidro Lina Bo Bardi, Sao Paulo, Brazil YOU, Mostyn Gallery, País de Gales, Wales, United Kingdom KaboArt, Politics, and Sharing since the 1990's, Ackland Art Museum, North Carolina, USA Qué Desear - Colleción de Arte Contemporáneo de la Fundación «la Caixa», Caixa Forum Barcelona, Spain Masters of Chaos, Caixa Forum, Madrid, Spain Scattered Showers - Forms of Weather, Frankfurter Kunstverein, Frankfurt, Germany Yes Naturally, how art saves the world, Gemeentemuseum Den Haag, Den Haag, The Netherlands The Insides Are on the Outside I O interior está no exterior, Casa de Vidro Lina Bo Bardi, Sao Paulo, Brazil YOU, Mostyn Gallery, País de Gales, Wales, United Kingdom Kasince the 1990's, Ackland Art Museum, North Carolina, USA Qué Desear - Colleción de Arte Contemporáneo de la Fundación «la Caixa», Caixa Forum Barcelona, Spain Masters of Chaos, Caixa Forum, Madrid, Spain Scattered Showers - Forms of Weather, Frankfurter Kunstverein, Frankfurt, Germany Yes Naturally, how art saves the world, Gemeentemuseum Den Haag, Den Haag, The Netherlands The Insides Are on the Outside I O interior está no exterior, Casa de Vidro Lina Bo Bardi, Sao Paulo, Brazil YOU, Mostyn Gallery, País de Gales, Wales, United Kingdom KaboArt Museum, North Carolina, USA Qué Desear - Colleción de Arte Contemporáneo de la Fundación «la Caixa», Caixa Forum Barcelona, Spain Masters of Chaos, Caixa Forum, Madrid, Spain Scattered Showers - Forms of Weather, Frankfurter Kunstverein, Frankfurt, Germany Yes Naturally, how art saves the world, Gemeentemuseum Den Haag, Den Haag, The Netherlands The Insides Are on the Outside I O interior está no exterior, Casa de Vidro Lina Bo Bardi, Sao Paulo, Brazil YOU, Mostyn Gallery, País de Gales, Wales, United Kingdom Kaboart saves the world, Gemeentemuseum Den Haag, Den Haag, The Netherlands The Insides Are on the Outside I O interior está no exterior, Casa de Vidro Lina Bo Bardi, Sao Paulo, Brazil YOU, Mostyn Gallery, País de Gales, Wales, United Kingdom Kaboom!

Tagged With: Bauhaus, Bedside Gun Lamp, Biomorphic Design, blobitecture, CAD technology, Conceptual Design, Decorative Design, Ettore Sottsass, European Design Since 1985: Shaping the New Century, Expressive Design, form follows function but not always, High Museum of Art, High Tea Pot, Ikea, Indianapolis Museum of Art, Jurgen Bey, Kingston University, Maarten Baas, Marc Newson, memento mori, Memphis group, modernism, modernists, Neo-Dada, Neo-Decorative, Neo-Pop, Philippe Starck, R. Craig Miller, Smoke Armchair, Surrealism, Target, Tejo Remy, terminus a quo, the Denver Art Museum, The Substance of Style, Virginia Postrel, whimsical art, Whimsy, Wieki SomArt, High Tea Pot, Ikea, Indianapolis Museum of Art, Jurgen Bey, Kingston University, Maarten Baas, Marc Newson, memento mori, Memphis group, modernism, modernists, Neo-Dada, Neo-Decorative, Neo-Pop, Philippe Starck, R. Craig Miller, Smoke Armchair, Surrealism, Target, Tejo Remy, terminus a quo, the Denver Art Museum, The Substance of Style, Virginia Postrel, whimsical art, Whimsy, Wieki SomArt, Jurgen Bey, Kingston University, Maarten Baas, Marc Newson, memento mori, Memphis group, modernism, modernists, Neo-Dada, Neo-Decorative, Neo-Pop, Philippe Starck, R. Craig Miller, Smoke Armchair, Surrealism, Target, Tejo Remy, terminus a quo, the Denver Art Museum, The Substance of Style, Virginia Postrel, whimsical art, Whimsy, Wieki SomArt Museum, The Substance of Style, Virginia Postrel, whimsical art, Whimsy, Wieki Somart, Whimsy, Wieki Somers

What strikes one in connection with Tracy Emin's submission for the Turner prize is the zero rate of innovation in «modern» art since well before first world war, when artists first made the decision to abandon form.

The collective GCC, composed of eight artists with ties to the Persian Gulf, was formed in 2013 during Art Dubai and has since shown at institutions like the New Museum, the Whitney Museum of American Art and MoMA PS1.

This exhibition focuses on the analysis of a set of works from the Berardo Collection in which the artists have made free and creative use of line, form and colour, elements which are intrinsically linked to our lives, to all that we see, touch and feel and can be considered the main building blocks of abstract art since the beginning of the 20th century.

Group exhibitions include The New Human, Moderna Museet Malmö (touring to Moderna Museet, Stockholm, 2016); SALTWATER: A Theory of Thought Forms, 14th Istanbul Biennial (2015); 10th Shanghai Biennale (2014); In the Holocene, MIT List Visual Arts Center, Cambridge, Massachusetts (2012); Dancing Through Life, Centre Pompidou, Paris and Move: Art and Dance since the 60s, Haus der Kunst, Munich (2011).

2010 Art of The Eighties, Nymphius Projekte, Berlin Re-Seeing the Contemporary: Selected from the Collection, Dallas Museum of Art, Dallas Psychedelic: Optical and Visionary Art Since 1960, San Antonio Museum of Art, TX (catalogue); travelled to Memorial Art Gallery, University of Rochester, NY; Telfair Museum of Art, Savannah, GA Inside, Outside, Upstairs, Downstairs: The Addison Anew, Addison Gallery of American Art, Andover, MA Art of the Eighties, Nymphius Projekte, Berlin Color and Form, Los Angeles County Museum of Art, Los Angeles Once Removed, The Apartment, Athens Masters of Impressionism and Modern Art, Heather James Fine Art, Jackson, WY VaXiNation, Xippas Gallery, Athens Global Art Show, The Columns, Seoul Track and Traces, Galleria in Arco, Turin, Italy Abstract Vision 2010, Art + Art Gallery, Moscow The 80s Revisited: The Bischofberger Collection, Kunsthalle Bielefeld, Bielefeld, Germany (catalogue) Painting Panel Exhibition, in conjunction with the College Art Association Annual Conference, Shane Campbell Gallery, Chicago, IL Personal Structures: Time — Space — Existence, Künstlerhaus Palais Thurn and Taxis BV: BKV, Bregenz, Austria Pictures about Pictures: Discursive Painting from Albers to Zobernig, Daimler Art Collection, Museum Moderner Kunst, Vienna España / America: The Redefined Abstraction, Galeria Max Estrella, Madrid (curated by Demetrio Paparoni)

NEW COMMISSIONS PROGRAM Since its launch in 2005, the New Commissions Program has formed the core of Art in General's programming, and was designed in direct response to feedback from artists who expressed a need for more in - depth support for the production of new work.

Influenced by both the avant - garde performance of artists like Vito Acconci and Richard Foreman as well as forms of popular entertainment, particularly stand - up comedy, Michael Smith has been cultivating his own idiosyncratic brand of performance art since the late 1970s.

Since the beginning of his career, Ellsworth Kelly's emphasis on pure form and color and his impulse to suppress gesture in favor of creating spatial unity have played a pivotal role in the development of abstract art in America.

The array of work gives a sense of the collecting habits of the couple, together since 1960 and only separated by their deaths in 2005, who formed close bonds with many of the seminal figures of 20th - century art.

As early as 1947, Kenneth Anger began his homoerotic pioneer work Fireworks, and since then he has repeatedly proved to make use of his personal interests — such as the British occultist Aleister Crowley's universe — into an original form, which has emphasized the zeitgeist and demonstrated new directions within the arts of film production.

(group exhibitions) American Exhibition, Art Institute Chicago, 1961, 1962, Whitney Biennial, Whitney Museum American Art, New York City, 1968, When Attitudes Become Form, Kunsthalle, Berne, Switzerland, 1969, 100 Years of California Sculpture, Oakland Museum, Oakland, California, 1982, Language, Drama, Source, Vision, The New Museum, New York City, 1983, Philadelphia Collects: Art Since 1940, Philadelphia Museum Art, 1986, Disarming Images: Art for Nuclear Disarmament, Bronx Museum Arts, 1986, Boston Collects: Contemporary Painting & Sculpture, Museum Fine Arts, Boston, Master of Arts, 1986, San Francisco Lives, San Francisco Museum Modern Art, 1990, California Classics: Art From the 1960's and 1970's, Bayly Art Museum, University Vir., Charlottesville, Vir.

While Pace Gallery has been a forefront supporter of the digital and technological art form since the late 60s, the launch of Pace Art & Technology in 2016 took its collaborative involvement with multi-disciplinary art groups to a whole new levart form since the late 60s, the launch of Pace Art & Technology in 2016 took its collaborative involvement with multi-disciplinary art groups to a whole new levArt & Technology in 2016 took its collaborative involvement with multi-disciplinary art groups to a whole new levart groups to a whole new level.

And while the artist's actions for peace have been a persistent force since the death of her husband in 1980, Ono's influence was especially palpable this year, be it through denouncing gun violence via Twitter, organizing thousands of people to form a giant peace sign in Central Park, or inspiring audiences through her art, which saw a much - deserved spotlight at MoMA this year.

She draws in paint with a loaded brush while bringing together various forms of mechanical and digital reproduction, essentially bridging a binary that the art world has focused on since the 1960s: the hand - painted versus the machine - made.

Perhaps no art movement before or since has provided more freedom of expression and democracy of form than the postwar move toward abstraction.

This is not surprising since Kienholz» passion for addressing difficult social issues through his art has taken the form of uncompromising critiques of American society.

Since its launch in 2005, the New Commissions Program has formed the core of Art in General's programming, and was designed in direct response to feedback from artists who expressed a need for more in - depth support for the production of new work.

Since 2001 she has been senior curator at the «Museet for Samtidskunst», the Museum of Contemporary Art in Oslo, which now, following the fusion of Oslo's four largest museums in 2003, forms part of the National Museum of Art, Architecture and Design.

Since the beginning of her career, during the early 1970s when she attended the Academy of Fine Arts in Belgrade, Abramović has pioneered the use of performance as a visual art form.

Bernstein's titular «dicks» have served as a form of protest — against sexism, against war, against oppression of every stripe — for the feminist art pioneer since her days in Yale's MFA program during the 1960s.

Challenging our assumptions about the social structures that shape the world around us, Adrian Piper has consistently produced groundbreaking, transformative work that has profoundly shaped the form and content of Conceptual art since the mid-1960s.

Earnest has been a monthly contributor to The Brooklyn Rail since 2011; his criticism and long - form interviews have also appeared in the Village Voice, Los Angeles Review of Books, Art in America, San Francisco Arts Quarterly, and many other publications.

Since the early 1990s, Yang Fudong has been examining the complexities of contemporary Chinese society from a symbolic, detached perspective through his art form.

Since the late 1960s, Adrian Piper has forged a unique artistic practice that infused classical Minimal sculptural form with explicit political content and introduced issues of race, gender and identity politics into the vocabulary of Conceptual art.

Since the mid 1990s, a number of Chinese artists have incorporated the visual vocabulary of Chinese opera into new art forms.

Adrian Piper has consistently produced groundbreaking, transformative work that has profoundly shaped the form and content of Conceptual art since the 1960s.