«Feminist repurpose video #gamergate subversion shit» says the press release, as one considers the video raining Emojii and immaterial images of torn out
fragments of words in «untitled (the sea)».
Not exact matches
Note: The moderators
of this blog have set up a secret forbidden
word filter which unfortunately not only will delete or put your comments
in the dreaded «waiting for moderation» category but also will do the same to
words having
fragments of these
words.
This parallel has been obscured by the fact that the term «kerygma» can ambiguously refer both to
fragments of primitive Christian preaching embedded
in the New Testament text, and to the
word of God I encounter from the pulpit or
in my neighbour today.
Once a week WARNING for new commentators: The moderators
of this blog have set up a secret forbidden
word filter which unfortunately not only will delete or put your comment
in the dreaded «waiting for moderation» category but also will do the same to
words having
fragments of these
words.
There is a sentence wrong
in the middle
of what I wrote — please omit the first two
words of «he presumes the burden is...» (they were a thought
fragment that did not get written correctly).
Thus says the Holy One
of Israel, «Because you despise this
word, and trust (sic)
in oppression and perverseness... This iniquity shall be to you like a break
in a high wall... which is smashed so ruthlessly that among its
fragments not a sherd is found with which to take fire from the hearth, or to dip water out
of the cistern!»
«A wide range
of scientific testing indicates that a papyrus
fragment containing the
words, «Jesus said to them, my wife» is an ancient document, dating between the sixth to ninth centuries CE,» Harvard Divinity School said
in a statement.
• The moderators
of this blog, Dan Gilgoff and Eric Marrapodi, have set up a secret forbidden
word filter which unfortunately not only will delete or put your comment
in the dreaded «waiting for moderation» category but also will do the same to
words having
fragments of these
words.
• The moderators
of this blog have set up a secret forbidden
word filter which unfortunately not only will delete or put your comment
in the dreaded «waiting for moderation» category but also will do the same to
words having
fragments of these
words.
Charles Peirce said this
in his twenties with superb clarity, except that finitude is
in this usage an inadequate
word; we are but
fragments of the finite cosmos, which so far as we know is itself finite.
One
fragment found north
of Marduk temple
in Babylon related the fall
of such a ziggurat
in these
words: «The building
of this temple offended the gods.
But language is what the poet has to work with, and so the poet is forced to take sometimes exaggerated, sometimes extreme steps to pierce the mundane, breaking up lines, using
words in odd new contexts, relying on sound effects and packing the stanzas with sensuous images and
fragments from scripture, and the common language
of faith suddenly takes on new meaning through these odd juxtapositions.
Just how much
of it was passed along solely by
word of mouth, and how much had been written down
in fragments before any
of it was put together consecutively, we have no sure way
of knowing.
Bultmann saw the pure form
in the «apothegm,» «the original specific
fragment which would sum things up concisely; interest would be concentrated on the
word [spoken by] Jesus at the end
of a scene; the details
of the situation would lie far from this kind
of form; Jesus would never come across as the initiator... everything not corresponding to this form Bultmann attributed to development.»
In other
words, listeners experienced
fragmented communication — little pieces
of information supplied with very little context, background, or perspective.
Thus says the Holy One
of Israel, «Because you despise this
word, and trust
in oppression and perverseness, and rely on them; therefore this iniquity shall be to you like a break
in a high wall, bulging out, and about to collapse, whose crash comes suddenly,
in an instant; and its breaking is like that
of a potter's vessel which is smashed so ruthlessly that among its
fragments not a sherd is found with which to take fire from the hearth, or to dip up water out
of the cistern.»
The
word «fallibilism» occurs
in the Collected Papers as the expression
of a doctrine only
in 1.171 and
in another
fragment (1.8 - 14)
of the same date (c. 1897), and I have never seen the
word used
in this way
in writings not included
in the Collected Papers.
From the article: «This
fragment, this new piece
of papyrus evidence, does not prove that (Jesus) was married, nor does it prove that he was not married»:
In other
words, the fact that the bible contains information does not prove that (Jesus) was real, nor does it prove that any
of the content is true.
The more one can picture imaginatively the Hebrews
in exile
in Babylon or singing psalms
of joy
in the temple rebuilt on their return, the early church guarding carefully the precious
fragments that told the story
of Jesus, Paul among the churches or
in prison writing to nourish and admonish those new
in the faith, the more one can gather meaning from the
words.
The Institution
of the Eucharist It's hard to understand what they assume He means by either deed or
word: to break a
fragment off a loaf and
in the gloom
of candlelight insist each
of them take what He then claims, as they receive it, is no longer bread Mary was asked to find but something else now.
Dr Zendle said: «We found that the priming
of violent concepts, as measured by how many violent concepts appeared
in the
word fragment completion task, was not detectable.
The results suggest that the last common ancestor
of all modern birds —
in other
words, the species at the base
of the evolutionary family tree that includes all living bird species — lived
in West Gondwana, a landmass that included what are now
fragments of South America and large portions
of Antarctica, about 95 million years ago.
Funes is first mentioned
in an obituary
of James Joyce, «A
Fragment on Joyce,» published
in 1941
in the magazine Sur.3 There, with some measure
of sarcasm, Borges says that to read straight through a «monster» like Joyce's Ulysses — a 400,000 -
word reconstruction
of a single day
in Dublin — requires another monster able to remember an infinite number
of details.
Nickerson points to work
in the 1990s by Peter Farvolden at the University
of Toronto
in Canada, who gave his subjects four - letter
fragments of seven - letter target
words (as may happen
in some crossword layouts, especially
in the US, where many
words overlap).
«Give Life Back To Music» with its robot voice and disco beat, «Giorgio by Moroder» with its spoken
word story before kicking
in with its ferocious live drumming and strange sounds, the eighties feel
of «Instant Crush» with the Strokes Julian Casablancas on vocals, the Television sitcom theme style
of «
Fragments of Time», the closer «Contact» which builds to a glorious crescendo there is so much here to love.
This is a genre - transcending once -
in - a-lifetime film about a child and his
fragmented family, and how they both grow up over the course
of an 11 - year period, shot piecemeal under a shroud
of relative obscurity by a team
of loyal Linklater lovers — a minor miracle,
in other
words.
She drives her point home (hilariously and brilliantly) by delivering multiple translations
of a poetic
fragment from the Greek writer Ibykos: one translation uses only
words found on London Underground signage, another only uses
words found
in her microwave's manual... you get the idea.
-- Finally, a technical note on the granularity
of the text
fragments: considering normal speech recordings, e.g. a common audiobook (as opposed to slowed down recordings for children common
in FXL), highlighting each single
word produces an annoying «flash effect».
First
of all, I will not even consider feeding any foods that contain any
of the following: meat by - products, poultry by - products, any food with the actual
words «meat meal»
in the ingredient list (meat meal could potentially contain anything such as diseased or dead / dying animals, including the possibility
of euthenised pets from shelters (yes with the euthenasia drugs still
in their systems and sometimes even with collars still on), as well as a legal allowed %
of plastic, chemicals and other unmentionables), soy, corn or any
fragments thereof, wheat or any
fragments thereof, any kind
of gluten or gluten meals, sugar, artificial flavours, artificial colors, BHA, BHT, ethoxyquin
Dragon Quest VII:
Fragments of the Forgotten Past is a true classic
in every sense
of the
word.
In the beginning was the
word:
Fragments of prose by James Baldwin, jokes by Richard Pryor and, later, the testimony
of a youth wrongly accused
of a crime.
In fact, Jinchi's mystical aesthetic is traceable to the abstract tradition of qit «a, an Islamic pictorial genre based in the word or verse fragment, and originating in the late 15th centur
In fact, Jinchi's mystical aesthetic is traceable to the abstract tradition
of qit «a, an Islamic pictorial genre based
in the word or verse fragment, and originating in the late 15th centur
in the
word or verse
fragment, and originating
in the late 15th centur
in the late 15th century.
Schiele famously traveled everywhere with a full - length mirror that once belonged to his mother, and Saville also uses full - length mirrors, as well as photographs (the latter to «hold the image down,»
in her
words), to aid
in the lengthy process
of painting her
fragmented and layered figures.
Rejecting the spontaneous gestural compositions
of Abstract Expressionism, he employed paint rollers and pre-existing phrases as linguistic ready - mades, as
word fragments in «Trouble» (1989) reveal.
Though
fragmented and abstracted, the narratives played out between the performers
in Relinquish allude to power structures within relationships
in the broadest sense
of the
word — romantic, sexual, familial, societal and cultural.
His text speaks to absence as much as presence with a story
of war and empire told
in fragments, phrases,
words hanging on the page — an index
of both the trauma and resistance experienced by those subjected to the violence
of empire.
Hauser & Wirth, London Renowned
in her native North America, Lorna Simpson's work explores,
in her
words: «the notion
of fragmentation, especially
of the body... We're
fragmented not only
in terms
of how society regulates our bodies but
in the way we think about ourselves».
The majority
of Vonna - Michell's practice comprises fast paced spoken
word performances and recordings which culminate
in perpetually circling, detouring and repetitive narratives; the artist's work is multi-layered, arriving
in installations which incorporate
fragments of information such as slide projections, photocopies and other ephemera.
Some
of the works included
in the exhibition explicitly engage with Eliot and his writing, such as Philip Guston's grim deathbed painting East Coker: T.S.E. (1979); David Jones's painted inscription Nam Sibyllam (1958), made as a gift for Eliot, which combines the text from Petronius that is The Waste Land's epigraph with the opening lines
of the poem and other phrases connected to the Grail myth; Graham Sutherland's two Illustrations for T. S. Eliot (1973); and Vibeke Tandberg's The Waste Land (2007), which consists
of 36 collages
in which the artist has cut out each
of the
words of the poem, and re-organised them alphabetically and
in groups, at once
fragmenting Eliot's poem
of «broken images» even further and bringing its underlying verbal structure to light.
The title reflects the parallels between the literal degradation
of colors
in the paint
fragments and,
in the most pejorative sense
of the
word, as a synonym
of deterioration, specifically
in relation to Havana.
His paintings use the by - now venerable abstract painting technique
of pouring to risk a certain loss
of control, and yet by using blown - up stencils to interrupt these random flows with
fragments of words, images, or hand - me - down decorative motifs, he constantly keeps a discursive, referential function
in play.
The medium is part
of Viola's conspiring to represent the body and soul's movement
in space, to position those
in relation to the «imminent
fragments of sensory experience and dreams
of presence»,
in the
words of American cultural critic Kathleen Stewart.
Then for the catalogue, we decided we wanted the artists» own
words, so we asked them for their own writings, and I realized how amazing that
fragment of Richter was, so I became curious and I started to research and I saw that there were all these amazing writings he had done, and there was never a book, so the third project we did after the Nietzsche house and the group show
in Vienna, The Broken Mirror, was I started to edit, over years, a book
of his collected writings, which came out, and has now come out
in an augmented edition, a second edition, co-edited together with Dietmar Elger, and is now double the size
of the one from fifteen years ago, and then, so it's always been approached
in working on another exhibition together.
1990 Information, Terrain, San Francisco, California, US The 60s Revisited - New Concepts / New Materials, Leo Castelli Gallery, New York, US Various Small Fires
in the Gutenberg Galaxy, Galerie Maier - Hahn, Dusseldorf, DE Time Span, Fundacio Caixa de Pensions, Barcelona, ES Aquarian Artists, University
of Rhode Island, Kingston, Rhode Island, US
Fragments, Parts, Wholes / The Body and Culture, White Columns, New York, US Che Fare: Concept Art / Minimal / Art Povera / Land Art, Kunsthalle Bielefeld, Bielefeld, DE Kunstenaarsboeken uit de verzameling A.S.P.C., Provinciaal Museum Hasselt, Hasselt, BE Group Show, Mai 36 Gallerie, Germany: Art Frankfurt, CH MeaMemphis Collezione» 89, Art to Use, Frankfurt A.M., DE Group Show, Galeria Marga Paz, Madrid, ES 5 Galerien zu Gast bei Breuninger, Brigitte March Galerie, Stuttgart, DE The Readymade Boomerang - 8th Biennale
of Sydney, Art Gallery
of New South Wales, Sydney, AU Saga 90, Eric Linard Editions, Grand - Palais, Paris, FR Concept Art, Deichtorhallen, Hamburg, DE Dreams
of Artists, A Metamemphis Collection, 121 Art Gallery, Antwerpen, BE Two Decades
of American Art: The 60s & 70s, Nassau County Museum
of Art, Roslyn Harbor, US RE: Framing / Cartoons, Loughelton Gallery, New York, US; Wexner Center for the Arts, Ohio, US; Gallery A, The Ohio State University, Columbus, Ohio, US Robert Gober, Craigie Horsfield, Lawrence Weiner, Barbara Gladstone Gallery, New York, US Wir Nehmen an der Art, Mai 36 Galerie, Basel Art Fair, Basel, CH
Word as Image: American Art 1960 - 1990, Milwaukee Art Museum, Milwaukee, Wisconsin, US; Oklahoma City Art Museum, Oklahoma, US; Contemporary Art Museum, Houston, Texas, US A Group Show, Marian Goodman Gallery, New York, US Selected Prints and Multiples, Mai 36 Gallery, Lucerne, CH Red, Galerie Christine and Isy Brachot, Brussels, BE Un Choix d'Art Minimal dans la Collection Panza, ARC, Paris, FR Children's Aids Project, Daniel Weinberg Gallery, Santa Monica, California, US Interventions / An Exhibition from the Collection
of Delfryd Celf, Art Gallery
of Ontario, Toronto, CA Savoire Faire / Savoire Vivre, Centre International d'Art Contemporain de Montreal, Montreal, CA Art Billboards
in the Hague - Southwest, The Hague, NL The Readymade Boomerang Print Portfolio, Galerie Vorsetzen, Hamburg, DE Time Space Place, Galerie Ghislaine Hussenot, Paris, FR High Season I...
Letters, scraps
of words, and crudely rendered figures recall graffiti scratched onto city walls, while the sculptures» torn and frayed forms speak to a
fragmented field
of vision, evoking the rush
of life
in the hardscrabble Lower East Side.
In this series the artist combined her love of decoration — in this instance, Islamic ornament — with her longstanding passion for cartography, so that interspersed throughout the works are maps of the Gaza strip, the Pale of Settlement (the territory within Imperial Russia restricted for Jews from 1835 - 1917, to which Kozloff traces her ancestry), as well as text references to the Tasman Sea, among other word fragment
In this series the artist combined her love
of decoration —
in this instance, Islamic ornament — with her longstanding passion for cartography, so that interspersed throughout the works are maps of the Gaza strip, the Pale of Settlement (the territory within Imperial Russia restricted for Jews from 1835 - 1917, to which Kozloff traces her ancestry), as well as text references to the Tasman Sea, among other word fragment
in this instance, Islamic ornament — with her longstanding passion for cartography, so that interspersed throughout the works are maps
of the Gaza strip, the Pale
of Settlement (the territory within Imperial Russia restricted for Jews from 1835 - 1917, to which Kozloff traces her ancestry), as well as text references to the Tasman Sea, among other
word fragments.
What: Basquiat: The Unknown Notebooks Where: The Brooklyn Museum, New York, NY When: April 3, 2015 to August 23, 2015 Why: We can't help but want to sneak a glimpse into the 160 pages
of Basquiat's personal notebooks on view
in this show, including poetry
fragments,
word play, sketches, and personal observations.
Or,
in the
words of art historian Felipe Scovino: «Brazil's visual arts sees the postmodern subject not as something or someone whose identity is unified and stable, but rather as something
fragmented and -LSB-...] comprising multiple identities that may at times be contradictory or unresolved.»
He wrote (
in all caps) and drew
in the books between 1980 and 1987, jotting down
fragments of poetry, doodles, and random thoughts about race, culture and society — many
of the
words, images, and symbols later appeared
in the artist's paintings.
The diverse body
of work includes Anish Kapoor's wood
fragments in red Perspex box, Douglas Gordon's burnt wood cast
in bronze and Grayson Perry's ceramic with the
words «Art is dead.