Sentences with phrase «forms on white surfaces»

His intuitive approach to art - making is epitomized in the expressive black forms on white surfaces mentioned above, almost calligraphic in nature and akin to this Asian practice in their emphasis on gesture, both are forms of writing that transmit sense visually.

Not exact matches

If enough material, mostly in the form of hydrogen gas, accumulates on the surface of the white dwarf, nuclear fusion reactions can occur and intensify, culminating into a cosmic - sized hydrogen bomb blast.

Do you have to eat fermented vegetables if a white coating is formed on the surface of the brine?

If you place a few particles of flea dirt on a white surface (e.g. a piece of paper) and wet them, you will see a reddish brown stain form.

Precise silhouettes of period glassware from Europe are described in white ink on handmade paper, a white - on - white - on - white surface that creates a subtle visual shift — the forms are seductively graphic at one moment and then are lost in a field of white.

The black and white inks that swirl on the surfaces create self - similar, fluid patterns reflecting the structure of molecular bonds and the slow evolution of crystals, which form over millions of years.».

Odutola's anonymous, monochromatic, white - on - white portraits reveal themselves to the patient viewer: the delicate details of hair and nape and head becoming perceptible as eyes adjust to the light, and grasp the forms and lines embedded in the monochromatic surfaces.

Completely created with the use of pearls, this minimalist abstract geometric art investigates the material and the repetitive form of the small black rectangles on the white surface.

With Tree line two slopes Davos from below, the pine trees struggle to remain on the surface after having been covered by the white mantle of a violent avalanche, yields a series of abstract compositions charged with movement, where we see the pines on the hillside, and the channels the avalanches formed in between them.

As Morandi imposed on himself a limited vocabulary of forms, Ryman has famously reduced his palette to the color white and his surfaces to squares.

Perception shifts depending on where we place our bodies inside White's provisional structure — density gives way to diffusion; shapes, letterforms, and numbers appear and then dissolve from the networks of yarn; and forms reflect and multiply in a large, mirrored surface, playfully linking what we see to how we move through the gallery.