Broken plates, Kabuki theater backdrops, tarpaulins and boxing mats; thickly applied oil paint, collage, viscous resin, and flat digital reproduction;
fragments of text in different languages: these are just some of the diverse materials with which Schnabel engages life's grand themes — sexuality, obsession, suffering, redemption, death, and belief.
Not exact matches
By providing only
fragments from biblical books (
in this case part
of an oracle from Isaiah, a reassurance from Paul, a parable from Jesus), they leave a suggestive opening, not only to other
texts...
This parallel has been obscured by the fact that the term «kerygma» can ambiguously refer both to
fragments of primitive Christian preaching embedded
in the New Testament
text, and to the word
of God I encounter from the pulpit or
in my neighbour today.
They think also that
in the late
fragment, from a spiritual narrative
text, Jesus speaks
of Jerusalem, his spiritual Wife, obviously!
The proper role for the study
of the diachronic dimensions
of the
text lies not
in fragmenting or
in replacing the synchronic level, but
in using a recovery
of a depth dimension for increasing an understanding
of the theological substance that constitutes the biblical narrative itself.
By providing only
fragments from biblical books (
in this case part
of an oracle from Isaiah, a reassurance from Paul, a parable from Jesus), they leave a suggestive opening, not only to other
texts but also to the even more
fragmented tissues
of our individual lives.
The critique
of historical criticism's limit the standard one: it is reductionistic, it claims to subordinate the
text to scientific methods when
in fact it has philosophical presumptions, and it tends to read the biblical
text as a set
of fragments rather than as a unified whole.
King has been quick to add this discovered
text «does not, however, provide evidence that the historical Jesus was married,» she wrote
in a draft
of her analysis
of the
fragment set to appear
in the January edition
of Harvard Theological Review.
Here we see not only the same focus on the prehistory
of the
text that had been prominent
in source criticism, but also the tendency already strong
in source criticism to
fragment or disintegrate the
text in search
of its antecedent components.
While the first Opening lines are the initial portions
of dialogue or
text in a written book often constituted by at least the first sentence or a
fragment thereof.
Smith holds this chorus together quite beautifully, often embedding contrasting
fragments of text and tone
in classical forms and schemes.»
If there's a problem, it's that the ebook platform market is
fragmented — Bloomsbury's library includes only Bloomsbury's titles while Exact Editions rival Overdrive carries Penguin, Random House, Hachette Livre and HarperCollins — and, though
text can be printed, the experience
of reading a book
in a web browser is pretty unsatisfying if it's a novel you're reading.
Note that it has to be an element
fragment of HTML5 Flow content, so you can't have a bare
text string (i.e., it would have to be wrapped
in a span or div).
-- Finally, a technical note on the granularity
of the
text fragments: considering normal speech recordings, e.g. a common audiobook (as opposed to slowed down recordings for children common
in FXL), highlighting each single word produces an annoying «flash effect».
In these games, players can leave shared online messages in any area of the game by piecing together pre-made text fragments and scrawling them on the floo
In these games, players can leave shared online messages
in any area of the game by piecing together pre-made text fragments and scrawling them on the floo
in any area
of the game by piecing together pre-made
text fragments and scrawling them on the floor.
There's a few «
text fragments» that let you peer
in on the past
of the universe, but they're too few and far between to really make sense.
Exhibits comprise other tablets and
fragments, and many replicas — the actual Mesha Stele remains
in the Louvre, the Rosetta Stone
in the British Museum —
in order that the mantle
of historical authority may here alight upon these stewards
of this assembled
text.
Though she began as a documentary photographer, Simpson is best known for her conceptual pairings
of text fragments and studio photographs
of anonymous African - American women draped
in white shifts dresses.
Oscar Murillo's large - scale paintings imply action, performance, and chaos, but are
in fact methodically composed
of rough - hewn, stitched canvases that often incorporate
fragments of text as well as studio debris such as dirt and dust.
«History floats
in the collages
of Carlos Vega, borne along on receipts, invitations, letters and
fragments of literary
texts, presided over by figures who flout the laws
of gravity....
With illegible
fragments of text arranged over sculpted surfaces, Chun creates harmonious areas that fade from light to dark
in the manner
of a flock
of birds changing direction.
The pictures and
texts and the sheer battered nostalgia
of this work evoke the south — many
fragments are souvenirs
of Rauschenberg's childhood
in Port Arthur, Texas.
Lexicon juxtaposes quotidian manifestations
of language — including
fragments of vintage signage, scrolling LED
texts, neon signs, printed posters, cartoon and diary - like narratives — to create a kind
of visual «chorus,» a polyphony
of voices,
in which language becomes more elastic and open to multiple readings and interpretations.
Rather than following the linear path
of a scroll,
text in book form is
fragmented text and
in sheets bound
in a stack.
The drawings, which combine
fragments of text with images culled from American popular and underground culture, dominated the exhibition, due
in part to the sheer number
of them and
in part to the appeal
of familiar images drawn
in a simple graphic style.
In the nine - second video loop «Untitled (Touchscreen),» a still image
of a smiling young couple is split into overlapping blue and red versions that flicker from place to place, alternating with moments
of black; the handsome print «Untitled (Coil Whine)» puts a large, black and white image
of fingers beside wavering green lines
of video distortion and under a block
of marbleized orange and a
fragment of sans - serif
text reading «UP YOUR DAY.»
His
text speaks to absence as much as presence with a story
of war and empire told
in fragments, phrases, words hanging on the page — an index
of both the trauma and resistance experienced by those subjected to the violence
of empire.
The show centers on a
text Krakow wrote, entitled Shine, which is presented
in its entirety as an artist's book, and incorporated as
fragments in her video
of the same title.
Riley uses a double tilted ellipse
in various combinations that suggest the letter «O» seen from different angles and cut - and - pasted the layout
of Reinhardt's
text -
fragments in rotated blocks throughout the eight page booklet.
Her photographic practice flowered
in the 1980s, becoming famous for its examination
of gender and race: her works juxtapose
text fragments with images
of African - American men and women, their faces often hidden from the lens.
«The exhibition will showcase the early collages that combine abstract painting,
text, and image; and a selection
of many
of the artist's best - known blackboard paintings,
in which a faux blackboard surface is used as the ground for realistic, painted vignettes adjacent to
fragments of different stories that suggest variously ambiguous meanings.
Some
of the works included
in the exhibition explicitly engage with Eliot and his writing, such as Philip Guston's grim deathbed painting East Coker: T.S.E. (1979); David Jones's painted inscription Nam Sibyllam (1958), made as a gift for Eliot, which combines the
text from Petronius that is The Waste Land's epigraph with the opening lines
of the poem and other phrases connected to the Grail myth; Graham Sutherland's two Illustrations for T. S. Eliot (1973); and Vibeke Tandberg's The Waste Land (2007), which consists
of 36 collages
in which the artist has cut out each
of the words
of the poem, and re-organised them alphabetically and
in groups, at once
fragmenting Eliot's poem
of «broken images» even further and bringing its underlying verbal structure to light.
Oscillating somewhere between portraiture, poetry, and
fragmented non sequitur, Pendleton covers the wall with appropriated
text — a gesture that nods to the French auteur's critique
of style and his embrace
of the productive possibilities inherent
in the accumulation
of found content.
The presented works will be connected with
texts on the artists, written by Josef Strau, partly already published, partly
in a more
fragmented form
of some collected notes.
His exhibition Remember
in 2010, part
of the Golden Bough series, used critical and historical documents, collected
fragments of texts pertaining to the ruin, art and literature, the museum, the novel, and the seen and unseen fabric
of Charlemont House (the site
of The Hugh Lane).
Oh Stexts is a recent continuation
of Paul Chan's Alternumerics project, started
in 2000: a series
of customized fonts,
in which each letter or digit has been replaced by
fragments of texts inspired by various sources.
The highlight
of a section on art and language, for example, is the 1976 artists» book, «Foirades / Fizzles,» featuring five enigmatic
text fragments in French and English by Samuel Beckett and 33 prints by Johns.
In this way the works oscillate between the wonder and futility
of investigation: The Necessity
of Ruins is a spoken work, made
of collected
fragments of texts and documents pertaining to the ruin, art and literature, the museum, and the novel.
Murillo is widely recognized for his large - scale paintings that imply action, performance, and chaos, but are
in fact methodically composed
of rough - hewn, stitched canvases, which often incorporate
fragments of text as well as studio debris such as dirt and dust.
In the painting Signes sobre matèria / Signs on matter the surface is covered with seemingly rapid notes
of a formula or equation, an inscription
of ancient
text or
fragmented hieroglyphics.
In addition to hundreds
of drawings from throughout his career, this exhibition features never - before - exhibited
fragments of text from Pettibon's constantly growing collection
of source material, offering rare insight into his artistic process and singular mind.
«The static record is by definition insufficient,» he said at the time
of his interest
in reanimating archival
texts as quoted
fragments.
The exhibition will showcase the early collages that combine abstract painting,
text, and image, as well as a selection
of many
of his best - known blackboard paintings,
in which a faux blackboard surface is used as the ground for realistic, painted vignettes adjacent to
fragments of different stories that suggest variously ambiguous meanings.
, Arp Museum, Remagen, DE The Concept Sublime 35 Years, Brigitte March International Contemporary Art, Stuttgart, DE Carolina Collects: 150 years
of Modern and Contemporary Art from Alumni Collections, Ackland Art Museum, North Carolina, US
In Deed Certificate of Authenticity in Art, De Vleeshal, Middelburg, NL Farbe im Fluss, Weserberg Museum für Moderne Kunst, Bremen, DE Multiples Uniques Noués, Galerie Georges Verney - Carron, Lyon, FR An Autobiography of our Collection, Vancouver Art Gallery, CA Fragment, Galerie Arnaud Lefebvre, Paris, FR Arte Povera International, Castello di Rivoli, Rivoli, IT Afterall Benefit Auction and Dinner, 45 Millbank, London, UK The Bidoun Auction, Christie's, London, UK TEXT, Kuckei + Kuckei, Berlin, DE Art & Project Bulletins 1 - 156 / September 1968 - November 1989, Cabinet Gallery, London, UK; Christophe Daviet - Thery, Paris, FR Children's Museum of the Arts Art Auction 2011, 82 Mercer, New York, US Many Small Paintings Some Objects Three Videos, Leslie Tonkonow Artworks + Projects, New York, US Museum of Affects, Moderna Galerija, Ljubljana, SI Niemandslicht, Kunstmuseum Bochum, Germany Peter Noever In Pursuit of Curation: Art and Architecture, Ace Museum and Southern California Institute of Architecture, Los Angeles, US The View from a Volcano - The Kitchen's Soho Years, 1971 — 85, The Kitchen, New York, US Érudition Concéte 4, FRAC - Île - de-France Le Plateau, Paris, FR Le Château, Musée d'Art Contemporain, Bordeaux,
In Deed Certificate
of Authenticity
in Art, De Vleeshal, Middelburg, NL Farbe im Fluss, Weserberg Museum für Moderne Kunst, Bremen, DE Multiples Uniques Noués, Galerie Georges Verney - Carron, Lyon, FR An Autobiography of our Collection, Vancouver Art Gallery, CA Fragment, Galerie Arnaud Lefebvre, Paris, FR Arte Povera International, Castello di Rivoli, Rivoli, IT Afterall Benefit Auction and Dinner, 45 Millbank, London, UK The Bidoun Auction, Christie's, London, UK TEXT, Kuckei + Kuckei, Berlin, DE Art & Project Bulletins 1 - 156 / September 1968 - November 1989, Cabinet Gallery, London, UK; Christophe Daviet - Thery, Paris, FR Children's Museum of the Arts Art Auction 2011, 82 Mercer, New York, US Many Small Paintings Some Objects Three Videos, Leslie Tonkonow Artworks + Projects, New York, US Museum of Affects, Moderna Galerija, Ljubljana, SI Niemandslicht, Kunstmuseum Bochum, Germany Peter Noever In Pursuit of Curation: Art and Architecture, Ace Museum and Southern California Institute of Architecture, Los Angeles, US The View from a Volcano - The Kitchen's Soho Years, 1971 — 85, The Kitchen, New York, US Érudition Concéte 4, FRAC - Île - de-France Le Plateau, Paris, FR Le Château, Musée d'Art Contemporain, Bordeaux,
in Art, De Vleeshal, Middelburg, NL Farbe im Fluss, Weserberg Museum für Moderne Kunst, Bremen, DE Multiples Uniques Noués, Galerie Georges Verney - Carron, Lyon, FR An Autobiography
of our Collection, Vancouver Art Gallery, CA
Fragment, Galerie Arnaud Lefebvre, Paris, FR Arte Povera International, Castello di Rivoli, Rivoli, IT Afterall Benefit Auction and Dinner, 45 Millbank, London, UK The Bidoun Auction, Christie's, London, UK
TEXT, Kuckei + Kuckei, Berlin, DE Art & Project Bulletins 1 - 156 / September 1968 - November 1989, Cabinet Gallery, London, UK; Christophe Daviet - Thery, Paris, FR Children's Museum
of the Arts Art Auction 2011, 82 Mercer, New York, US Many Small Paintings Some Objects Three Videos, Leslie Tonkonow Artworks + Projects, New York, US Museum
of Affects, Moderna Galerija, Ljubljana, SI Niemandslicht, Kunstmuseum Bochum, Germany Peter Noever
In Pursuit of Curation: Art and Architecture, Ace Museum and Southern California Institute of Architecture, Los Angeles, US The View from a Volcano - The Kitchen's Soho Years, 1971 — 85, The Kitchen, New York, US Érudition Concéte 4, FRAC - Île - de-France Le Plateau, Paris, FR Le Château, Musée d'Art Contemporain, Bordeaux,
In Pursuit
of Curation: Art and Architecture, Ace Museum and Southern California Institute
of Architecture, Los Angeles, US The View from a Volcano - The Kitchen's Soho Years, 1971 — 85, The Kitchen, New York, US Érudition Concéte 4, FRAC - Île - de-France Le Plateau, Paris, FR Le Château, Musée d'Art Contemporain, Bordeaux, FR
Like ransom notes sent to the Academy, the paintings
of Muntean / Rosenblum pilfer
text and image
fragments and place them
in dilapidated landscapes rife with balletically posed youths — a new Romanticism for a consumption - obsessed world; a poetic angle on the coming apocalypse.
The only possible answer is neither confrontation nor destruction but only theft: to
fragment the old
texts of culture,
of science,
of literature, and to disseminate and disguise the
fragments in the same way that we disguise stolen merchandise.»
In this series the artist combined her love of decoration — in this instance, Islamic ornament — with her longstanding passion for cartography, so that interspersed throughout the works are maps of the Gaza strip, the Pale of Settlement (the territory within Imperial Russia restricted for Jews from 1835 - 1917, to which Kozloff traces her ancestry), as well as text references to the Tasman Sea, among other word fragment
In this series the artist combined her love
of decoration —
in this instance, Islamic ornament — with her longstanding passion for cartography, so that interspersed throughout the works are maps of the Gaza strip, the Pale of Settlement (the territory within Imperial Russia restricted for Jews from 1835 - 1917, to which Kozloff traces her ancestry), as well as text references to the Tasman Sea, among other word fragment
in this instance, Islamic ornament — with her longstanding passion for cartography, so that interspersed throughout the works are maps
of the Gaza strip, the Pale
of Settlement (the territory within Imperial Russia restricted for Jews from 1835 - 1917, to which Kozloff traces her ancestry), as well as
text references to the Tasman Sea, among other word
fragments.
They depict body parts — backs
of heads, an ear, hands
in action, etc. presented
in counterpoint to descriptive
text fragments gleaned from party games, proverbs, bits and pieces
of conversation, and cliches.
In addition to her growing archive
of 8 mm and 16 mm found footage, the artist draws from official documents, newspaper clippings and personalized accounts
of history, to project a multiplicity
of voices through combined
fragments of text, image and music.
«
In this remarkably imaginative collection
of texts and
fragments, David Batchelor has mined modern culture to extract deep seams
of colour - thought.