Sentences with phrase «fragments of text from»

In addition to hundreds of drawings from throughout his career, this exhibition features never - before - exhibited fragments of text from Pettibon's constantly growing collection of source material, offering rare insight into his artistic process and singular mind.

By silk - screening fragments of text from an essay by the French thinker Maurice Blanchot directly onto the surface of the paintings, he integrates language with his iconic images.

Not exact matches

By providing only fragments from biblical books (in this case part of an oracle from Isaiah, a reassurance from Paul, a parable from Jesus), they leave a suggestive opening, not only to other texts...

This parallel has been obscured by the fact that the term «kerygma» can ambiguously refer both to fragments of primitive Christian preaching embedded in the New Testament text, and to the word of God I encounter from the pulpit or in my neighbour today.

They think also that in the late fragment, from a spiritual narrative text, Jesus speaks of Jerusalem, his spiritual Wife, obviously!

By providing only fragments from biblical books (in this case part of an oracle from Isaiah, a reassurance from Paul, a parable from Jesus), they leave a suggestive opening, not only to other texts but also to the even more fragmented tissues of our individual lives.

(If, as the Qumrân fragment most recently published by Allegro seems to confirm, the «teacher of righteousness» of this sect really was put to death and his return was awaited, still what most decisively separates this sect from the original Christian community [apart from the other differences, for which see my article, «The Significance of the Qumrân Texts», J. B.L., 1955.

The latest discovery: The fragment, which contains snippets from the Coptic text of the Gospel of....

It was such a refreshing change of pace from the rarefied atmosphere of the «Fragments of Time and Space» temporary exhibition at the Hirshhorn and their too often BS - ridden text panels.

Against the backdrop of our fragmented media landscape, Donald Trump is the first candidate not to come from the side of the traditional [text - based] media conversation, but from the media conversation that depends on television and the internet.

The BMA presents Front Room: Adam Pendleton, a dramatic installation of new and recent work by the New - York based artist that examines the relationship between abstraction and representation through layered and fragmented texts and images sourced from the artist's personal library.

Like graffiti scrawls, her fragmented texts also seem to justify the need for and the relevance of platitudes, especially if they emanate from a personal vision or from issues that hit home too closely.

New Yorker Erica Baum photographs fragments of images and text from printed sources, while Canadian - born Moyra Davey creates photographs and videos that are simply about reading and writing.

As the fragment of text suggests, the man holding the milking stool and pail is Calvin Coolidge, U.S. President from 1923 - 29.

Exhibiting internationally since the early 1990s, Suzanne McClelland's practice includes both large - scale paintings and works on paper, often extracting fragments of speech or text from various political and cultural sources and exploring the symbolic and material possibilities that reside within language.

With illegible fragments of text arranged over sculpted surfaces, Chun creates harmonious areas that fade from light to dark in the manner of a flock of birds changing direction.

Her practice includes both large - scale paintings and works on paper, often extracting fragments of speech or text from various political and cultural sources and exploring the symbolic and material possibilities that reside within language.

The drawings, which combine fragments of text with images culled from American popular and underground culture, dominated the exhibition, due in part to the sheer number of them and in part to the appeal of familiar images drawn in a simple graphic style.

In the nine - second video loop «Untitled (Touchscreen),» a still image of a smiling young couple is split into overlapping blue and red versions that flicker from place to place, alternating with moments of black; the handsome print «Untitled (Coil Whine)» puts a large, black and white image of fingers beside wavering green lines of video distortion and under a block of marbleized orange and a fragment of sans - serif text reading «UP YOUR DAY.»

Likewise, texts collected from the public domain and fragments of news stories are promoted from the quotidian to the iconic.

Riley uses a double tilted ellipse in various combinations that suggest the letter «O» seen from different angles and cut - and - pasted the layout of Reinhardt's text - fragments in rotated blocks throughout the eight page booklet.

This ambivalent discourse is composed through a series of paintings that draw text fragments from my Twitter archive between 2009 and the present as well as a series of self - reflective You / I statements on paper.

This exhibition presents work from three distinct series primarily focusing on the debut of Stills; works revealing Baum's juxtapositions of fragmented images and silhouettes of text.

Her photographic practice flowered in the 1980s, becoming famous for its examination of gender and race: her works juxtapose text fragments with images of African - American men and women, their faces often hidden from the lens.

Some of the works included in the exhibition explicitly engage with Eliot and his writing, such as Philip Guston's grim deathbed painting East Coker: T.S.E. (1979); David Jones's painted inscription Nam Sibyllam (1958), made as a gift for Eliot, which combines the text from Petronius that is The Waste Land's epigraph with the opening lines of the poem and other phrases connected to the Grail myth; Graham Sutherland's two Illustrations for T. S. Eliot (1973); and Vibeke Tandberg's The Waste Land (2007), which consists of 36 collages in which the artist has cut out each of the words of the poem, and re-organised them alphabetically and in groups, at once fragmenting Eliot's poem of «broken images» even further and bringing its underlying verbal structure to light.

«Through the dissecting and re-arranging of mass produced information based material, such as newspapers, brochures, comics and packaging, the artists fragment our visual and cognitive understanding of images and text, and force us to reconsider the familiar from a completely new perspective.»

For Come and Go, Steiner has provided a 20 plus year photo archive on a variety of sensitive topics that range from state - sanctioned exploitation and violence to planetary implosion; for Fragments from Expeditions: Destitution, Deterioration, and Devastation, Burdin has included his new satirical, text - based paintings along with video documentation of live performances.

Working with texts, video fragments and choreographies, either composed himself or strategically plundered from elsewhere, these works propose a historiographic model that acknowledges doubt, subjectivity and reduction as inevitable factors when making sense of past events.

For this project, Finley gathered selections from her art and writing on the subject of HIV / AIDS, including performance texts, poetry, letters, and other fragments.

Juxtaposing geometric shapes, fragments of painted and mechanically reproduced text, pictures of masks, book pages, and historical photographs, Pendleton simultaneously indexes and conflates his sources, critically examining the resonance of ideas from varied aesthetic and theoretical perspectives.

The text — whose title is drawn from Amir Baraka's 1964 poem «Black Dada Nihilismus» — is an assimilation of fragments from sources ranging from Hugo Ball's 1916 Dada manifesto to Ron Sillman's poetry to Pendleton's own writing.

, Arp Museum, Remagen, DE The Concept Sublime 35 Years, Brigitte March International Contemporary Art, Stuttgart, DE Carolina Collects: 150 years of Modern and Contemporary Art from Alumni Collections, Ackland Art Museum, North Carolina, US In Deed Certificate of Authenticity in Art, De Vleeshal, Middelburg, NL Farbe im Fluss, Weserberg Museum für Moderne Kunst, Bremen, DE Multiples Uniques Noués, Galerie Georges Verney - Carron, Lyon, FR An Autobiography of our Collection, Vancouver Art Gallery, CA Fragment, Galerie Arnaud Lefebvre, Paris, FR Arte Povera International, Castello di Rivoli, Rivoli, IT Afterall Benefit Auction and Dinner, 45 Millbank, London, UK The Bidoun Auction, Christie's, London, UK TEXT, Kuckei + Kuckei, Berlin, DE Art & Project Bulletins 1 - 156 / September 1968 - November 1989, Cabinet Gallery, London, UK; Christophe Daviet - Thery, Paris, FR Children's Museum of the Arts Art Auction 2011, 82 Mercer, New York, US Many Small Paintings Some Objects Three Videos, Leslie Tonkonow Artworks + Projects, New York, US Museum of Affects, Moderna Galerija, Ljubljana, SI Niemandslicht, Kunstmuseum Bochum, Germany Peter Noever In Pursuit of Curation: Art and Architecture, Ace Museum and Southern California Institute of Architecture, Los Angeles, US The View from a Volcano - The Kitchen's Soho Years, 1971 — 85, The Kitchen, New York, US Érudition Concéte 4, FRAC - Île - de-France Le Plateau, Paris, FR Le Château, Musée d'Art Contemporain, Bordeaux, FR

Exhibiting internationally since the early 1990s, Suzanne McClelland's practice includes both large - scale paintings and works on paper, often extracting fragments of speech or text from various political and cultural sources, exploring the symbolic and material possibilities that reside within language.

Fragments of elusive text and imagery begin to reveal themselves upon closer consideration — from a looming large black skull, an American flag, and snippets of words such as «CANDY» or «KING» — only to coalesce into abstraction when seen from afar.

In this series the artist combined her love of decoration — in this instance, Islamic ornament — with her longstanding passion for cartography, so that interspersed throughout the works are maps of the Gaza strip, the Pale of Settlement (the territory within Imperial Russia restricted for Jews from 1835 - 1917, to which Kozloff traces her ancestry), as well as text references to the Tasman Sea, among other word fragments.

Fragments from American society have been distilled into key images, which often incorporate texts of varying length, from one word to several paragraphs.

They depict body parts — backs of heads, an ear, hands in action, etc. presented in counterpoint to descriptive text fragments gleaned from party games, proverbs, bits and pieces of conversation, and cliches.

In addition to her growing archive of 8 mm and 16 mm found footage, the artist draws from official documents, newspaper clippings and personalized accounts of history, to project a multiplicity of voices through combined fragments of text, image and music.

For the Sharjah Biennial 11 in 2013, he staged a performance of a South Asian qawwali ballad — the lyrics of which were taken from fragments of curatorial texts translated into Urdu — in the streets of Sharjah, tying together issues of contemporary art and migrant labor.

These include e-mail filtering; automatic parsing of text segments in large data blocks, such as those recovered through an «undelete» process, from unallocated computer space, or from partially recovered file fragments; language recognition algorithms for detecting text in a variety of languages; a filtering algorithm for scanning recovered data blocks using multiple text encoding detection methods; and automatic recovery of text from corrupt forensically - recovered documents.