Sentences with phrase «fragments of words in»

«Feminist repurpose video #gamergate subversion shit» says the press release, as one considers the video raining Emojii and immaterial images of torn out fragments of words in «untitled (the sea)».

Not exact matches

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This parallel has been obscured by the fact that the term «kerygma» can ambiguously refer both to fragments of primitive Christian preaching embedded in the New Testament text, and to the word of God I encounter from the pulpit or in my neighbour today.
Once a week WARNING for new commentators: The moderators of this blog have set up a secret forbidden word filter which unfortunately not only will delete or put your comment in the dreaded «waiting for moderation» category but also will do the same to words having fragments of these words.
There is a sentence wrong in the middle of what I wrote — please omit the first two words of «he presumes the burden is...» (they were a thought fragment that did not get written correctly).
Thus says the Holy One of Israel, «Because you despise this word, and trust (sic) in oppression and perverseness... This iniquity shall be to you like a break in a high wall... which is smashed so ruthlessly that among its fragments not a sherd is found with which to take fire from the hearth, or to dip water out of the cistern!»
«A wide range of scientific testing indicates that a papyrus fragment containing the words, «Jesus said to them, my wife» is an ancient document, dating between the sixth to ninth centuries CE,» Harvard Divinity School said in a statement.
• The moderators of this blog, Dan Gilgoff and Eric Marrapodi, have set up a secret forbidden word filter which unfortunately not only will delete or put your comment in the dreaded «waiting for moderation» category but also will do the same to words having fragments of these words.
• The moderators of this blog have set up a secret forbidden word filter which unfortunately not only will delete or put your comment in the dreaded «waiting for moderation» category but also will do the same to words having fragments of these words.
Charles Peirce said this in his twenties with superb clarity, except that finitude is in this usage an inadequate word; we are but fragments of the finite cosmos, which so far as we know is itself finite.
One fragment found north of Marduk temple in Babylon related the fall of such a ziggurat in these words: «The building of this temple offended the gods.
But language is what the poet has to work with, and so the poet is forced to take sometimes exaggerated, sometimes extreme steps to pierce the mundane, breaking up lines, using words in odd new contexts, relying on sound effects and packing the stanzas with sensuous images and fragments from scripture, and the common language of faith suddenly takes on new meaning through these odd juxtapositions.
Just how much of it was passed along solely by word of mouth, and how much had been written down in fragments before any of it was put together consecutively, we have no sure way of knowing.
Bultmann saw the pure form in the «apothegm,» «the original specific fragment which would sum things up concisely; interest would be concentrated on the word [spoken by] Jesus at the end of a scene; the details of the situation would lie far from this kind of form; Jesus would never come across as the initiator... everything not corresponding to this form Bultmann attributed to development.»
In other words, listeners experienced fragmented communication — little pieces of information supplied with very little context, background, or perspective.
Thus says the Holy One of Israel, «Because you despise this word, and trust in oppression and perverseness, and rely on them; therefore this iniquity shall be to you like a break in a high wall, bulging out, and about to collapse, whose crash comes suddenly, in an instant; and its breaking is like that of a potter's vessel which is smashed so ruthlessly that among its fragments not a sherd is found with which to take fire from the hearth, or to dip up water out of the cistern.»
The word «fallibilism» occurs in the Collected Papers as the expression of a doctrine only in 1.171 and in another fragment (1.8 - 14) of the same date (c. 1897), and I have never seen the word used in this way in writings not included in the Collected Papers.
From the article: «This fragment, this new piece of papyrus evidence, does not prove that (Jesus) was married, nor does it prove that he was not married»: In other words, the fact that the bible contains information does not prove that (Jesus) was real, nor does it prove that any of the content is true.
The more one can picture imaginatively the Hebrews in exile in Babylon or singing psalms of joy in the temple rebuilt on their return, the early church guarding carefully the precious fragments that told the story of Jesus, Paul among the churches or in prison writing to nourish and admonish those new in the faith, the more one can gather meaning from the words.
The Institution of the Eucharist It's hard to understand what they assume He means by either deed or word: to break a fragment off a loaf and in the gloom of candlelight insist each of them take what He then claims, as they receive it, is no longer bread Mary was asked to find but something else now.
Dr Zendle said: «We found that the priming of violent concepts, as measured by how many violent concepts appeared in the word fragment completion task, was not detectable.
The results suggest that the last common ancestor of all modern birds — in other words, the species at the base of the evolutionary family tree that includes all living bird species — lived in West Gondwana, a landmass that included what are now fragments of South America and large portions of Antarctica, about 95 million years ago.
Funes is first mentioned in an obituary of James Joyce, «A Fragment on Joyce,» published in 1941 in the magazine Sur.3 There, with some measure of sarcasm, Borges says that to read straight through a «monster» like Joyce's Ulysses — a 400,000 - word reconstruction of a single day in Dublin — requires another monster able to remember an infinite number of details.
Nickerson points to work in the 1990s by Peter Farvolden at the University of Toronto in Canada, who gave his subjects four - letter fragments of seven - letter target words (as may happen in some crossword layouts, especially in the US, where many words overlap).
«Give Life Back To Music» with its robot voice and disco beat, «Giorgio by Moroder» with its spoken word story before kicking in with its ferocious live drumming and strange sounds, the eighties feel of «Instant Crush» with the Strokes Julian Casablancas on vocals, the Television sitcom theme style of «Fragments of Time», the closer «Contact» which builds to a glorious crescendo there is so much here to love.
This is a genre - transcending once - in - a-lifetime film about a child and his fragmented family, and how they both grow up over the course of an 11 - year period, shot piecemeal under a shroud of relative obscurity by a team of loyal Linklater lovers — a minor miracle, in other words.
She drives her point home (hilariously and brilliantly) by delivering multiple translations of a poetic fragment from the Greek writer Ibykos: one translation uses only words found on London Underground signage, another only uses words found in her microwave's manual... you get the idea.
-- Finally, a technical note on the granularity of the text fragments: considering normal speech recordings, e.g. a common audiobook (as opposed to slowed down recordings for children common in FXL), highlighting each single word produces an annoying «flash effect».
First of all, I will not even consider feeding any foods that contain any of the following: meat by - products, poultry by - products, any food with the actual words «meat meal» in the ingredient list (meat meal could potentially contain anything such as diseased or dead / dying animals, including the possibility of euthenised pets from shelters (yes with the euthenasia drugs still in their systems and sometimes even with collars still on), as well as a legal allowed % of plastic, chemicals and other unmentionables), soy, corn or any fragments thereof, wheat or any fragments thereof, any kind of gluten or gluten meals, sugar, artificial flavours, artificial colors, BHA, BHT, ethoxyquin
Dragon Quest VII: Fragments of the Forgotten Past is a true classic in every sense of the word.
In the beginning was the word: Fragments of prose by James Baldwin, jokes by Richard Pryor and, later, the testimony of a youth wrongly accused of a crime.
In fact, Jinchi's mystical aesthetic is traceable to the abstract tradition of qit «a, an Islamic pictorial genre based in the word or verse fragment, and originating in the late 15th centurIn fact, Jinchi's mystical aesthetic is traceable to the abstract tradition of qit «a, an Islamic pictorial genre based in the word or verse fragment, and originating in the late 15th centurin the word or verse fragment, and originating in the late 15th centurin the late 15th century.
Schiele famously traveled everywhere with a full - length mirror that once belonged to his mother, and Saville also uses full - length mirrors, as well as photographs (the latter to «hold the image down,» in her words), to aid in the lengthy process of painting her fragmented and layered figures.
Rejecting the spontaneous gestural compositions of Abstract Expressionism, he employed paint rollers and pre-existing phrases as linguistic ready - mades, as word fragments in «Trouble» (1989) reveal.
Though fragmented and abstracted, the narratives played out between the performers in Relinquish allude to power structures within relationships in the broadest sense of the word — romantic, sexual, familial, societal and cultural.
His text speaks to absence as much as presence with a story of war and empire told in fragments, phrases, words hanging on the page — an index of both the trauma and resistance experienced by those subjected to the violence of empire.
Hauser & Wirth, London Renowned in her native North America, Lorna Simpson's work explores, in her words: «the notion of fragmentation, especially of the body... We're fragmented not only in terms of how society regulates our bodies but in the way we think about ourselves».
The majority of Vonna - Michell's practice comprises fast paced spoken word performances and recordings which culminate in perpetually circling, detouring and repetitive narratives; the artist's work is multi-layered, arriving in installations which incorporate fragments of information such as slide projections, photocopies and other ephemera.
Some of the works included in the exhibition explicitly engage with Eliot and his writing, such as Philip Guston's grim deathbed painting East Coker: T.S.E. (1979); David Jones's painted inscription Nam Sibyllam (1958), made as a gift for Eliot, which combines the text from Petronius that is The Waste Land's epigraph with the opening lines of the poem and other phrases connected to the Grail myth; Graham Sutherland's two Illustrations for T. S. Eliot (1973); and Vibeke Tandberg's The Waste Land (2007), which consists of 36 collages in which the artist has cut out each of the words of the poem, and re-organised them alphabetically and in groups, at once fragmenting Eliot's poem of «broken images» even further and bringing its underlying verbal structure to light.
The title reflects the parallels between the literal degradation of colors in the paint fragments and, in the most pejorative sense of the word, as a synonym of deterioration, specifically in relation to Havana.
His paintings use the by - now venerable abstract painting technique of pouring to risk a certain loss of control, and yet by using blown - up stencils to interrupt these random flows with fragments of words, images, or hand - me - down decorative motifs, he constantly keeps a discursive, referential function in play.
The medium is part of Viola's conspiring to represent the body and soul's movement in space, to position those in relation to the «imminent fragments of sensory experience and dreams of presence», in the words of American cultural critic Kathleen Stewart.
Then for the catalogue, we decided we wanted the artists» own words, so we asked them for their own writings, and I realized how amazing that fragment of Richter was, so I became curious and I started to research and I saw that there were all these amazing writings he had done, and there was never a book, so the third project we did after the Nietzsche house and the group show in Vienna, The Broken Mirror, was I started to edit, over years, a book of his collected writings, which came out, and has now come out in an augmented edition, a second edition, co-edited together with Dietmar Elger, and is now double the size of the one from fifteen years ago, and then, so it's always been approached in working on another exhibition together.
1990 Information, Terrain, San Francisco, California, US The 60s Revisited - New Concepts / New Materials, Leo Castelli Gallery, New York, US Various Small Fires in the Gutenberg Galaxy, Galerie Maier - Hahn, Dusseldorf, DE Time Span, Fundacio Caixa de Pensions, Barcelona, ES Aquarian Artists, University of Rhode Island, Kingston, Rhode Island, US Fragments, Parts, Wholes / The Body and Culture, White Columns, New York, US Che Fare: Concept Art / Minimal / Art Povera / Land Art, Kunsthalle Bielefeld, Bielefeld, DE Kunstenaarsboeken uit de verzameling A.S.P.C., Provinciaal Museum Hasselt, Hasselt, BE Group Show, Mai 36 Gallerie, Germany: Art Frankfurt, CH MeaMemphis Collezione» 89, Art to Use, Frankfurt A.M., DE Group Show, Galeria Marga Paz, Madrid, ES 5 Galerien zu Gast bei Breuninger, Brigitte March Galerie, Stuttgart, DE The Readymade Boomerang - 8th Biennale of Sydney, Art Gallery of New South Wales, Sydney, AU Saga 90, Eric Linard Editions, Grand - Palais, Paris, FR Concept Art, Deichtorhallen, Hamburg, DE Dreams of Artists, A Metamemphis Collection, 121 Art Gallery, Antwerpen, BE Two Decades of American Art: The 60s & 70s, Nassau County Museum of Art, Roslyn Harbor, US RE: Framing / Cartoons, Loughelton Gallery, New York, US; Wexner Center for the Arts, Ohio, US; Gallery A, The Ohio State University, Columbus, Ohio, US Robert Gober, Craigie Horsfield, Lawrence Weiner, Barbara Gladstone Gallery, New York, US Wir Nehmen an der Art, Mai 36 Galerie, Basel Art Fair, Basel, CH Word as Image: American Art 1960 - 1990, Milwaukee Art Museum, Milwaukee, Wisconsin, US; Oklahoma City Art Museum, Oklahoma, US; Contemporary Art Museum, Houston, Texas, US A Group Show, Marian Goodman Gallery, New York, US Selected Prints and Multiples, Mai 36 Gallery, Lucerne, CH Red, Galerie Christine and Isy Brachot, Brussels, BE Un Choix d'Art Minimal dans la Collection Panza, ARC, Paris, FR Children's Aids Project, Daniel Weinberg Gallery, Santa Monica, California, US Interventions / An Exhibition from the Collection of Delfryd Celf, Art Gallery of Ontario, Toronto, CA Savoire Faire / Savoire Vivre, Centre International d'Art Contemporain de Montreal, Montreal, CA Art Billboards in the Hague - Southwest, The Hague, NL The Readymade Boomerang Print Portfolio, Galerie Vorsetzen, Hamburg, DE Time Space Place, Galerie Ghislaine Hussenot, Paris, FR High Season I...
Letters, scraps of words, and crudely rendered figures recall graffiti scratched onto city walls, while the sculptures» torn and frayed forms speak to a fragmented field of vision, evoking the rush of life in the hardscrabble Lower East Side.
In this series the artist combined her love of decoration — in this instance, Islamic ornament — with her longstanding passion for cartography, so that interspersed throughout the works are maps of the Gaza strip, the Pale of Settlement (the territory within Imperial Russia restricted for Jews from 1835 - 1917, to which Kozloff traces her ancestry), as well as text references to the Tasman Sea, among other word fragmentIn this series the artist combined her love of decoration — in this instance, Islamic ornament — with her longstanding passion for cartography, so that interspersed throughout the works are maps of the Gaza strip, the Pale of Settlement (the territory within Imperial Russia restricted for Jews from 1835 - 1917, to which Kozloff traces her ancestry), as well as text references to the Tasman Sea, among other word fragmentin this instance, Islamic ornament — with her longstanding passion for cartography, so that interspersed throughout the works are maps of the Gaza strip, the Pale of Settlement (the territory within Imperial Russia restricted for Jews from 1835 - 1917, to which Kozloff traces her ancestry), as well as text references to the Tasman Sea, among other word fragments.
What: Basquiat: The Unknown Notebooks Where: The Brooklyn Museum, New York, NY When: April 3, 2015 to August 23, 2015 Why: We can't help but want to sneak a glimpse into the 160 pages of Basquiat's personal notebooks on view in this show, including poetry fragments, word play, sketches, and personal observations.
Or, in the words of art historian Felipe Scovino: «Brazil's visual arts sees the postmodern subject not as something or someone whose identity is unified and stable, but rather as something fragmented and -LSB-...] comprising multiple identities that may at times be contradictory or unresolved.»
He wrote (in all caps) and drew in the books between 1980 and 1987, jotting down fragments of poetry, doodles, and random thoughts about race, culture and society — many of the words, images, and symbols later appeared in the artist's paintings.
The diverse body of work includes Anish Kapoor's wood fragments in red Perspex box, Douglas Gordon's burnt wood cast in bronze and Grayson Perry's ceramic with the words «Art is dead.
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