Sentences with phrase «fragments the images in»

Bray sketches with her camera, taking digital images of the landscape, urban and rural, then fragments the images in Photoshop into shapes and forms.

Not exact matches

But language is what the poet has to work with, and so the poet is forced to take sometimes exaggerated, sometimes extreme steps to pierce the mundane, breaking up lines, using words in odd new contexts, relying on sound effects and packing the stanzas with sensuous images and fragments from scripture, and the common language of faith suddenly takes on new meaning through these odd juxtapositions.

For life in a highly fragmented and specialized society, the pastor as theological integrator can perform a socially unique role in building provisional bridges to enable us to stay in touch with our common humanity fashioned in the image of God.

The creation or discovery is not a simple detection of similarity or commonality in diverse mental fragments (images); it is not an association of ideas, Instead, the «play of ideas» is an adjusting in two dimensions: (1) a «horizontal» adjusting among the component fragments; and (2) a «vertical» adjusting of the possible «scheme» and the (sometimes) recalcitrant images.

These images are then compared, which helps to eliminate the background effect caused by the product itself and improves the detection of lower density foreign bodies such as fan bones in chicken, bone fragments in meat, or glass and stones in added value meat products.

In a series of images taken over three days in January 2016, Hubble showed 25 fragments consisting of a mixture of ice and dust that are drifting away from the comet at a pace equivalent to the walking speed of an adult, said UCLA astrophysicist David Jewitt, who led the research teaIn a series of images taken over three days in January 2016, Hubble showed 25 fragments consisting of a mixture of ice and dust that are drifting away from the comet at a pace equivalent to the walking speed of an adult, said UCLA astrophysicist David Jewitt, who led the research teain January 2016, Hubble showed 25 fragments consisting of a mixture of ice and dust that are drifting away from the comet at a pace equivalent to the walking speed of an adult, said UCLA astrophysicist David Jewitt, who led the research team.

Under certain combinations of conditions, large fragments of carbon coating were eroded away (as depicted in image), the researchers report today in Nature Communications.

To study the mechanism's fine surface details, they took multiple digital images each lit from a different direction, which allowed them to virtually rotate the object in the light [see interactive images here and a rotating view of the main fragment here].

Although the image of a bird tangled in a plastic necklace is by now burned into the public's eye, ingestion of plastic fragments is much more common.

This image shows microplastic fragments and pre-production pellets collected from a sandy shoreline in Europe; these items are continually fragmenting in the environment.

While monitoring brightness in the individual 3 - minute exposures, scientists also compiled all the data to produce a single ultra-deep image, which revealed the fragments.

Though the footage consists of jittery, often disconnected fragments, many of these images leave a haunting impression: a child's doll abandoned in a pile of rubble, a tank exploding in a plume of smoke, a dead boy felled by a sniper's bullet.

Getting his start working on TV commercials, Mann took his rapid - paced, flash - cut approach into documentary filmmaking, producing an award - winning short on the 1968 French student riots, Janpuri.Mann's fragmented - image technique further manifested itself on such TV detective series of the»70s such as Starsky and Hutch and Vegas, both of which utilized his scripts (though they were directed by others in the standard conventional style of the period).

Knight of Cups: For those willing to get on director Terrence Malick's wavelength, this is an ecstatic use of cinema — the story of a screenwriter (Christian Bale) in Hollywood as told through dream images and voice - over, with only fragments of scenes.

Dislocation Blues, a short documentary by Ho - Chunk filmmaker Sky Hopinka, chronicled the 2016 Standing Rock protests in images both ravishing and harrowing, recalling the keen eye and purposefully jagged montage of recent nonfiction landmarks like James Longley's Iraq in Fragments or Craig Atkinson's Do Not Resist.

The movie is fragmented in its visual style, accumulating images that add up to a final bloody moment of truth.

Its most epic images, of a great and vicious battle, are confined to scattered flashbacks in the first act, nothing more than fragments of backstory that reveal the cowardice and hapless achievement of the simultaneous praised and despised John Boyd (Guy Pearce), who receives a promotion for taking a Mexican stronghold but is quietly exiled to a remote, wintry California fort to serve out of sight.

Verify that every graphic, font, and image falls in line with the overall theme to prevent a fragmented eLearning course design.

Gorgeous fragments like «Feel of the air, thinner in the cool sections, fattening up in the light» and «Cicadas turning the air into clicks and a pulse» and «The light not a light of this world but more a temperature, a coldness through which we could see» give the reader a feast of images, sounds and feelings.

Each fragment displays infrared and color images at a resolution of 1215 DPI, at a 1:1 scale, equivalent in quality to the original scrolls.

In his latest photo series, Dubois is able to capture the fluid movements of the world through fragmented images of landscapes reconstructed to create a new type of reality.

Thus digital images which freeze and fragment an original image fascinate her, but such images in themselves are not enough, they provide a way into the painting.

This resplendent monograph, which accompanies the exhibition yet is intended to endure long beyond it, reveals both the overt themes and the more ambiguous substructures of Otero's oeuvre to date, from his early still lifes and famous «skins» — paintings made of fragments and scraps of oil paint culled from previously painted images — to his more recent «transfers» and innovative sculptural work in porcelain and steel or iron.

A painting I have never been able to see or find an image of since remains in my memory: a large work though made of relatively small shaped fragmented parts arranged in the shape like a giant abstracted question mark.

The intricate work moves between writing, image, and pattern, and speaks to the fragmented way in which we acquire information and experience language in today's world.

Whether distilled to a single dot or fragmented into a thousand pieces, Martin's art draws from the space in - between, an image of the world in which all activity, monumental or insignificant, may be just killing time.

1984 Invitational Group Exhibition, Grace Borgenicht Gallery, New York, NY New Work, Larry Gagosian Gallery, Los Angeles, CA New York, NY Images / New Directions, The University Art Gallery, SUNY, Albany, NY East Village Art in Berlin, Zellermayer Galerie, Berlin, Germany American Drawings From Neo-Classicism To The Avant Garde, Morris Museum, NJ Nueva Pintura Narrative, Museo Tamayo, Mexico City, Mexico Rediscovering Romanticism in New York, NY, New Math Gallery, New York, NY Neo York, Barbara Art Gallery, UCSB, Santa Barbara, CA Artitude, Limbo Lounge, New York, NY Fragments, A & P Gallery, New York, NY

Schiele famously traveled everywhere with a full - length mirror that once belonged to his mother, and Saville also uses full - length mirrors, as well as photographs (the latter to «hold the image down,» in her words), to aid in the lengthy process of painting her fragmented and layered figures.

Dynamic images fragment into mosaics of small abstract paintings, in which there is no longer a distinction between background and foreground.

In response to social and psychological pressures, his figures and images fragment, morph, and contort or invert themselves.

A work recurs outside of itself, sometimes in a partial or fragmented way, always coming back remotely as another image — thicker, faster, sharper.»

These fragments contain tiny images of people, anonymous and entirely marginal in their original context; in Stezaker's treatment, they become central, mysterious players in an elusive drama.

The sculptural fragments seen in the bottom two rows of images are pieces of the Colossus of Constantine that Rauschenberg photographed at the Pallazo dei Conservatori.

2011 Sculpture Now, Galerie Eva Presenhuber, Zurich, Switzerland The Language of Less, Museum of Contemporary Art, Chicago / IL, USA The Art of Narration Changes with Time, Sprüth Magers, Berlin, Germany ILLUMInations (curated by Bice Curiger), 54th International Art Exhibition — La Biennale di Venezia, Venice, Italy The Shape of Things to Come: New Sculpture Part 1, Saatchi Gallery, London, Great Britain Tableaux, Le Magasin, Grenoble, France THE WAY IT WAS N'T, Culturgest, Porto, Portugal After Images (curated by Fionn Meade), Musée Juif de Belgique, Bruxelles, Belgium Isabelle Cornaro, Nikolas Gambaroff, Oscar Tuazon, Eli Hansen, A Palazzo Gallery, Brescia, Italy Fragments Americana (curated by Hedi Slimane), Almine Rech Gallery, Brussels, Belgium Dystopia, CAPC Bordeaux, Bordeaux, France Art In The City, Art Brussels, Brussels, Belgium Under Construction, SAKS, Geneva, Switzerland Light In Darkness, Western Bridge, Seattle, Washington, USA Poste Restante (curated by Eric Fredericksen), Artspeak, Vancouver, Canada You and Now, Balice Hertling, Paris, France

Too poor to afford painting materials, Margo innovated with «decalomania,» a process in which he used automatism to select and assemble fragments of print and images from magazines.

In this exhibit of new «Broken Images», Gilbert continues exploring the microcosmic possibilities of the fragment.

Each photomontage is constructed around an image of an angel that introduces a Benjaminian concept of history, questioning the empirical logic of historical optics, and invoking the possibility of redemption in the web of a history that is an ever - expanding constellation of fragments.

One feels the presence of the boy collector in one untitled work in which detailed printed images of bugs are placed side by side, together with a few other found fragments and much empty space.

Means of producing and displaying images are central to his methodology and he unpacks the image as both subject and object, unfolding ways in which fragments of the present can connect with those of the past, the hidden with the visible, and the sentient with the physical.

About the works in that show, Ed McCormack in Gallery & Studio said «For Gilbert, the continued exploration of the fragments of reality particularly via the computer & creating strategies to provoke accidents... inspire the search for & evolution of the next image.»

Where the Statue of Liberty's copper skin pieces produced by Frédéric Auguste Bartholdi were soldered together on a metal scaffold, and unveiled in 1886 as an image now almost universally recognizable, WE THE PEOPLE is a series of copper skin fragments dispersed according to the logic, or abstract armature, of the global art system.

The artist has now shifted his focus from photography to making large digital tableaux in which swirling brushstrokes mix with and partially obscure images of contorted, fragmented bodies.

In The Influence Machine, Tony Oursler blends fragments of speech from the history of technology with images of heads.

Often represented in hues of violets, blues and reds, Bracha's works offer abstracted configurations and spaces created by the materiality of oil paint, ink, and the powered ash of photocopying dust, the undulation of light and shadow, and the traces of fragmented, ghostly images that appear and disappear.

Her process involves gathering and piecing together fragments of collected imagery and then layering them in various ways that obscure the distinctions between the mechanical image and the handmade.

In his distinctive caricaturistic style, Pettibon juxtaposes figurative images with fragmented texts throughout all mediums and subject matters.

The drawings, which combine fragments of text with images culled from American popular and underground culture, dominated the exhibition, due in part to the sheer number of them and in part to the appeal of familiar images drawn in a simple graphic style.

In his hands, people, technology, images, and objects are the tools used to paint a compelling and fragmented portrait of the 21st century.

Images of nature, birds in particular, and fragments of landscape recur frequently throughout his work.

In the nine - second video loop «Untitled (Touchscreen),» a still image of a smiling young couple is split into overlapping blue and red versions that flicker from place to place, alternating with moments of black; the handsome print «Untitled (Coil Whine)» puts a large, black and white image of fingers beside wavering green lines of video distortion and under a block of marbleized orange and a fragment of sans - serif text reading «UP YOUR DAY.»