Sentences with phrase «fragments of text as»

Murillo is widely recognized for his large - scale paintings that imply action, performance, and chaos, but are in fact methodically composed of rough - hewn, stitched canvases, which often incorporate fragments of text as well as studio debris such as dirt and dust.
Oscar Murillo's large - scale paintings imply action, performance, and chaos, but are in fact methodically composed of rough - hewn, stitched canvases that often incorporate fragments of text as well as studio debris such as dirt and dust.

Not exact matches

The critique of historical criticism's limit the standard one: it is reductionistic, it claims to subordinate the text to scientific methods when in fact it has philosophical presumptions, and it tends to read the biblical text as a set of fragments rather than as a unified whole.
(If, as the Qumrân fragment most recently published by Allegro seems to confirm, the «teacher of righteousness» of this sect really was put to death and his return was awaited, still what most decisively separates this sect from the original Christian community [apart from the other differences, for which see my article, «The Significance of the Qumrân Texts», J. B.L., 1955.
-- Finally, a technical note on the granularity of the text fragments: considering normal speech recordings, e.g. a common audiobook (as opposed to slowed down recordings for children common in FXL), highlighting each single word produces an annoying «flash effect».
Though she began as a documentary photographer, Simpson is best known for her conceptual pairings of text fragments and studio photographs of anonymous African - American women draped in white shifts dresses.
As the fragment of text suggests, the man holding the milking stool and pail is Calvin Coolidge, U.S. President from 1923 - 29.
As the artist states: «there are fragments, bits of texts and protocols which will inform a program of workshops, but these protocols do not exist as one organizing script or stageplaAs the artist states: «there are fragments, bits of texts and protocols which will inform a program of workshops, but these protocols do not exist as one organizing script or stageplaas one organizing script or stageplay.
The effects of this formative environment coupled with the influences of other Los Angeles - based artists such as Ed Ruscha, Douglas Huebler, and John Baldessari, who all experimented with combing found images and text fragments, are important foundations of his work.
His text speaks to absence as much as presence with a story of war and empire told in fragments, phrases, words hanging on the page — an index of both the trauma and resistance experienced by those subjected to the violence of empire.
The show centers on a text Krakow wrote, entitled Shine, which is presented in its entirety as an artist's book, and incorporated as fragments in her video of the same title.
This ambivalent discourse is composed through a series of paintings that draw text fragments from my Twitter archive between 2009 and the present as well as a series of self - reflective You / I statements on paper.
«The exhibition will showcase the early collages that combine abstract painting, text, and image; and a selection of many of the artist's best - known blackboard paintings, in which a faux blackboard surface is used as the ground for realistic, painted vignettes adjacent to fragments of different stories that suggest variously ambiguous meanings.
Some of the works included in the exhibition explicitly engage with Eliot and his writing, such as Philip Guston's grim deathbed painting East Coker: T.S.E. (1979); David Jones's painted inscription Nam Sibyllam (1958), made as a gift for Eliot, which combines the text from Petronius that is The Waste Land's epigraph with the opening lines of the poem and other phrases connected to the Grail myth; Graham Sutherland's two Illustrations for T. S. Eliot (1973); and Vibeke Tandberg's The Waste Land (2007), which consists of 36 collages in which the artist has cut out each of the words of the poem, and re-organised them alphabetically and in groups, at once fragmenting Eliot's poem of «broken images» even further and bringing its underlying verbal structure to light.
«Through the dissecting and re-arranging of mass produced information based material, such as newspapers, brochures, comics and packaging, the artists fragment our visual and cognitive understanding of images and text, and force us to reconsider the familiar from a completely new perspective.»
But as with most fairy stories, there's a darker side at play, too, as revealed on closer inspection of her collages of photographs, diary fragments and text.
Inspired by Roland Barthes's philosophical text A Lover's Discourse: Fragments (1977), the work embodies the push - pull dynamic of romantic relationships, capturing what Zimbardo describes as «the dualities of cooperation and struggle, action and passivity, speech and silence.»
Dustin Yellin collects, manipulates and constructs three dimensional collage pieces suspended within a structure which both presents the clippings as sculptural objects and fragments of text and ideas, they assume a cohesion based on unexpected coincidences as well as the artist's careful collecting and unconventional collation techniques.
Working with texts, video fragments and choreographies, either composed himself or strategically plundered from elsewhere, these works propose a historiographic model that acknowledges doubt, subjectivity and reduction as inevitable factors when making sense of past events.
«The static record is by definition insufficient,» he said at the time of his interest in reanimating archival texts as quoted fragments.
The exhibition will showcase the early collages that combine abstract painting, text, and image, as well as a selection of many of his best - known blackboard paintings, in which a faux blackboard surface is used as the ground for realistic, painted vignettes adjacent to fragments of different stories that suggest variously ambiguous meanings.
His designs for the book treat letters almost as abstract forms at some points, elsewhere as fragments of cityscape and as exploded bits of text.
Fragments of elusive text and imagery begin to reveal themselves upon closer consideration — from a looming large black skull, an American flag, and snippets of words such as «CANDY» or «KING» — only to coalesce into abstraction when seen from afar.
In this series the artist combined her love of decoration — in this instance, Islamic ornament — with her longstanding passion for cartography, so that interspersed throughout the works are maps of the Gaza strip, the Pale of Settlement (the territory within Imperial Russia restricted for Jews from 1835 - 1917, to which Kozloff traces her ancestry), as well as text references to the Tasman Sea, among other word fragments.
The color fields are shot through with fragments of text (the character for «fire» is among the few that are decipherable), misshapen ripostes to his family tradition of orderly calligraphy that place this free spirit on the same stage as de Kooning, one of Abstract Expressionism's most vibrant rebels.
I can't find the context of the text fragment used as an example of the «minimizes» subset of Level 6 in Table 2 but the most likely reading of the fragment by itself is that it assumes that humans are causing atmospheric greenhouse gas concentrations to increase and that this is causing or contributing to global warming, so the fragment does say (or at least imply) something about human attribution.
These include e-mail filtering; automatic parsing of text segments in large data blocks, such as those recovered through an «undelete» process, from unallocated computer space, or from partially recovered file fragments; language recognition algorithms for detecting text in a variety of languages; a filtering algorithm for scanning recovered data blocks using multiple text encoding detection methods; and automatic recovery of text from corrupt forensically - recovered documents.
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