Gary
found old photographs of glaciers from the 1800's and early 1900's and then traveled to those places and photographed what they looked like now — mere shadows of themselves.
Day 19:
Find an old photograph from a happy time of the two of you together and show it to your partner.
Not exact matches
And there were all the regular birthday traditions that now have a life of their own with the help of
older siblings who remember to hang the banner, and
find the cake topper, and clip the
photographs.
One study
found that one - third of ten - year
olds had viewed explicit pornography and 81 % of 14 - to 16 - year -
olds regularly access explicit
photographs and footage on their home computers.
Living Room Stump Stool, friend's yard Sofa, West Elm Blanket, The Source (Denver) Pillows, West Elm Coffee Table, West Elm Quarterly Magazines, Darling Cactus,
Old Candle Jar Candle, West Elm Piece of wood, antique store Fig tree container, vintage spitting tobacco can Kid's Chair, Vertigris Hammock Swing, gift from a friend's trip to Mexico Basket, Target Dresser, vintage
find refinished Tall candle, Pottery Barn Concrete succulent, Plant Shoppe Pillow, West Elm Paiting, great great grandmother's Pouf, West Elm Skyline
photograph, ToddScott.Co
If you don't mind searching through piles of
old photographs and the occasional vintage ukulele, you can
find a real gem.
Parship, which matchmakes through psychometric testing and excludes
photographs until an online couple has agreed to take the relationship further, has
found that four out of 10
older women seeking younger men are looking for something «steady, safe and secure», while 60 per cent don't expect as much.
In a different study she
found that women's profile
photographs were on average a year and a half
old.
I logged on to my laptop to
find an email from the Mature Free and Single website showing a page of new members, I glanced at the
photographs and one caught my eye, it was a guy
older than myself who lived about 20 miles away.
As you can see, the movie
finds pals Lloyd and Harry getting up to their
old shenanigans when Harry discovers he has a daughter and Lloyd falls for her after seeing a
photograph.
Even rudimentary scenes, such as Mikael's scanning through boxes of
old photographs for any clue he can
find, adds to the tension, particularly in the way the eerie
photographs and facial expressions create the mood of dread and foreshadowing of murderous intent.
Detective Stephen Moran gets his longed - for shot at the Murder squad when 16 - year -
old Holly Mackey brings him a postcard she's
found on the secrets board at her fancy boarding school: a
photograph of a murdered boy, with the caption, «I know who killed him.»
Using razor blades, paper clips, glue, and an
old Polaroid camera, the artist intricately collages
photographs and
found materials to create intimate worlds that daringly intertwine Italian Renaissance masters such as Caravaggio with pornographic imagery.
Morley often
finds his subject matter in different types of
photographs (including pictures of
old - master paintings, family portraits and images from travel brochures and calendars), which he transfers to the canvas using a grid system.
Using his diaries as points of departure, Beard's complex process often involves incorporating newspaper clippings, dried leaves, feathers, insects,
old sepia - toned photos,
photographs of women, quotes and various
found objects in conjunction with his working with ink and paint.
ANTON KERN Anne Collier produces large, sumptuous
photographs of photographic imagery
found on
old record album covers, post cards, posters and advertisements, with a gimlet eye for representations of female beauty and sex appeal.
The
photographs in the exhibition show a beekeeper using
old shopping carts and other
found objects as supports for the beehives.
Since the 1970s, Stezaker has collaged, cut up or otherwise intervened in
found photographs —
old postcards, Hollywood film stills,
old travel brochures and the like.
The New York - based artist draws portraits of people featured in
old discarded
photographs taken between Emancipation and the modern Civil Rights era and often creates a narrative «tableaux» by pairing the images with
found objects.
Cloar was a nationally known painter who focused his work on surreal views portraying childhood memories of natural scenery, buildings, and people, often working from
old photographs found in his family albums.
Using his diaries as points of departure, his complex process often involves incorporating newspaper clippings, dried leaves, feathers, insects,
old sepia - toned photos,
photographs of women, quotes, and all sorts of
found objects, in addition to working with ink and paint.
She frequently creates mixed media pieces using her own
photographs taken during her travels combined with
old photos, mostly from the 1950s, that she
finds while traveling.
He manipulates literature,
found objects,
old audio recordings and
photographs, obsolete technologies and other media, making it relevant to the present.
On the back of an
old photograph, Davy discovered that his great - great - great - grandfather
founded a livery stable at the gallery's Chrystie Street location in the late nineteenth century.
Working dexterously from sources inspired by literature,
Old Master paintings, and
found photographs, Wulff makes paintings inflected by wide - ranging references and in the process builds a surreal universe that moves across time periods.
His paintings and digital prints blur cultural boundaries, with Kito
finding inspiration in
old photographs, scientific drawings and maps.
His work layers architectural imagery derived from
photographs with high - contrast colors, vintage typography, and
found material like
old newspaper print.
Anna Fasshauer, Serotonin, 2013 various
found objects, cement, laquer, 135 x 90 x 38 cm; Belén Uriel, Manual, 2012, nickel - plated tubular modular steel structure and okume drilled wood panels, 200 x 350 x 100 cm; Belén Uriel, Good Companion Rooms (
old and new side by side), 2011 inkjet
photographs printed on cotton paper, 45 x 40 cm each.
The colorful show offers and overview of Ms. Thomas» work, which the artist has continually produced in conjunction with her rhinestone - encrusted paintings, along with her curated exhibition of
photographs by a community of artists — both younger and
older — that she
finds inspiring.
This marking was
found in original print copies of
old photographs and was used to hinder consumers from making off with a print without paying; however, in this context, the imposition of «proof» invokes a satirical notion of what constitutes reality.
He has spent his artistic life working with the most ephemeral of materials: newspaper clippings,
photographs,
found snapshots, clothing, candles, light bulbs,
old biscuit tins.
The exhibition includes vintage
photographs of his father's battalion (
found in an
old shoe box), excerpts from the official reports, and pages from the journal Aho kept as he followed the soldiers» once - perilous route.
She dug up
old photographs and spoke to family members to develop a narrative for the project, which in some images
finds her dressing up as her grandfather and posing in front of cardboard cutouts.
'' [A] stunningly beautiful volume... An affectionate biographical glimpse into Martin's life... Tucked alongside reproductions of paintings are previously unpublished lecture scripts, samples of Martin's letters to Glimcher, and other notes... These actual - size replicas -LSB-...] are written neatly in the artist's own script, and offer intimate glimpses into her thought process... The
photographs of Martin in her rustic surroundings are marvelous and strange, and the lurid colours unique to
old Polaroids provide a bracing contrast the restraint
found in her paintings... Martin's works, with their delicate grids, can become muted or muffled on the page, but in this book they sing out pure and strong.
Cathy Lomax isolates, crops and re-configures filmic moments,
found photographs and
old master paintings and re-presents them (usually in the form of paintings) to create new taxonomies which hint at a curious contemporary longing for something unobtainable.
These words have been taken from the back of
old photographs found by Anna Barriball, whose Art on the Underground project introduces journeys from the past, both significant and mundane, to the tunnels again.
A member of the board's IT staff accessed his laptop remotely and
found nude
photographs of a 16 - year -
old Grade 10 student.
It's a bit of a mish - mash of an
old sofa my boss gave me, Kmart rugs and bar stools and cushions, my grandmother's
old flour and tea canisters, the red pouf I got from Freedom to elevate my feet when I was pregnant, the framed sunrise
photographs my ex and I got as a wedding present, my great - great aunt's sideboard and a second hand dining table and chairs that I
found in South Newtown one day.