Murillo is widely recognized for his large - scale paintings that imply action, performance, and chaos, but are in fact methodically composed of rough - hewn, stitched canvases, which often incorporate
fragments of text as well as studio debris such as dirt and dust.
Oscar Murillo's large - scale paintings imply action, performance, and chaos, but are in fact methodically composed of rough - hewn, stitched canvases that often incorporate
fragments of text as well as studio debris such as dirt and dust.
Not exact matches
The critique
of historical criticism's limit the standard one: it is reductionistic, it claims to subordinate the
text to scientific methods when in fact it has philosophical presumptions, and it tends to read the biblical
text as a set
of fragments rather than
as a unified whole.
(If,
as the Qumrân
fragment most recently published by Allegro seems to confirm, the «teacher
of righteousness»
of this sect really was put to death and his return was awaited, still what most decisively separates this sect from the original Christian community [apart from the other differences, for which see my article, «The Significance
of the Qumrân
Texts», J. B.L., 1955.
-- Finally, a technical note on the granularity
of the
text fragments: considering normal speech recordings, e.g. a common audiobook (
as opposed to slowed down recordings for children common in FXL), highlighting each single word produces an annoying «flash effect».
Though she began
as a documentary photographer, Simpson is best known for her conceptual pairings
of text fragments and studio photographs
of anonymous African - American women draped in white shifts dresses.
As the
fragment of text suggests, the man holding the milking stool and pail is Calvin Coolidge, U.S. President from 1923 - 29.
As the artist states: «there are fragments, bits of texts and protocols which will inform a program of workshops, but these protocols do not exist as one organizing script or stagepla
As the artist states: «there are
fragments, bits
of texts and protocols which will inform a program
of workshops, but these protocols do not exist
as one organizing script or stagepla
as one organizing script or stageplay.
The effects
of this formative environment coupled with the influences
of other Los Angeles - based artists such
as Ed Ruscha, Douglas Huebler, and John Baldessari, who all experimented with combing found images and
text fragments, are important foundations
of his work.
His
text speaks to absence
as much
as presence with a story
of war and empire told in
fragments, phrases, words hanging on the page — an index
of both the trauma and resistance experienced by those subjected to the violence
of empire.
The show centers on a
text Krakow wrote, entitled Shine, which is presented in its entirety
as an artist's book, and incorporated
as fragments in her video
of the same title.
This ambivalent discourse is composed through a series
of paintings that draw
text fragments from my Twitter archive between 2009 and the present
as well
as a series
of self - reflective You / I statements on paper.
«The exhibition will showcase the early collages that combine abstract painting,
text, and image; and a selection
of many
of the artist's best - known blackboard paintings, in which a faux blackboard surface is used
as the ground for realistic, painted vignettes adjacent to
fragments of different stories that suggest variously ambiguous meanings.
Some
of the works included in the exhibition explicitly engage with Eliot and his writing, such
as Philip Guston's grim deathbed painting East Coker: T.S.E. (1979); David Jones's painted inscription Nam Sibyllam (1958), made
as a gift for Eliot, which combines the
text from Petronius that is The Waste Land's epigraph with the opening lines
of the poem and other phrases connected to the Grail myth; Graham Sutherland's two Illustrations for T. S. Eliot (1973); and Vibeke Tandberg's The Waste Land (2007), which consists
of 36 collages in which the artist has cut out each
of the words
of the poem, and re-organised them alphabetically and in groups, at once
fragmenting Eliot's poem
of «broken images» even further and bringing its underlying verbal structure to light.
«Through the dissecting and re-arranging
of mass produced information based material, such
as newspapers, brochures, comics and packaging, the artists
fragment our visual and cognitive understanding
of images and
text, and force us to reconsider the familiar from a completely new perspective.»
But
as with most fairy stories, there's a darker side at play, too,
as revealed on closer inspection
of her collages
of photographs, diary
fragments and
text.
Inspired by Roland Barthes's philosophical
text A Lover's Discourse:
Fragments (1977), the work embodies the push - pull dynamic
of romantic relationships, capturing what Zimbardo describes
as «the dualities
of cooperation and struggle, action and passivity, speech and silence.»
Dustin Yellin collects, manipulates and constructs three dimensional collage pieces suspended within a structure which both presents the clippings
as sculptural objects and
fragments of text and ideas, they assume a cohesion based on unexpected coincidences
as well
as the artist's careful collecting and unconventional collation techniques.
Working with
texts, video
fragments and choreographies, either composed himself or strategically plundered from elsewhere, these works propose a historiographic model that acknowledges doubt, subjectivity and reduction
as inevitable factors when making sense
of past events.
«The static record is by definition insufficient,» he said at the time
of his interest in reanimating archival
texts as quoted
fragments.
The exhibition will showcase the early collages that combine abstract painting,
text, and image,
as well
as a selection
of many
of his best - known blackboard paintings, in which a faux blackboard surface is used
as the ground for realistic, painted vignettes adjacent to
fragments of different stories that suggest variously ambiguous meanings.
His designs for the book treat letters almost
as abstract forms at some points, elsewhere
as fragments of cityscape and
as exploded bits
of text.
Fragments of elusive
text and imagery begin to reveal themselves upon closer consideration — from a looming large black skull, an American flag, and snippets
of words such
as «CANDY» or «KING» — only to coalesce into abstraction when seen from afar.
In this series the artist combined her love
of decoration — in this instance, Islamic ornament — with her longstanding passion for cartography, so that interspersed throughout the works are maps
of the Gaza strip, the Pale
of Settlement (the territory within Imperial Russia restricted for Jews from 1835 - 1917, to which Kozloff traces her ancestry),
as well
as text references to the Tasman Sea, among other word
fragments.
The color fields are shot through with
fragments of text (the character for «fire» is among the few that are decipherable), misshapen ripostes to his family tradition
of orderly calligraphy that place this free spirit on the same stage
as de Kooning, one
of Abstract Expressionism's most vibrant rebels.
I can't find the context
of the
text fragment used
as an example
of the «minimizes» subset
of Level 6 in Table 2 but the most likely reading
of the
fragment by itself is that it assumes that humans are causing atmospheric greenhouse gas concentrations to increase and that this is causing or contributing to global warming, so the
fragment does say (or at least imply) something about human attribution.
These include e-mail filtering; automatic parsing
of text segments in large data blocks, such
as those recovered through an «undelete» process, from unallocated computer space, or from partially recovered file
fragments; language recognition algorithms for detecting
text in a variety
of languages; a filtering algorithm for scanning recovered data blocks using multiple
text encoding detection methods; and automatic recovery
of text from corrupt forensically - recovered documents.