Sentences with phrase «forms of artistic practice»

Working alone and in collaboration with others, Rauschenberg invented new, interdisciplinary forms of artistic practice

The freedom to try routes of engagement and the varying forms of my artistic practice has been priceless.

She often assumes curatorial and editorial roles as forms of artistic practice.

They produce programming that challenges prevailing notions of exhibition making, introduce new forms of artistic practice, embed dialogues from other regions into local conversations, and create points of intersection between visual, political, and technological cultures.

The artists explore these through poetry, symbolism, and metaphor or by exploring particular forms of artistic practice associated with rupture or bearing witness as a form of social protest.

The history of art is written, first, by organizing the chaos of myriad forms of artistic practice into neat parcels, and then, policing those territories forever more.

Through a precise examination of this distinct form of artistic practice in works by artists ranging from John Cage to Sanford Biggers, this exhibition provides a unique perspective on the ways in which modern and contemporary artists have used language, objects, and images to forge social contracts with their publics.

Borrowing from and reinterpreting Conceptual art and Minimalism, Liam Gillick's work is not confined to a specific form of artistic practice but ranges over his various activities as a critic, writer, designer, curator, filmmaker, professor, and visual artist.

She also began writing as a form of artistic practice.

Not exact matches

In his artistic practice, Virtmanis creates visually and metaphorically dense drawing environments that combine relics of sentimental imagery from past eras, cryptic texts in the form of obsessive, undecipherable calligraphy, collections of found objects, architectural scale models, and the residue that is accumulated in the process of creation.

This essay will therefore focus on the codices — a form that Hickson identifies as «the culmination of Chagoya's artistic practice,» and Robert Storr describes as «a conceptual breakthrough.»

But whereas that exhibition consolidated an emergent artistic practice, Other Primary Structures consolidates a highly problematic form of global art history, one that is no less hegemonic than the narrative from which it supposedly departs.

The modernist architecture of Mies Van Der Rohe and Zaha Hadid — and their open - ended, problem - solving approach to refined «architectonic form» — provided a framework that resonated with Ball's artistic practice.

Liberating dance from the realm of solely elite, highly - skilled and trained athletes, the medium holds the potential to act as a form of subversion against oppressive regimes and capitalistic ideals — so it's not surprising that movement became a primary facet of artistic practice at the height of counterculture in the»60s.

Central to the exhibition are found images that «serve as bedrock for Pendleton's artistic practice and connect his form of abstraction with the history of the America Civil Rights Movement, the pre-war Avant - Garde, La Nouvelle Vague in film, and Minimalist and Conceptualist art practices of the 1960s.»

Ronny Quevedo's artistic practice is an examination of the vernacular languages and aesthetic forms generated by displacement, migration, and resilience.

Such duality was at the heart of his artistic practice, which employed representation and abstraction; geometric and organic forms; somber calligraphic markings and brilliant fields of color.

A life of tangents is an appropriate description for Alfred Leslie, not only because his form of Abstract Expressionism was more geometric than his peers, but also because he was constantly reinventing his artistic practice.

Eschewing the accepted hierarchy of artistic forms — painting, drawing, and sculpture — as well as an art market dependent on the production of objects, artists embraced performance as a transgressive practice.

In the dramatically diverse and wide range of forms adopted in Hiller's artistic practice over the last 40 years, there emerges a persistent and inventively tenacious attempt to illuminate the workings and implications of the imagination in collective consciousness, consistently on the tight - rope and threshold between fantasy and believability.

It maps out current active agencies that gentrify the city and zooms in on artistic practices that expose and shape forms of social, ecological and economic activation and de-activation of urban space.

This will be the artist's first fully bronze solo exhibition within Australia, and the inclusions of process - based skills associated with foundry work compliments the artists twenty - five year practice, broadening his artistic investigations into form and beauty.

His interest in Sri Lankan history palpably emerges in his artistic practice, most notably in his body of work «When Platitudes Become Form»... [read on]

Several key elements lie at the center of her artistic practice: an interest in the metaphysical, the representation of feminine memory, and African - American identity which, in her work, takes on takes on evocative and unusual forms.

Although most of Tuttle's prolific artistic output since the beginning of his career in the 1960s has taken the form of three - dimensional objects, he commonly refers to his work as drawing rather than sculpture, emphasizing the diminutive scale and idea - based nature of his practice.

As a research artist and digital media Ph.D student, I am constantly challenged to reflect critically upon the nature of the various forms which are emerging in contemporary artistic practices.

Such duality was at the heart of his artistic practice, which consistently employed modes of representation and abstraction, geometric and organic form, and emotional content ranging from joy to rage.

Germano Celant's text further explores the influence this 16th - century style had on Mapplethorpe's artistic practice and sensibility, illuminating the artist's interest in the study of pure form as well as allegorical imagery.

In the recent paintings and photographs that are displayed alongside her sculpture, certain natural motifs recur in different forms, and the interdisciplinary nature of Mary's artistic practice can be seen in the shared monumentality of this broad, yet unified, exhibition.

The program and facilities are designed to form a community, foster the expansion, and exchange of artistic and cultural practices, and provide artists with exposure to New York and its art scene.

Massa Lemu is a Malawian visual artist and writer whose multi-disciplinary artistic practice takes the form of drawing, performance, and multimedia installations that are concerned with the contradictions of migration within globalization and the effects of an immaterial, flexible and mobile capitalism on the post-colonial subject.

Some of the issues to be expanded upon are: research as artistic production; the problematic question of agency within co-production; professionalization versus the instinctual amateur; writing as curatorial practice; the exhibition as a form of research action; expanded notions of the curatorial and the role of research models and methodologies within these; art writing as a curatorial form, and the distinction between research into curatorial practice / exhibition histories and the curatorial as in itself a mode of research practice.

Since the late 1960s, Adrian Piper has forged a unique artistic practice that infused classical Minimal sculptural form with explicit political content and introduced issues of race, gender and identity politics into the vocabulary of Conceptual art.

Enmedio «s work lies between artistic practice and social intervention and takes the form of actions in the public sphere to call attention to injustice.

The exhibition examines artistic practices that conduct non-linear forms of historiography in order to make historical presence legible and affective.

Weekly informal gatherings, inter-studio visits and activities, as well as monthly field trips and meals together, are designed to form a community, foster cultural and exchange of artistic practices and ideas among residency and studio artists, and provide exposure to New York based artists and art institutions.

Thus, in addition to highlighting the spiritual themes that run through Ossorio's entire body of work, «congregation» also reveals something about his aesthetic practice — how he conceives of artistic form and how he goes about putting a work of art together.

In the mid 1960's, within a context of social and political change, a revolution in artistic practice broke loose both on form and content levels.

Deaf since the age of ten, Joseph Grigely has dedicated his fifteen - year artistic practice to researching the various translations and subsequent shifts in meaning that take place when music, language, and informal talk are communicated through visual form.

It examines how the body, in all its myriad forms, has been and continues to be depicted, and articulates the relationship of these pioneering African American artists to contemporary artistic practices.

In their continued preoccupation with colour, light and form, the artistic duo Rob and Nick Carter have created a new departure in their practice in the form of Unconscious Paintings.

The dual nature of this approach provides the museum with a diverse range of holdings and opportunities to display histories of recent artistic practice that are disparate, divergent, and reflective of the broader range of identities, disciplines, and forms that give shape to an idea of contemporary life.

This presentation forms part of Ritchie's ongoing project to explore the diagram as an essential mode of artistic practice and offers both an artist's history of the diagram and a partial overview of its status, presence and use today.

An interest in this artistic current forms an important part of Marte Johnslien's artistic practice and her research on the relation between abstract art, spirituality, politics and social action.

Beginning with the New York School and subsequently considering Pop, Minimalism, Conceptualism, Process Art, Graffiti, Performance, and Installation, drawing has persevered as a necessary artistic practice and has, through the variety of difference inherent in postmodern aesthetics, developed into a vital, autonomous art form in itself.

«The interrelationships are manifest in his sculptural conception of fashion, his investigation of three dimensional materials, his artistic practice, and the presentation forms he chooses, which differ distinctly from the conventional fashion show,» he concluded.

Born from an artistic family, she is the youngest daughter of Santa Clara - Laguna potter Rose Naranjo and her eight siblings have engaged in practicing this art form as well.

Throughout her artistic practice, Shahzia Sikander culls and explores elements of Indo - Persian miniature paintings, interweaving references to the past with reflections on everyday life and its contemporary forms.

I'm opening up to the idea that groups of people in a room generating artistic practice together actually form something like kinetic energy.

The exhibition takes a nonlinear form and is organized around diverse poetic themes that cut across time periods, media, styles, and artistic cultures, bringing together voices from a wide range of practices and representing diverse communities and sensibilities.