Sentences with phrase «fragmented painted collage»

Not exact matches

Utilizing fragments of imagery borrowed from popular culture, Arturo Herrera creates collages, sculptures, and wall paintings that lie on the shifting border between legibility and abstraction.

Her collages are constructed using fragments from fashion and travel magazines, pornography, African art books, automotive schematics, and images drawn from science fiction as well as hand - drawn or painted elements which create a variety of new formations of the body.

The painting reveals its complex construction and texture as light reflects off of the collaged, dipped, and painted newspaper fragments teeming on its highly articulated surface.

Chelsea, NYC: Viridian Artists is pleased to present recent oil and collage paintings by Bob Tomlinson on the theme «Fragments of Myth.»

Broken plates, Kabuki theater backdrops, tarpaulins and boxing mats; thickly applied oil paint, collage, viscous resin, and flat digital reproduction; fragments of text in different languages: these are just some of the diverse materials with which Schnabel engages life's grand themes — sexuality, obsession, suffering, redemption, death, and belief.

In his recent works, these collages consist of fragments of hard - core pornography as well as sensual details - such as a bit of drapery or a glimpse of skin - cut out from art book reproductions of Renaissance paintings.

Yet while all of the cities charted in these fragments are identifiable, the collaged pieces act as an abstracted gridded backdrop for the painted white circle at the work's center, a simple yet enigmatic form that suggests a face, a cloud, or a moon over a landscape.

Fallah left the sale with diaries, home movies, clothing and other objects chronicling the family's personal history; he then spent the course of the next year sifting through these fragments of the family's life, filling in the gaps where necessary, to create a narrative and build portraits of the family members through painting, sculpture and collage.

By layering varied imagery through drawing, painting, and collaging sheets of acrylic paint a sense of fragmented time emerges.

In her collages, drawn from her own archive of photographs, she layers fragments of photographs with paint and other materials.

«The exhibition will showcase the early collages that combine abstract painting, text, and image; and a selection of many of the artist's best - known blackboard paintings, in which a faux blackboard surface is used as the ground for realistic, painted vignettes adjacent to fragments of different stories that suggest variously ambiguous meanings.

These constructions, which are termed «cuciti a macchina», consist of fragments of his own clothing or other dyed fabric, which were stretched over canvas or collaged into abstract compositions and occasionally enhanced with paint.

Presented as a dense collage, or mosaic even, of torn fragments, the installation mimics the information saturation of our digital existence, but move in close and each painting is achieved with the immensely satisfying attention to detail one always enjoys with Landy's work.

Some of the works included in the exhibition explicitly engage with Eliot and his writing, such as Philip Guston's grim deathbed painting East Coker: T.S.E. (1979); David Jones's painted inscription Nam Sibyllam (1958), made as a gift for Eliot, which combines the text from Petronius that is The Waste Land's epigraph with the opening lines of the poem and other phrases connected to the Grail myth; Graham Sutherland's two Illustrations for T. S. Eliot (1973); and Vibeke Tandberg's The Waste Land (2007), which consists of 36 collages in which the artist has cut out each of the words of the poem, and re-organised them alphabetically and in groups, at once fragmenting Eliot's poem of «broken images» even further and bringing its underlying verbal structure to light.

Sometimes Wood also experiments with the idea of collage, superimposing objects over others or simply playing with the distortion of images by creating the illusion of separate or fragmented painted canvas surfaces brought together in one, such as in Still Life Collagecollage, superimposing objects over others or simply playing with the distortion of images by creating the illusion of separate or fragmented painted canvas surfaces brought together in one, such as in Still Life CollageCollage, 2015.

The exhibit also includes a wall installation with multiple individual fragments, a very large 3 - panel abstract painting on canvas with fabric, paint, and collaged newspaper clippings about UFO sightings, a ceiling — hung mobile and a stabile (sculpture) on a pedestal made with wood, string and found metal.

I use an unusual technique of collaging cut up fragments of personal photographs combined with water based paint.

She achieves her geometric patterns by cutting, painting and collaging, with thread, fragments of maps and other elements.

Like the collage artist who takes objects from the world, combines them with paint, and sets them inside a frame in order to show the viewer that «the tiniest authentic fragment of daily life says more than a painting,» Genzken uses the gallery space itself as a kind of frame, setting objects within and then adding her own version of a paint stroke.

Dexter Dalwood's paintings collage together found imagery, fragmented narratives and multiple perspectives on events of the recent past.

For his exhibition Cloud has created a selection of multi-layered paintings on his signature shaped canvases, newspaper collages made up of clippings from various New York dailies and large - scale paper quilts composed of photographic fragments.

My paintings collage together botanical imagery, digital distortion, fragments of the internal human body, and manufactured packaging, while collapsing and questioning their boundaries.

The exhibition will showcase the early collages that combine abstract painting, text, and image, as well as a selection of many of his best - known blackboard paintings, in which a faux blackboard surface is used as the ground for realistic, painted vignettes adjacent to fragments of different stories that suggest variously ambiguous meanings.

Phillis Ideal: Recent Paintings 2008 - 2012 Phillis Ideal's work is about the materiality of paint which represents a wide range of abstraction: layers of transparent and thick, brushed and sprayed paint; collaged fragments imbedded in medium; zeroxed rasta dots, computer graphics, shards of other drawings; as well as, large gestural brush strokes.

Almost collage - like in concept and practice, his paintings merge elements from his own life and imagination with found images and fragments from his... read more... «Studio visit with Peter Schenck»

With his fragmented paintings, collages, prints, sculptures, and drawings, New York - based artist Ryan Wallace exhibits an acute attention to texture, as, across the board, his compositions display vivid qualities that border on the geological.

Litchfield uses a wide range of media including collage, paint, photography, and digital prints to create fragmented and abstracted landscapes that are derived from a sublimation of desire and / or fear.

Similarly, Tschabalala Self employs printmaking, painting, fabric, and other materials to create fragmented collages that challenge misconceptions of black femininity within and outside of her community.

Fragments from her ongoing project Garden of Emoji Delights, she digitally collaged emoji symbols and animated characters into Hieronymus Bosch's painting The Garden of Earthly Delights, (1500 - 1505).

Between 1979 and 1981, Krasner made twenty - one collaged paintings that incorporated and re-contextualized fragments of earlier work.

I am writing this statement not quite knowing what the immediate outcome will be, but am aware of the potential collective impact that this distinctive community of creators will have with Brian Belott's innovations in collage, Ákos Birkás's philosophy about painting a certain situation, Regina Bogat's devotion to art making with clever variations on certain abstract themes, Matt Bollinger's extra-large and bracing graphite drawings, Paul DeMuro's painterly electricity, Marc Desgrandchamp's time - fragmented paintings, Michael Dotson's paintings of the «Disney - esque,» Michel Huelin's relationship with nature and software, Irena Jurek's very meaningful cat character, Alix Le Méléder's proposals of four colors determined by the passage of the brush, David Lefebvre's painted images cut out of magazines or downloaded from a mobile phone, Pushpamala N.'s ethnographic documentations which have been compared to Cindy Sherman, Wang Keping's unique wooden sculptures that juxtapose vivid emotion with a marked sense of introversion, Katharina Ziemke's pictorial treatment of current events, and me, the co-host with a small drawing.

Her abstract paintings with collaged fragments of photos and cartoons reported on city sensations: hard angles, flat walls, descents into darkness.

Davis is known primarily for the stripe works that span twenty - seven years, but he was a versatile artist who worked in a variety of formats and media: modular compositions consisting of discrete, but related, pieces that together form one composition; collages combining cutout fragments of images and text with painted and drawn elements; Klee - inspired images that resemble musical scores; and silhouette self - portraits.