Sentences with phrase «fragmented images as»

Not exact matches

Before he became a rock star, he showed some promise as an imagist... but the... volumes currently bearing Morrison's name contain nothing but fragments and scraps, half - formed images, and free - associative meanderings.

For life in a highly fragmented and specialized society, the pastor as theological integrator can perform a socially unique role in building provisional bridges to enable us to stay in touch with our common humanity fashioned in the image of God.

Quite simply, the dual energy system uses two different types of energy to create two images of the product — ultimately ensuring the detection of low - density contaminants such as bone fragments is twice as likely.

Dual side view detection allows users to analyze and process two images per container to better detect hard - to - find contaminants such as glass shards, metal fragments, mineral stone, some plastic and rubber compounds and calcified bone.

These images are then compared, which helps to eliminate the background effect caused by the product itself and improves the detection of lower density foreign bodies such as fan bones in chicken, bone fragments in meat, or glass and stones in added value meat products.

Under certain combinations of conditions, large fragments of carbon coating were eroded away (as depicted in image), the researchers report today in Nature Communications.

Getting his start working on TV commercials, Mann took his rapid - paced, flash - cut approach into documentary filmmaking, producing an award - winning short on the 1968 French student riots, Janpuri.Mann's fragmented - image technique further manifested itself on such TV detective series of the»70s such as Starsky and Hutch and Vegas, both of which utilized his scripts (though they were directed by others in the standard conventional style of the period).

Knight of Cups: For those willing to get on director Terrence Malick's wavelength, this is an ecstatic use of cinema — the story of a screenwriter (Christian Bale) in Hollywood as told through dream images and voice - over, with only fragments of scenes.

Considered through Doane's work on film, time and archive, mashup can be viewed as collection of fragments and symbols of media, memory, sound, image and time.

Ryan Gosling's singing seems oddly suited for the images as the trailer gives fragments of what seems to be a much richer and fuller story.

The images embody multiple themes, such as voyeurism, anonymity, and fragmented reality.

Amorphous shapes, sharp - edged logos, scything blocks of colour and silky veils of tinted varnish intrude into Stubbs» picture planes, fragmenting the surface; it is as though the physicality of the works are coming up against the pixilation of the flattened, immaterial space of the digital image.

Appel's new series of paintings begin as primary arrangements: cut - out paper forms referencing the portholes of Jean Prouvé's Maison Tropicale are combined with Appel's own photographs of fragments of his previous works, landscapes, and images of Paolo Soleri's Arcosanti.

As the press release for the exhibition notes, Berding's images recall the visual effusions of contemporary technologies: flow charts, screen - based symbols, exploded view diagrams that turn familiar machines into radiating fragments.

These corporeal images periodically overlap with close - up fragments from nature as Rist blurs the boundaries between the self and organic structures.

Schiele famously traveled everywhere with a full - length mirror that once belonged to his mother, and Saville also uses full - length mirrors, as well as photographs (the latter to «hold the image down,» in her words), to aid in the lengthy process of painting her fragmented and layered figures.

Her collages are constructed using fragments from fashion and travel magazines, pornography, African art books, automotive schematics, and images drawn from science fiction as well as hand - drawn or painted elements which create a variety of new formations of the body.

A work recurs outside of itself, sometimes in a partial or fragmented way, always coming back remotely as another image — thicker, faster, sharper.»

Means of producing and displaying images are central to his methodology and he unpacks the image as both subject and object, unfolding ways in which fragments of the present can connect with those of the past, the hidden with the visible, and the sentient with the physical.

Through fragmenting her body by hiding behind furniture, using reflective surfaces such as mirrors to conceal herself, or by simply cropping the image, she dissects the human figure emphasising isolated body parts.

Though working on a diminutive scale as compared to Rosenquist's monumental compositions, Steele draws on rigorous observations of the real world to create fragmented images that waver between recognizable form and nonobjective abstraction.

At a time when we have become desensitised to an image - saturated world, Tony Swain (born Northern Ireland, 1967) uses familiar sections of newspaper that are pieced together as a support for paintings of fragmented landscapes and abstract patterns.

Where the Statue of Liberty's copper skin pieces produced by Frédéric Auguste Bartholdi were soldered together on a metal scaffold, and unveiled in 1886 as an image now almost universally recognizable, WE THE PEOPLE is a series of copper skin fragments dispersed according to the logic, or abstract armature, of the global art system.

YinHua uses photography as medium to explore different ways of seeing, treating the photographic image as a fragment frozen and extracted from the flow of time, and the camera as a bridge between mental image and visual perception.

The effects of this formative environment coupled with the influences of other Los Angeles - based artists such as Ed Ruscha, Douglas Huebler, and John Baldessari, who all experimented with combing found images and text fragments, are important foundations of his work.

The stark palette of black, white, gray and muted earth tones suggests early photography and lends a timeless quality to the work, almost as if the images themselves are fragments from the past.

This artwork is inspired by the series Color as Adjective, a series of drawings and paintings that are visual representations of fragmented images, memori...

From these images, intricate and abstracted drawings are rendered as linear disintegrations of form and then transferred onto a substrate of sewn - together fragments of found paper.

His work shows images that are revealed as fragments in the midst of change, destruction, redefinition and restoration.

Focusing on a selection of pivotal works by the movement's principal protagonists — Terry Farrell, Piers Gough, Jeremy Dixon, John Outram and James Stirling / Michael Wilford — the exhibition will feature a range of stunning drawings, models and images, as well as full - scale replicas and fragments of actual buildings.

«The exhibition will showcase the early collages that combine abstract painting, text, and image; and a selection of many of the artist's best - known blackboard paintings, in which a faux blackboard surface is used as the ground for realistic, painted vignettes adjacent to fragments of different stories that suggest variously ambiguous meanings.

Often described as a surrealist, the artist actually fuses naturalistic and surrealistic approach in her images of heads that seem to be dissipating like smoke, and doubled, fragmented faces, as if reflected in a broken mirror.

Some of the works included in the exhibition explicitly engage with Eliot and his writing, such as Philip Guston's grim deathbed painting East Coker: T.S.E. (1979); David Jones's painted inscription Nam Sibyllam (1958), made as a gift for Eliot, which combines the text from Petronius that is The Waste Land's epigraph with the opening lines of the poem and other phrases connected to the Grail myth; Graham Sutherland's two Illustrations for T. S. Eliot (1973); and Vibeke Tandberg's The Waste Land (2007), which consists of 36 collages in which the artist has cut out each of the words of the poem, and re-organised them alphabetically and in groups, at once fragmenting Eliot's poem of «broken images» even further and bringing its underlying verbal structure to light.

«Me, My, Mine» implies that subject matter is nothing more than a personal gathering of inspired fragments to be treated as mostly formal elements — that a depicted image is selected spontaneously based on subjective criteria and its relevance to a viewer need not extend beyond the simple fact of its authorship.

«Through the dissecting and re-arranging of mass produced information based material, such as newspapers, brochures, comics and packaging, the artists fragment our visual and cognitive understanding of images and text, and force us to reconsider the familiar from a completely new perspective.»

The images, fragmented and then displayed as three dimensional works, present the viewer with multiple, shifting perspectives when viewed from different angles and engage the environment in which they are presented.

Also featured is an original, rare drawing fragment of the Foundation Building by Petersen, a digital reconstruction of the architectural evolution of the Foundation Building, as well as images of student exhibitions and publications from 1965 to the present demonstrating the development of the Chanin School's pedagogy — which has influenced the study and teaching of architecture worldwide.

Both hypnotizing and surprising, the fleeting images appear as fragments of transitory and elusive spaces.

SUBSTITUTION 2 consists of two sculptural assemblages made from plywood, cardboard, packing tape and mannequins, as well as fragments of images and headlines torn from magazines or downloaded from the internet.

Sometimes Wood also experiments with the idea of collage, superimposing objects over others or simply playing with the distortion of images by creating the illusion of separate or fragmented painted canvas surfaces brought together in one, such as in Still Life Collage, 2015.

Seen together, their works present fragmented images of American life from the 1970s to the 1990s, pointing towards the spectacle of consumer culture in general, at the same time as revealing their own personal engagement with American culture in particular.

Whether introducing glass fragments on a print, thereby blurring the line between image and physical object, such as in Impossible Objects # 4, or casting a hybrid material she developed called puffy glass, Srinivasan's experimental contributions to the field are undeniable.

Varied subjects, such as figural fragments, drapery, and architectural relief appear on a typical single Baroque study sheet for the sake of economy and for the rehearsal of an image.

Though my fragmented image was only a byproduct of the glass protecting the photos, for a moment I glimpsed an apotheosis of Baudelaire's «strange abominations»: As I walked through the gallery I was suddenly aware of how I, or rather my unintended reflection, added another layer of obstruction to the works in the exhibition.

On the surface, the recent and new works in Noh's solo exhibition Information About the Outside World appear as attractive collages of fragmented digital images, mixed materials, and decontextualized objects.

From Vibeke Tandberg's staged images of herself as a young bride and Hito Steyerl's search for her past as a bondage model, to Alfredo Jaar's non-photo of Osama Bin Laden's death and Mike Bouchet's scintillating porn fragments.

In each instance, he gives the works a new lease on life by choosing a fragment and interpreting it as a complete image in its own right before «doubling» or pairing it with a text that appears as a title.

She then cuts up the photograph — fragmenting, deconstructing, and re-contextualizing the interior space — and reassembles the image as a collage.

As his collages compress millennia by placing the prehistoric next to the modern, they dance around time: the distance between the image's creation and our grasp of its significance, the hours searching for appropriate materials, the cultivation of isolated fragments before integration into Craven's universe.

The National Portrait Gallery exhibition, with about 100 images, takes us from early black and white images, to well - known as well as previously unseen works in colour, via a fragment of video.