Within the globalized art scene, its journey takes the many
forms of traveling exhibitions, international art fairs, biennials, public contests, and loans from personal or institutional collections.
Not exact matches
In Dellow: uncompromisingly a sports car, John Warburton, a former owner, tells the story
of these distinctive sporting specials from Birmingham / In Shaped by the Wind, Delwyn Mallett
travels to the Zeppelin Museum to visit an
exhibition dedicated to streamlining in all its
forms / Douglas Blain savours an opportunity to stretch the legs
of his rebuilt Ballot 2LS along Australia's Great Ocean Road... A Vintage Adventure / In this months Back on the Road, Michael Ware reports on the restoration
of» Goff» Imhof's 1946 Allard J1, which has been off the road for half a century
Reed
Travel Exhibitions Director World
Travel Market Simon Press said: «The predicted growth in Russian outbound traffic is good news for the global industry, but the report shows greater support could be given to its inbound industry, especially to attract tourists
form the large markets
of the US and western Europe.»
Registration for WTM Africa's Hosted Buyer programme opened last week and has already received some 200 applications from 35 different countries for its 300 places at the inaugural event, which takes place at the Cape Town International Convention Centre on May 2nd - 3rd as part
of the newly -
formed Thebe Reed
Exhibitions» Africa
Travel Week.
Reed
Travel Exhibitions Chairman
of World
Travel Market and pioneer
of responsible tourism, Fiona Jeffery, expressed that the key observations revealed are ultimately the key reasons why WTM World Responsible Tourism Day - an international day
of action dedicated to help protect the world — was
formed.
Innovation in
travel technology and online opportunities will
form the basis
of Travelport's industry - shaping seminar programme, which will be held at the Travelport stand throughout the
exhibition.
Designed by architect Moshe Safdie, this museum cradles its frequent
traveling exhibitions in the
form of a giant lotus flower.
In 2008, her work was the subject
of a major solo
exhibition,
form, color, illumination: Suzan Frecon painting, at The Menil Collection in Houston, Texas, which
traveled to the Kunstmuseum Bern in Switzerland.
Bad at Sports, (weekend picks, March 2013) New American Paintings (Must see painting shows March 2013) Bad at Sports, 2011 Chicago Gallery News, 2011 Chicago Life Magazine, 2011 The Café Review, Portland, Maine, 2011 The Sag Harbor Express, 2010 Art Chicago Catalogue, 2010 The Art Auction at The Museum
of Contemporary Art, Chicago, Art Chicago Catalog, 2010 New American Paintings, Midwest Edition, 2010 Jaroslav Malina Paintings and Designs, Catalogue for the
traveling exhibition, 2008 The Readerville Journal, January / February 2003 Ed Valentine, Elementary Principles, Selected Work 1990 - 2001 A Catalogue for Two
Exhibitions in The Czech Republic, By Mila Malina, 2002 Milton Caniff Catalogue, 1998 Drawing: Space,
Form and Expression, By Wayne Entice, Prentice Hall, 1995 Galleries Magazine, 1988 Happy Happy, Egret Press, 1988 Liberties en Peinture, Union de Banques a Paris, 1986 Art Forum Magazine, 1985, 1986, 1987 Flash Art, 1985, 1986, 1987 Bijutsu Techo, Japanese Art Magazine, 1985 Galleries Magazine,, French Art Magazine, 1988
Earlier this year, her work could be seen at the Museum
of Contemporary Art in Detroit as a part
of CCA Wattis Institute's
traveling exhibition, When Attitudes Became
Form Become Attitudes, and will be included in a forthcoming publication.
Although as an artist I am not the best to contemplate the separation
of the
exhibition from the historical site, I believe that the contemporary positions and complexity
of forms presented in the group show that is Armenity, constructs a compelling
exhibition that could certainly
travel internationally, especially to locations that receive less exposure than the Venice Biennale.
In the Spring
of 2014 the NCAA will participate in Creative Time's
traveling exhibition Living As
Form at Harvard University's Carpenter Center for the Visual Arts.
The museum has organized and circulated many major
traveling exhibitions accompanied by scholarly publications either in catalogue or book
form, for example The Sculpture
of Nancy Graves: A Catalogue Raisonne (1987), El Dia de los Muertos: The Life
of the Dead in Mexican Folk Art (1987), and Selected Works from the American Collection: 1940 to the Present (1988).
[iv] In 1962, these woven
forms were featured in a solo
exhibition at the Art Institute
of Chicago, and the following year, the Museum
of Contemporary Crafts (later the American Craft Museum and now the Museum
of Arts and Design) used her phrase for the title
of a
traveling exhibition, that included work by Tawney, Dorian Zachai, Claire Zeisler, Sheila Hicks, and Alice Adams.
2010 Art
of The Eighties, Nymphius Projekte, Berlin Re-Seeing the Contemporary: Selected from the Collection, Dallas Museum
of Art, Dallas Psychedelic: Optical and Visionary Art Since 1960, San Antonio Museum
of Art, TX (catalogue);
travelled to Memorial Art Gallery, University
of Rochester, NY; Telfair Museum
of Art, Savannah, GA Inside, Outside, Upstairs, Downstairs: The Addison Anew, Addison Gallery
of American Art, Andover, MA Art
of the Eighties, Nymphius Projekte, Berlin Color and
Form, Los Angeles County Museum
of Art, Los Angeles Once Removed, The Apartment, Athens Masters
of Impressionism and Modern Art, Heather James Fine Art, Jackson, WY VaXiNation, Xippas Gallery, Athens Global Art Show, The Columns, Seoul Track and Traces, Galleria in Arco, Turin, Italy Abstract Vision 2010, Art + Art Gallery, Moscow The 80s Revisited: The Bischofberger Collection, Kunsthalle Bielefeld, Bielefeld, Germany (catalogue) Painting Panel
Exhibition, in conjunction with the College Art Association Annual Conference, Shane Campbell Gallery, Chicago, IL Personal Structures: Time — Space — Existence, Künstlerhaus Palais Thurn and Taxis BV: BKV, Bregenz, Austria Pictures about Pictures: Discursive Painting from Albers to Zobernig, Daimler Art Collection, Museum Moderner Kunst, Vienna España / America: The Redefined Abstraction, Galeria Max Estrella, Madrid (curated by Demetrio Paparoni)
Her first
traveling exhibition highlights «the unadorned sophistication
of the sultry curves, black, satiny surfaces, and modern
forms of her Dark Light series, created from 1997 to present.»
Widely
traveled and with countless
exhibitions, (and with armfuls
of awards that include the Guggenheim), Webb is at the top
of his
form as he looks back over thirty years in this upcoming
exhibition and publication, whose title was provided by the great poet and thinker Goethe, (who wrote books about color that are still sought out and read today).
The images he captured have
formed the foundation
of a major national archive, and an
exhibition of selected images has
travelled to more than 200 cities in 60 countries.
This past year the Museum presented 36
exhibitions and 630 films that showcased native fashion, presented the breadth
of pop art icon Andy Warhol's prints, featured Rodin's brilliant human
forms, introduced under - recognized African - American artists, and
traveled the region and the globe through film.
Photography from the Collections, Wadsworth Atheneum Museum
of Art, Hartford, Connecticut Hand made in America, Sprovieri Gallery, London, England Collector's Choice, Exit Art, New York, USA (selected by Gregory Allen) Drawing, Stephen Friedman Gallery, London, England 1999 Waste Management, Art Gallery
of Ontario, Canada On the Ball: The Sphere in Contemporary Sculpture, DeCordova Museum and Sculpture Park, Lincoln, Massachusetts, USA Collectors Collect Contemporary Art: 1990 - 1999, Institute
of Contemporary Art, Boston, USA (catalogue) Zero - G: When Gravity Becomes
Form, Whitney Museum
of American Art at Champion, Stamford, Connecticut, USA (catalogue) Ideas in Things, Irvine Fine Arts Center, Irvine, California, USA Holding Court, L & R Entwistle & Co Ltd, London, England Stuff, TBA
Exhibition Space, Chicago, Illinois, USA 1998 More Pieces for the Puzzle: Recent Additions to the Collection, The Museum of Modern Art, New York, USA Hindsight: Recent Work from the Permanent Collection, Whitney Museum of Contemporary Art, New York, NY Young Americans Part II, Saatchi Gallery, London, England Poussière (Dust Memories), Fonds Regional d'art Contemporain de Burgogne, Dijon, France; Fonds Regional d'Art Contemporain Bretagne, Galerie du Trib, Rennes, France (catalogue) Blunt Object, The David and Alfred Smart Museum of Art, The University of Chicago, Chicago, Illinois, USA Drawing the Question, Dorsky Gallery, New York, USA (brochure) Dust Breeding, Fraenkel gallery, San Francisco, CA; Luhring Augustine Gallery, New York, USA (catalogue) Transience and Sentimentality: Boston and Beyond, The Instate of Contemporary Art, Boston, USA Humble County, D'Amelio Terras, New York, USA Pop Surrealism, Aldrich Museum of Contemporary Art, Ridgefield, USA (catalogue) Word perfect, Gallery 400, University of Illinois at Chicago, Chicago, USA Bob and Wheel, dfn Gallery, New York, USA At the Threshold of the Visible: Minuscule and Small - Scale Art, 1964 - 1996, Johnson Museum of Art, Cornell University, Ithica NY; Meyerhof Galleries, Maryland Institute of Art, Baltimore, MD; Art Gallery of Ontario, Toronto, Ontario, Canada; Art Gallery of Windsor, Windsor, Ontario, Canada; Virginia Beach Centre for the Arts, Virginia Beach, VA; Santa Monica Museum of Modern Art, Santa Monica, CA; Edmonton Art Gallery, Edmonton, Alberta, Canada, (ICA travelling exhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, Londo
Exhibition Space, Chicago, Illinois, USA 1998 More Pieces for the Puzzle: Recent Additions to the Collection, The Museum
of Modern Art, New York, USA Hindsight: Recent Work from the Permanent Collection, Whitney Museum
of Contemporary Art, New York, NY Young Americans Part II, Saatchi Gallery, London, England Poussière (Dust Memories), Fonds Regional d'art Contemporain de Burgogne, Dijon, France; Fonds Regional d'Art Contemporain Bretagne, Galerie du Trib, Rennes, France (catalogue) Blunt Object, The David and Alfred Smart Museum
of Art, The University
of Chicago, Chicago, Illinois, USA Drawing the Question, Dorsky Gallery, New York, USA (brochure) Dust Breeding, Fraenkel gallery, San Francisco, CA; Luhring Augustine Gallery, New York, USA (catalogue) Transience and Sentimentality: Boston and Beyond, The Instate
of Contemporary Art, Boston, USA Humble County, D'Amelio Terras, New York, USA Pop Surrealism, Aldrich Museum
of Contemporary Art, Ridgefield, USA (catalogue) Word perfect, Gallery 400, University
of Illinois at Chicago, Chicago, USA Bob and Wheel, dfn Gallery, New York, USA At the Threshold
of the Visible: Minuscule and Small - Scale Art, 1964 - 1996, Johnson Museum
of Art, Cornell University, Ithica NY; Meyerhof Galleries, Maryland Institute
of Art, Baltimore, MD; Art Gallery
of Ontario, Toronto, Ontario, Canada; Art Gallery
of Windsor, Windsor, Ontario, Canada; Virginia Beach Centre for the Arts, Virginia Beach, VA; Santa Monica Museum
of Modern Art, Santa Monica, CA; Edmonton Art Gallery, Edmonton, Alberta, Canada, (ICA
travelling exhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, Londo
exhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum
of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End
of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation
of the new galleries
of contemporary art, The Art Institute
of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, London, England
The story that
forms the
exhibition tracks the burning down
of a quintessential New England colonial home that Cherry was inspired to create after admiring the architectural landscape during her
travels through Massachusetts.
A
traveling group
exhibition showcasing an international group
of artists who are focused on challenging uses
of Geometry, Color, Composition, Text,
Form and Ad Hoc materials.
In conjunction with the 2012 Bob Rauschenberg Gallery
exhibition «Things Not Seen Before: A Tribute to John Cage» (which then
travelled in expanded
form to the National Gallery
of Art / Tbilisi, Georgia — former Soviet Union), Schult was commissioned to paint a portrait
of the late composer John Cage and to select records for our «John Cage's 33-1/3 — Performed by Audience» installation.
Significant
traveling exhibitions of his work include «Felix Gonzalez - Torres: Traveling» at the Museum of Contemporary Art, Los Angeles, California; the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; and the Renaissance Society at the University of Chicago, Illinois; and «Felix Gonzalez - Torres: Specific Objects without Specific Form,» organized by Wiels, Contemporary Art Centre, Brussels, with ongoing, adaptive installations at the Fondation Beyeler, Basel, Switzerland; and the Museum für Moderne Kunst, Frankfurt,
traveling exhibitions of his work include «Felix Gonzalez - Torres:
Traveling» at the Museum of Contemporary Art, Los Angeles, California; the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; and the Renaissance Society at the University of Chicago, Illinois; and «Felix Gonzalez - Torres: Specific Objects without Specific Form,» organized by Wiels, Contemporary Art Centre, Brussels, with ongoing, adaptive installations at the Fondation Beyeler, Basel, Switzerland; and the Museum für Moderne Kunst, Frankfurt,
Traveling» at the Museum
of Contemporary Art, Los Angeles, California; the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; and the Renaissance Society at the University
of Chicago, Illinois; and «Felix Gonzalez - Torres: Specific Objects without Specific
Form,» organized by Wiels, Contemporary Art Centre, Brussels, with ongoing, adaptive installations at the Fondation Beyeler, Basel, Switzerland; and the Museum für Moderne Kunst, Frankfurt, Germany.
The
exhibitions are: A Group
of Fish and Other Schools, organized by Benjamin Austin; Doll's Eyes and Dimetrodon Tears, curated by Linden Baierl; Emphasis Repeats *, curated by Staci Bu Shea; Standard
Forms, curated by Christian Camcho - Light; and Night Thoughts, curated by Jody Graf; A Path
of Safe
Travel, organized by Emma James; Timely Illuminations, curated by Yanhan Peng; The future will never arrive, organized by Rachael Rakes; and objects are slow events, curated by Alexis Wilkinson.
In the process
of forming the
exhibition, Karl Haendel
traveled from Los Angeles to The Jay DeFeo Foundation in Berkeley to spend time immersed in Jay DeFeo's drawings, examining the range
of marks, evidence
of pencil hardness, effect
of varied pressure, composition, and diverse subject matter in DeFeo's work, communing with those details through the lens
of his own deep experience with the medium.
ABOUT #directioninstruction — a
traveling group
exhibition showcasing an international group
of artists who are focused on challenging uses
of Geometry, Color, Composition, Text,
Form and Ad Hoc materials.
Bramson currently has a 30 - year retrospective at the Rockford Art Museum, and in 2016, a newly curated
form of that
exhibition will
travel to the Chicago Cultural Center.
Traveled to: Chicago Cultural Center, March 15 — May 18, 1997; Davenport Museum
of Art, Iowa, September 14 — November 17, 1997; Springfield Museum
of Art, Ohio, March 13 — May 9, 1999 (Catalogue) Thinking Print: Books to Billboards, 1980 — 1995, The Museum
of Modern Art, New York, June 19 — September 10, 1996 (Catalogue) Annual
Exhibition 1996, American Academy in Rome, May 24 — July 14, 1996 (Catalogue) Affinities: Chuck Close and Tom Friedman, The Art Institute
of Chicago, April 27 — July 28, 1996 (Catalogue) Interstices: The A (a) rtist, A (a) rt and the A (a) udience, Duke University, Durham, North Carolina, April 12 — May 25, 1996 Fractured Fairy Tales, Art in the Age
of Categorical Disintegration, SoHo at Duke, Duke University Museum
of Art, Durham, North Carolina, April 12 — May 25, 1996 (Catalogue) New in the 90's, Katonah Museum
of Art, New York, March 31 — April 21, 1996 Attention to Detail (Realism in All
Forms), Louis K. Meisel Gallery, New York, March 2 — 23, 1996 Master Printers and Master Pieces, Kaohsiung Museum
of Fine Arts, Taiwan, February 16 — June 2, 1996 Narcissism: Artists Reflect Themselves, California Center for the Arts Museum, Escondido, February 4 — May 26, 1996 (Catalogue)
The artworks in the
exhibition travel through time, encompassing Brancusi - like
forms and futuristic velocity
of thought and movement that only a sculptor can dream.
-- Carnival, Masquerade and other
Forms of Authorised Anarchy, Kunsthalle Villa Rot, Burgrieden, Germany 2014 The House
of The Flying Wheel, Backlit Gallery, Nottingham, UK:
travelled to Morley Gallery, England 2014 Study from the Human Body, Stephen Friedman, Gallery, London, England 2014 Progress, The Foundling Museum, London, England 2014 Misled by Nature: Contemporary Art and the Baroque, The Museum
of Contemporary Canadian Art, Toronto, Canada 2014 Ship to Shore, John Hansard Gallery, Southampton, England 2014 The Human Factor, Hayward Gallery, London, England 2014 Interchange Junctions, 5 Howick Place, London, England 2014 The Divine Comedy: Heaven, Hell, Purgatory revisited by Contemporary African Artists, curated by Simon Njami, Frankfurt MMK, Frankfurt, Germany;
travels to Smithsonian National Museum
of African Art, Washington, USA; Museo Reina Sofia, Madrid, Spain; Correo Venezia, Venice; Hayward Gallery, London, England 2014 Summer
Exhibition, Royal Academy
of Arts, London, England 2014 Collection IX.
Art As Object 1958 - 1968, MOCA, Los Angeles, US Drift a Project
of John Baldessari, Julião Sarmento, Lawrence Weiner commissioned by Delfim Sardo, Centro de Centro Cultural de Belém, PT Before the End (Sequence 2), Le Consortium, Dijon, FR White Columns 2004 Benefit Auction, White Columns, New York, US Tonight, Studio Voltaire, London, UK Bearings: Landscapes from the IMMA Collection, Irish Museum
of Modern Art (IMMA), Dublin, IR Ulysses, Ineluctable Modality
of the Visible, Austria Center for Contemporary Art, Österreichische Galerie Blevedere, Vienna, AT Beyond Posters a Visual History
of Gallerie Susanne Ottesen, Copenhagen, DCA Gallery, New York, US Incommunicado, Cornerhouse, Manchester, UK D'Un Lieu L'Autre, Oeuvres de la Collection Daniel Bosser, Hommage Aux Collectionneurs, Centre D'Art de Lyon, FR Beyond Geometry: Experiments in
Form, 1940's -1970's, The Modern and Contemporary Art Council
of the Los Angeles County Museum
of Art, Los Angeles, US;
traveled to Miami Art Museum, Florida, US The Big Nothing, Arcadia University Art Gallery, Glenside, Pennsylvania, US Joyce in Art, Visual Art Inspired by James Joyce, an International
Exhibition of Art from 1914 to 2004, Royal Hibernian Academy Gallagher Gallery, Dublin, IR Reflecting the Mirror, Marian Goodman Gallery, New York, US Not Done!
Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit
of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit
Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An
Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years
of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An
Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part
of the
Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become
Forms 30 Years
of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics
of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out
of Amsterdam:
Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum
of Modern Art, New York, US Memory Labyrinth.
Notable group
exhibitions include Teen Paranormal Romance,
traveling to Santa Barbara Museum
of Art (2015); the Renaissance Society at The University
of Chicago (2014); and Atlanta Contemporary Art Center (2014); The Los Angeles Project, Ullens Center for Contemporary Art, Beijing (2014); When Attitudes Became
Form Become Attitudes, Museum
of Contemporary Art Detroit (2013); Made in L.A. 2012, Hammer Museum, Los Angeles (2012); and First Among Equals, Institute
of Contemporary Art, Philadelphia (2012).
This lecture - cum - performance took place at The Galleries at Moore — the
exhibition space maintained at Philadelphia's Moore College
of Art and Design — as a part
of Show - and - Share, a weekly program by local online journal - cum - arts - organization The St. Claire (the-st-claire.com), held in conjunction with Creative Time's
traveling exhibition Living As
Form: The Nomadic Version [January 26 — March 16, 2013].
His work was also included in important group
exhibitions including Baltic Presents Turner Prize 2011 at the Baltic Center for Contemporary Art in Gateshead, UK (2011 - 2012) and Alexander Calder and Contemporary Art:
Form, Balance, Joy, which opened at the Museum
of Contemporary Art in Chicago in 2010 and
traveled to the Nasher Sculpture Center in Dallas, Orange County Museum
of Art in Newport Beach, CA, and the Nasher Museum
of Art at Duke University in Durham, NC through 2012.
The Art
of American Dance is the first major
traveling exhibition to explore American visual art related to the many
forms of dance.
2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one
of several
exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part
of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum
of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one
of several simultaneous
exhibitions around UK, collectively entitled On the FRAC Track: A Selection
of International Art from the Collection
of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror
of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art
of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery
of Nova Scotia & Nova Scotia College
of Art and Design, Halifax, CA Orbis Terrarum: Ways
of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An
Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Bar
Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards
of a Conceptual Nature Produced From 1969 to 1999 by Affiliates
of the Nova Scotia College
of Art and Design (NSCAD), Library and Archives - National Gallery
of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum
of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to
Form a Row
of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US;
traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Bar
exhibition Hard - Pressed: 600 Years
of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES
1969 0 Objects, 0 Painters, 0 Sculptors, 4 Artists..., Seth Siegelaub at McLendon Building, New York, US One Month
Exhibition, Seth Siegelaub Contemporary Art, New York, US Op Losse Schroeven / Situaties en Cryptostructuren (Square Pegs in Round Holes), Stedelijk Museum, Amsterdam, NL (Verborgene Strukuren), Folkwang Museum, Essen, DE When Attitudes Become
Form, Live in Your Head, Kunsthalle Bern, Bern, CH; Museum Haus Lange, Krefeld, DE 18» 6» x 6» 9» x 11» 2 1/2» x 47» x 11 3/16» x 29» 8 1/2» x 31» 9 3/16», San Francisco Art Institute, San Francisco, California, US;
traveled to Simon Fraser Center for Communication and the Arts, Simon Fraser University, Vancouver, CA No. 7, Art Workers Federation Benefit, organised by Lucy Lippard, Paula Cooper Gallery, New York, US May - June 1969, Center for Communication and the Arts, Simon Fraser University, Vancouver, CA Language III, Dwan Gallery, New York, US July, August, September 1969, Seth Siegelaub Contemporary Art, New York, US Conception, Perception, Eugenia Butler Gallery, Los Angeles, California, US 0 - 9, Issue # 6, New York, US Wall Show - Part 1, Ace Gallery, Los Angeles, California, US When Attitudes Become
Form, Institute for Contemporary Art, London, UK Place and Process, Edmonton Art Gallery, Edmonton, CA; Kineticism Press, New York, US 557,087, Seattle Museum
of Art, Seattle, Washington D.C., US Prospect 69, Stadtische Kunsthalle Düsseldorf, Düsseldorf, DE Project Class, Nova Scotia College
of Art and Design, Halifax, CA Konzeption / Conception, Stadtisches Museum Leverkusen, Schloss Morsbroich, DE Groups, The Visual Arts Gallery, School
of Visual Arts, New York, US Pläne und Projekte als Kunst (Plans and Projects as Art), Kunsthalle Bern, Bern, CH Art Without Space, WBAI - FM, New York, US Art in Process IV, Finch College Museum
of Art, New York, US Mail
Exhibition, Nova Scotia College
of Art and Design, Halifax, CA
This event
forms part
of the FVU touring
exhibition A Light Shines in the Darkness in which six artists» films
travel to churches and cathedrals around the country.
In 2008, the artist will participate in group
exhibitions including: «Hard Targets: Sport and Contemporary American Masculinity,» at the Los Angeles County Museum
of Art, CA; «NeoHooDoo: Art For a Forgotten Faith,» The Menil Collection,
traveling from Houston, TX to PS1 Contemporary Art Center, Long Island City, NY; and «Revolutions —
Forms that Turn,» the 16th Biennial
of Sydney, curated by Carolyn Christov - Bikargeiv, in Sydney, Australia.
Fairfield County, Connecticut Branch Edward Hopper: City, Country, Town, Selections
form the Permanent Collection
of the Whitney Museum
of American Art, 4 September 1986 — 4 September 1988;
traveled to other venues, 6 October 1987 — 4 September 1988 Documentation on this
traveling exhibition includes correspondence; checklists; information on the other venues; contracts and financial information; and condition reports.
Course members will work on producing three outcomes: 1) create a formal descriptive bibliography
of the archive 2) design a publication
of selected documents from the archive, and 3) organize a
traveling exhibition in which the archive is presented as a three - dimensional
form.
As the director and curator
of Carnegie Mellon's Miller Gallery she curated Keep It Slick: Infiltrating Capitalism with The Yes Men, the first solo
exhibition of the internationally renowned culture - jamming group; Whatever It Takes: Steelers Fan Collections, Rituals, and Obsessions, which explored sports fanaticism as a significant
form of cultural production; and Alien She, a
traveling exhibition on the lasting impact
of the global punk feminist movement Riot Grrrl, among other
exhibitions.
Works from Williamson's El Max series
form part
of the
traveling museum
exhibition, Women House, at the National Museum
of Women in the Arts (9 March — 28 May).