As with all the works in «Expeditions,» Western Union is presented on three separated projection screens, physically indicating
the fragmented narratives of the work.
The gallery is turned into a fluid installation of everyday objects, using light, machinery and the space to create
fragmented narratives of human inter-dependece.
Reported Missing (2003), which was shot in Stockholm, Italy, Easter Island, Chile, the Grand Canaries, and Australia, is
a fragmented narrative of suggestive moments charged with emotion and imagination of self.
Working across a range of subject matter and styles, from abstraction to dreamlike figuration, Mazliach evokes
a fragmented narrative of politics and history.
Not exact matches
Instead
of jumping straight into a conversation, or snoozing through bullet - pointed sentence
fragments in a slideshow presentation, he requires his senior executives to write six - page
narrative memos.
Early Christian Writings, earlychristianwritings.com / — a list
of early Christian doc - uments to include the year
of publication — 30 - 60 CE Passion
Narrative 40 - 80 Lost Sayings Gospel Q 50 - 60 1 Thessalonians 50 - 60 Philippians 50 - 60 Galatians 50 - 60 1 Corinthians 50 - 60 2 Corinthians 50 - 60 Romans 50 - 60 Philemon 50 - 80 Colossians 50 - 90 Signs Gospel 50 - 95 Book
of Hebrews 50 - 120 Didache 50 - 140 Gospel
of Thomas 50 - 140 Oxyrhynchus 1224 Gospel 50 - 200 Sophia
of Jesus Christ 65 - 80 Gospel
of Mark 70 - 100 Epistle
of James 70 - 120 Egerton Gospel 70 - 160 Gospel
of Peter 70 - 160 Secret Mark 70 - 200 Fayyum
Fragment 70 - 200 Testaments
of the Twelve Patriarchs 73 - 200 Mara Bar Serapion 80 - 100 2 Thessalonians 80 - 100 Ephesians 80 - 100 Gospel
of Matthew 80 - 110 1 Peter 80 - 120 Epistle
of Barnabas 80 - 130 Gospel
of Luke 80 - 130 Acts
of the Apostles 80 - 140 1 Clement 80 - 150 Gospel
of the Egyptians 80 - 150 Gospel
of the Hebrews 80 - 250 Christian Sibyllines 90 - 95 Apocalypse
of John 90 - 120 Gospel
of John 90 - 120 1 John 90 - 120 2 John 90 - 120 3 John 90 - 120 Epistle
of Jude 93 Flavius Josephus 100 - 150 1 Timothy 100 - 150 2 Timothy 100 - 150 T - itus 100 - 150 Apocalypse
of Peter 100 - 150 Secret Book
of James 100 - 150 Preaching
of Peter 100 - 160 Gospel
of the Ebionites 100 - 160 Gospel
of the Nazoreans 100 - 160 Shepherd
of Hermas 100 - 160 2 Peter 100 - 200 Odes
of Solomon
Here, using a rich selection
of narrative fragments from their interviews, they depict vividly the difficulties rescuers faced in determining how to balance their obligations to family and friends with their commitments to the rescued.
30 - 60 CE Passion
Narrative 40 - 80 Lost Sayings Gospel Q 50 - 60 1 Thessalonians 50 - 60 Philippians 50 - 60 Galatians 50 - 60 1 Corinthians 50 - 60 2 Corinthians 50 - 60 Romans 50 - 60 Philemon 50 - 80 Colossians 50 - 90 Signs Gospel 50 - 95 Book
of Hebrews 50 - 120 Didache 50 - 140 Gospel
of Thomas 50 - 140 Oxyrhynchus 1224 Gospel 50 - 200 Sophia
of Jesus Christ 65 - 80 Gospel
of Mark 70 - 100 Epistle
of James 70 - 120 Egerton Gospel 70 - 160 Gospel
of Peter 70 - 160 Secret Mark 70 - 200 Fayyum
Fragment 70 - 200 Testaments
of the Twelve Patriarchs 73 - 200 Mara Bar Serapion 80 - 100 2 Thessalonians 80 - 100 Ephesians 80 - 100 Gospel
of Matthew 80 - 110 1 Peter 80 - 120 Epistle
of Barnabas 80 - 130 Gospel
of Luke 80 - 130 Acts
of the Apostles 80 - 140 1 Clement 80 - 150 Gospel
of the Egyptians 80 - 150 Gospel
of the Hebrews 80 - 250 Christian Sibyllines 90 - 95 Apocalypse
of John 90 - 120 Gospel
of John 90 - 120 1 John 90 - 120 2 John 90 - 120 3 John 90 - 120 Epistle
of Jude 93 Flavius Josephus 100 - 150 1 Timothy 100 - 150 2 Timothy 100 - 150 T - itus 100 - 150 Apocalypse
of Peter 100 - 150 Secret Book
of James 100 - 150 Preaching
of Peter 100 - 160 Gospel
of the Ebionites 100 - 160 Gospel
of the Nazoreans 100 - 160 Shepherd
of Hermas 100 - 160 2 Peter
Early Christian Writings, earlychristianwritings.com / — a list
of early Christian doc - uments to include the year
of publication — 30 - 60 CE Passion
Narrative 40 - 80 Lost Sayings Gospel Q 50 - 60 1 Thessalonians 50 - 60 Philippians 50 - 60 Galatians 50 - 60 1 Corinthians 50 - 60 2 Corinthians 50 - 60 Romans 50 - 60 Philemon 50 - 80 Colossians 50 - 90 Signs Gospel 50 - 95 Book
of Hebrews 50 - 120 Didache 50 - 140 Gospel
of Thomas 50 - 140 Oxyrhynchus 1224 Gospel 50 - 200 Sophia
of Jesus Christ 65 - 80 Gospel
of Mark 70 - 100 Epistle
of James 70 - 120 Egerton Gospel 70 - 160 Gospel
of Peter 70 - 160 Secret Mark 70 - 200 Fayyum
Fragment 70 - 200 Testaments
of the Twelve Patriarchs 73 - 200 Mara Bar Serapion 80 - 100 2 Thessalonians 80 - 100 Ephesians 80 - 100 Gospel
of Matthew 80 - 110 1 Peter 80 - 120 Epistle
of Barnabas 80 - 130 Gospel
of Luke 80 - 130 Acts
of the Apostles 80 - 140 1 Clement 80 - 150 Gospel
of the Egyptians 80 - 150 Gospel
of the Hebrews 80 - 250 Christian Sibyllines 90 - 95 Apocalypse
of John 90 - 120 Gospel
of John 90 - 120 1 John 90 - 120 2 John 90 - 120 3 John 90 - 120 Epistle
of Jude 93 Flavius Josephus 100 - 150 1 Timothy 100 - 150 2 Timothy 100 - 150 T - itus 100 - 150 Apocalypse
of Peter 100 - 150 Secret Book
of James 100 - 150 Preaching
of Peter 100 - 160 Gospel
of the Ebionites 100 - 160 Gospel
of the Nazoreans 100 - 160 Shepherd
of Hermas 100 - 160 2 Peter 3.
They think also that in the late
fragment, from a spiritual
narrative text, Jesus speaks
of Jerusalem, his spiritual Wife, obviously!
This follows from the fact that the Bible as a whole corpus
of literature is
narrative in its framework, although some
of its
fragments are not.
The part
of the final author
of the gospel was to give to his sources a
narrative framework and to make
of his
fragments of material a connected whole.
The proper role for the study
of the diachronic dimensions
of the text lies not in
fragmenting or in replacing the synchronic level, but in using a recovery
of a depth dimension for increasing an understanding
of the theological substance that constitutes the biblical
narrative itself.
We have not an individual identity, but
fragments of experience; not the
narrative of a life that is in some sense a whole, but a decentered flow
of experience.
Although no more Easter
narratives were accepted into the authoritative canon
of the New Testament which eventuated, such stories continued to appear in the next century, and probably far outnumbered the canonical ones, even though most
of them have not survived except in
fragments.
Careful inspection shows that the theological dissertations
of the epistles often have imbedded in them
fragments of narrative.
«
Narrative criticism has recovered the story as a whole, instead
of the
fragmented pieces
of historical criticism,» says David Rhoads, whose Reading Mark: Engaging the Gospel (Fortress) reprints seven
of his articles.
In the collection there is found included a great variety
of literary forms, prose
narratives, fables, fairy tales, much poetry
of various sorts, a good deal
of ballad form, reported sayings on many subjects, and
fragments of epics.
I have long remembered the remark
of a notable art critic — though I have forgotten which one — that many modernist paintings could be understood as
fragments of classical painting blown up for their own sake, displaying the formal and technical elements by which painting is accomplished but eschewing the
narrative depiction within which such patches
of paint on canvas would earlier have had their place.
For the first time in Brazilian history, the
narrative of a major political crisis has been constructed by an incredibly
fragmented media system.
And the
narrative not only resonated with journalists but also citizens who suddenly started googling for fake news (see Fig. 1) and found dozens
of news articles that were painting a dark picture: not only are we living in a post-truth world, but our society is also
fragmented into numerous echo chambers in which fake news is shared freely, thus eroding our society's basis.
That's a solid, timeless story, but it gets utterly lost in a jumble
of ideas, themes and
narrative fragments.
The «that's life» solemnity that throbs in Vestiges quickly fizzles into a series
of narrative incoherent niceties, and becomes a far more rewarding listen when lyrical
fragments are taken out
of context.
Music factors into the romantic
fragments of Creed's subplot in interesting ways, and if Ludwig Goransson's score feels as comfortable as the
narrative formula, a steady, throbbing hum apparent each time Creed and Bianca interact succeeds in creating a fitting tone.
But its
fragmented narrative structure, played out via flashback through the reading
of jumbled correspondence, produces a dissonant effect at odds with the gentle nature
of the director's fixed - mount static shots, pans, and zooms.
The movie holds our attention, although it is
fragmented and doesn't follow a traditional
narrative, but this structure reflects Cathryn's unstable mind and her skewed view
of the world.
For all
of director Claire Denis «traditional
fragmented narratives and elliptical editing techniques, her Cannes entry this year, «Bastards,» has unsettled audiences even further, causing a fest reaction that we wrote «not so much divided as cleaved» down the middle.
Fragmenting Jobs» varied career into a triptych structure ends up undoing some
of its
narrative impact.
It feels strange, but for audiences willing to take a drag, the impressionistic smoke carries a vibe
of its own; at worst, disorienting and
fragmented, at best, an aptly freewheeling riff on a formulaic
narrative.
More interesting results would probably be obtained, however, with the films
of, say, Jack Smith or Gregory Markopoulos than with a
narrative feature, even one as
fragmented in its storytelling and as broad in its sensual appeal as The New World.
While Camp Long - Form is mounting masterful drones about the joys
of deep reads and rich
narrative immersion, the Don't Blink squad presents a pizzicato counterpoint, talking to us (very fast) about how the «chunking»
of bigger works into small pieces is the pathway to our
fragmented future.
Written in several stands, the somewhat
fragmented narrative never dilutes the impact
of the boldly composed panels depicting scenes from Sís» infancy through young adulthood.
The person who puts together the most compelling
narrative out
of these jostling
fragments is the person who controls what we think, say, and, ultimately, do.
Although I was always familiar with the broad thrust
of the stories, I frequently had to piece the
narrative together from
fragments of a story obtained over an extended period
of time.
Rather, spatial design provides participants the freedom to forge their own routes, to glimpse parts
of the story that perhaps no - one else notices, to weave together the nonlinear collection
of narrative fragments that is unique to each individual's experience and create one's own interpretation
of how they're all connected.
Also available this week is a trio
of titles for Xbox One owners... One Piece: Burning Blood is a fighting game based on the popular anime and manga, TurnOn is a puzzle platformer starring an electric alien, and
Fragments of Him is a melancholy and emotional
narrative game.
Rather than just looking for the exit to each level, the new version
of the game will see you collecting «memory
fragments» to reveal a non-linear
narrative.
Fragments of Him is a playable interactive
narrative where you follow the life
of Will and experience how he affected the lives
of those he left behind.
Rosaire Appel will present work that is active with pauses, work that emphasizes the
fragment and urges the viewer to interpret a
narrative of the unfamiliar.
Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University
of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «
Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy
of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy
of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum
of Art, Mobile, Alabama 2006 — «Night
of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy
of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night
of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points
of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY
The world that Luna Crimson wanders into is the set
of a Pagan chapel, and Weber has transformed the gallery into the
narrative, creating an ethereal mise - en - sce ̀ne composed
of gilded trees dripping with stained glass
fragments, sculptural rocks that one may sit upon, an otherworldly soundscape and video projection, and the costumes
of characters from her film.
In subtle visual
narratives, Sala often depicts what appear to be
fragments of everyday life, and his intimate observations experiment with fiction to double as enigmatic portraits
of society.
Tweedy's
fragmented images reveal his ability to mainpulate depth and space while his activation
of the frames works well to enhance the mystery
of the
narrative.
Fragments of narrative accumulate and form their own kind
of logic.
«The pictures show only
fragments of possible
narratives, but for me, every life has weight and drama, even if its meaning is ultimately elusive,» he explains.
Incorporating sculpture, photography, pre-cinematic optical devices and museum inspired displays, their works appropriate iconic snippets
of film and video art; re-staging these
fragments in new visual contexts in order to observe, break - down and reconfigure familiar
narratives.
Quinn's richly layered paintings combine striking landscapes with
fragments of figurative
narrative from the breadth
of history, myth and ironic imagination.
The Velasquez masterpiece has been the subject
of interpretation not only by Finch, but most famously by Francis Bacon who depicted the seated Pope in a much more sinister and
fragmented narrative.
The object is simultaneously a
fragment of culture and an embodiment
of the greater
narrative of advertising.
WHAT: Through traditional media, interactive installations, and digital technology, the show attempts a
narrative of fragmented thoughts and experiences with the understanding that our collective fractures together move towards the receding horizon
of experiential unity.