Sentences with phrase «fragmented body»

Sources art historical and contemporary feed into Cecily Brown's erotic whipping - up of fragmented body parts.

Many artists in this display question a sense of physical cohesion by duplicating and modifying bodies, or evoking the figure through uncannily fragmenting body parts and shapes.

Through fragmenting her body by hiding behind furniture, using reflective surfaces such as mirrors to conceal herself, or by simply cropping the image, she dissects the human figure emphasising isolated body parts.

In photography and video, Barbara Ess, Barbara Crane, and Amy Greenfield fragment the body and the medium.

The horses, along with fragmented body parts (heads, eyes, and hands) are almost totemic, like primitive symbols, and serve as formal elements through which Rothenberg investigated the meaning, mechanics, and essence of painting.

In recent years his works explored fragmented bodies, color and bizarre amalgams meant to create new narratives for his viewers.

In photography and video, Amy Greenfield, Barbara Crane, and Barbara Ess fragment the body and the medium.

The female body, shown in abstracted close - ups, has been a particular focus of her oeuvre, as witnessed in diverse representations of female genitalia and other fragmented body parts (belly buttons, hair, nipples, tattoos, etc.).

Marks cover fragmented body shapes or drawings of images from popular culture.

Channelling Freudian ideas that our obsessions, fears and phobias are manifestations of repression, Sherman's fragmented bodies unearth the two primary pillars of Surrealism: Desire and Fear.

Brown creates vivid, atmospheric depictions of fragmented bodies, often in erotic positions in the midst of swells of colour and movement.

In photography and video, Barbara Crane, Barbara Ess, and Amy Greenfield fragment the body and the medium.

Stella Johnson's dynamic compositions erupt with fragmented bodies and dense patterns.

His human forms and fragmented body parts tow the line that separates representation from abstraction and the recognizable from the surreal.

Here, quite possibly, was the beginning of the reunification of the fragmented body of Christ.

This movement is completely understandable, but regrettable, for the majority's lack of acceptance then continues to fragment the body of Christ.

Hansa artists» works represented in the Grey show include Jane Wilson's Portrait of Jane Freilicher (1957), an oil on canvas merging abstraction with figuration, and Jean Follett's Many - Headed Creature (1958), a piece that recreates a fragmented body on a wood panel out of junk and found objects — a light switch, socket cooling coils, a window, a screen, nails, a faucet knob, mirror twine, cinders, a caster, springs, and rope.

He adds intrigue to poses that could be considered traditional figure drawing studies by adding abstracted lines and watercolor washes that integrate the fragmented body parts into a larger visual field.

Landscape, topographical maps, fragmented bodies, and variations on Sikander's signature gopi hair motif appear.

According to the gallery - «Fragmented bodies, compositions and coloration reference a modern painting language.

The essay by Bente Larsen, Professor in Art History at the University of Oslo, focuses on the fragmented body and how this aesthetic and philosophical concept relates to Thomas Schütte's work.

The artist has now shifted his focus from photography to making large digital tableaux in which swirling brushstrokes mix with and partially obscure images of contorted, fragmented bodies.

In the 1980s he created works that fragmented his body into disorienting black - and - white close - ups — his hairy chest, the soles of his feet, genitalia — and confronted topics that many young artists are grappling with now.

London - born painter Cecily Brown creates vivid, atmospheric depictions of fragmented bodies, often in erotic positions, that are depicted among swells of color and gesture.

Fragmented bodies, compositions and coloration reference a modern painting language.

Spanning the late «40s through the early «60s, these works examine Abstraction based upon oblique evocations of the fragmented body and the influence of the unconscious, with seriality and repetition emerging as essential idioms of a new sculptural language.

The fragmented body is my building block.

They seem to be an attempt at extreme synthesis rather than meticulous refinement; a synthesis of personal obsessive renderings of the fragmented body, that had always lay hidden in the «all - over» works, combined with, and intensified by, the technical innovations he had made while working upon the drip - based paintings.»

In the same way she reworks textiles and fabrics that make up her sculptures, or layers of printmaking and acrylics in her paintings, Huanca deconstructs and fragments the body, to dismantle and recycle it into a genderfluid, post-human device that is no longer limited by interpretations of identity.

Central to this exhibition is the inspiration of Surrealism, a movement Sassen recognises as one of her earliest artistic influences, seen in the uncanny shadows, fragmented bodies and dreamlike landscapes of her work.

We also unpicked the work to explore its layers: the deconstructed garment, depictions of the fragmented body, my son's paintings and the use of stitch for reparation and drawing.

Inspired by the fragmented bodies in works by Louise Bourgeois and Alina Szapocznikow, and the unsettling quality that can accompany even their most erotic or attractive forms, she laces beautiful shapes with strange, dark undertones.

The part - figure throws a shadow behind itself that masquerades as a traditional sculptural form - perhaps a classical Greek sculpture with its arms and head lost over time, or the fragmented body of Auguste Rodin's headless and armless «Striding Man».

Artists include original Surrealist Claude Cahun, who explored gender and identity in her groundbreaking self portraits; Alina Szapocznikow, who sculpted disembodied and fragmented body parts using casts of her own body; and contemporary painter Julie Curtiss, who works with vivid colours and faceless figures to create ambiguous female forms.

Placed alongside the museum's curated display of archival artifacts, two vitrines each contain a fragmented body formed through the careful selection and placement of items both artificial (like a pair of underwear) and natural (nail clippings, a severed foot) sourced from both Milner's and Warhol's own archives.

Spanning the late 1940s through the early 1960s, these works examine abstraction based upon oblique evocations of the fragmented body and the influence of the unconscious, with seriality and repetition emerging as essential idioms of a new sculptural language.

From Picasso, who distorted and fragmented the body, to the gestural simplifications of Willem de Kooning, the portrait in the postwar period had become anti-individualistic: a generalised signifier for existential disquiet, rather than a disclosure of individual character.