Typically for Zaatari the Stockholm exhibition involves
found photographic archives, multimedia installations, and film and video, both documentary and fictional (and works that sit somewhere between the two).
Not exact matches
Julia Riddiough is a Margate based artist creating vivid film &
photographic essays that combine fact & fiction using
found imagery often from the
archive.
The works presented here take many forms, including physical
archives arranged by peculiar cataloguing methods, imagined biographies of fictitious persons, collections of
found and anonymous photographs, film versions of
photographic albums, and photomontages composed of historical photographs.
The SCAD Museum of Art presents a multimedia exhibition profiling the
archive and lineage of Ai nt — Bad, a multiplatform
photographic publisher based in Savannah and
founded by SCAD alumni.
Over time, my production has evolved from black and white
photographic portraits and narrative videos to creating hybrid «sites», images and installations employing photographs, videos and film,
archives and
found materials, projected sounds and reflective surfaces, works focusing on the individual's role in history and in time.
Activating her work is an iconography of historical material drawn from a range of primary sources:
photographic archives, antique books, vestiges, and an infinite variety of
found objects.
Prompted by the absence of folk art in Witte de With's exhibition history, Decorations by Kasper Bosmans also features documents taken from artist Asger Jorn's
photographic archive 10,000 Years of Nordic Folk Art, a project part of his Scandinavian Institute for Comparative Vandalism,
founded in 1961 as an interdisciplinary institute aimed at «vandalizing» art history.
Some
find photographs in historical
archives, flea markets and antique stores; others mine the vast field of stock
photographic images available online.
Prompted by the absence of folk art in Witte de With's exhibition history, Decorations also features documents taken from artist Asger Jorn's
photographic archive 10,000 Years of Nordic Folk Art, a project part of his Scandinavian Institute for Comparative Vandalism,
founded in 1961 as an interdisciplinary institute aimed at «vandalizing» art history.