Sentences with phrase «frame our conversation for»

Fast - forward to the year 2013 and let's allow the Heidelberg Catechism to open up and frame our conversation for today:
It's frames the conversation for the reader.
Framing your conversation for the reader that we know has a particular mindset is key to getting them to call you for an interview.

Not exact matches

As the always - incisive Bryan Roberts, framed it for me in a conversation around this time last year, hospitals «are essentially big capital assets trying to stuff people through them.»
They are taught in conversation with other texts, other framings, some merely different, some once or presently contending with them for canonical relevance.
But we women do have to have the conversation (actually ongoing conversations), agree to compromise on an acceptable level of cleanliness and an acceptable time frame for having things done, kids fed, bathed and etc., and then we just need to... let it go.
City Hall sources point to the mayor's plaudits of individual heroic cops, his framing of the conversation around wearing body cameras as a positive for officers, and his work to put more cops on the streets to civilianization.
Once the profile photo is frame - worthy, and you've hit on your best bits, all that's left is a couple of teases for conversation.
Framed by a boisterous dinner scene between playwright friends, alarm bells ring early in Melinda and Melinda when conversation turns to whether a random scenario, the arrival of an unexpected stranger at a dinner party, would work best as the premise for tragic drama or comedy.
Instead, right down to the nearly synonymous title we get a lurid, silly «Prisoners» me - too (and that film itself was far from flawless) in which the only additions are a flashback - and - forward structure that never works, the kind of contrivance in which a laptop camera accidentally left transmitting records a crucial conversation (perfectly framed) and a crude, distastefully regressive subtheme which suggests that well, of course that this is what happens to girls and to women (even successful, intelligent, independent women) when they are left alone even for a moment by their menfolk.
Instead, right down to the nearly synonymous title we get a lurid, silly «Prisoners» me - too (and that film itself was far from flawless) in which the only additions are a flashback - and - forward structure that never works, the kind of contrivance in which a laptop camera accidentally left transmitting records a crucial conversation (perfectly framed) and a crude, distastefully regressive sub-theme which suggests that, well, of course this is what happens to girls and to women (even successful, intelligent, independent women) when they are left alone even for a moment by their menfolk.
Not for nothing, it makes textbook - worthy use of negative space — heightening the effectiveness of its intimate conversations, characters are often tucked away into the corner of the frame in fully realized visuals.
the frame just sits there, stationary, for what feels like minutes, as we watch a couple having a conversation in a cleverly - placed mirror, or Casey pacing around outside, smoking, anxiously rattling off rapid - fire architecture jibber - jabber to herself.
The default setting for a film about political scandal is to have characters conduct an endless stream of conversation and frame them in tight shots that make their environments irrelevant.
Sometimes the broadcasting teacher will come into the social studies classroom to help students think about framing conversations and questions for a radio audience.
«The tool for observing and analyzing instruction will be very useful to framing the conversation and (our) pedagogy.»
The SOAR frames give us a common language for engaging in meaningful conversation around instruction, and the rubrics are a useful tool that will help teachers plan instruction as well as reflect on their practice.
Watch how second grade teacher Monique LaCour uses sentence frames to scaffold the language required for students to have evidence - based conversations.
EUROPEAN and AMERICAN paintings framed by Gill & Lagodich include (in alphabetical order): Milton Avery, Conversation in Studio, 1943; Jules Adolphe Breton, The Song of the Lark, 1884; Elbridge Ayer Burbank, six Native American portraits, Kah - Kap - Tee / Moqui, Wick - Ah - Te - Wah / Moqui, Ko - Pe - Ley / Moqui, Pah - Puh / Moqui, Shu - Pe - La / Moqui, Ho - Mo - Vi / Moqui, 1898; Gustave Caillebotte, Paris Street; Rainy Day, 1877; William Merritt Chase, North River Shad, c. 1910; Thomas Cole, New England Scenery, 1839; Jasper Cropsey, Blasted Tree, c. 1850; Gustave Courbet, Reverie (Portrait of Gabrielle Borreau), 1862; Thomas Doughty, Coming Squall (Nahant Beach with a Summer Shower), 1835; Thomas Eakins, Study for «William Rush Carving His Allegorical Statue of the Schuylkill River», c. 1876 - 77; DeScott Evans, The Irish Question, 1880s, Marsden Hartley, The Last of New England — The Beginning of New Mexico, 1918/19; George Hitchcock, Flower Girl in Holland, c. 1887; Winslow Homer, Peach Blossoms, c. 1878; Edward Hopper, Nighthawks, 1942; George Inness, Crossing The Ford, 1848; George Inness, Summer in the Catskills, 1867, George Inness, The Mill Pond, 1889, George Inness, Early Morning, Tarpon Springs, 1892; George Inness, The Home of the Heron, 1893; George Inness, After A Summer Shower, 1894, Joshua Johnson, Mrs. Andrew Bedford Bankson and Son, Gunning Bedford Bankson, 1803/05; Otis Kaye, Heart of the Matter, 1963; Fernand Leger, Reclining Woman, 1922; Fernand Leger, Still Life, 1926; Edouard Manet, Still - Life with Carp, 1864; Edouard Manet, Bullfight, 1865/66; Julius Gari Melchers, Mother and Child, c. 1906; Jean - Francois Millet, In the Auvergne, 1866/69; Jean - Francois Millet, Bringing Home the Calf; Jean - Francois Millet, The Shepherdess; William Sidney Mount, Bar - Room Scene, 1835; Camille Pissarro, The Place du Havre, Paris, 1893; Severin Roesen, An Abundance of Fruit, 1860; Albert Pinkham Ryder, The Essex Canal, 1896; John Singer Sargent, Venetian Glass Workers, 1880/82; John Singer Sargent, Thistles, 1883/89; John Singer Sargent, The Fountain, Villa Torlonia, Frascati, Italy, 1907; Elihu Vedder, The Fates Gathering in the Stars, 1887; Charles Wilbert White, This, My Brother, 1942; Hale Woodruff, Twilight, 1926; and more...
Recently he wrote «We Are More Than This,» an essay for the Tate Modern on the occasion of the museum's exhibition, «Soul of a Nation: Art in the Age of Black Power» and is in conversation with filmmaker and artist Arthur Jafa in the Dallas Museum of Art's «Truth: 24 frames per second» exhibition catalogue.His writing has appeared in the New Yorker and The New York Times.
Join artists and MADA staff, Tamsin Green and Leslie Eastman, for an informal conversation around their own use of film and video, together with ideas of memory, perception and the framing of museum collections, in response to the current MUMA exhibition Life inside an Image.
March 25: 6 and 8:30 pm Screenings March 26: 3 pm Screening followed by a conversation with Mary Helena Clark; Sky Hopinka; Cauleen Smith; Mia Locks, co-curator of the 2017 Whitney Biennial; and Aily Nash, co-curator of the 2017 Whitney Biennial film program Mary Helena Clark (b. 1983), The Dragon is the Frame, 2014 Delphi Falls, 2016 Sky Hopinka (b. 1984), I'll Remember You As You Were, Not As What You'll Become, 2016 Jáaji Approx., 2015 Anti-Objects, or Space Without Path or Boundary, 2017 Cauleen Smith (b. 1967), H - E-L-L-O, 2015 Sine At The Canyon Sine At The Sea By Kelly Gabron, 2016 Tickets are required ($ 12 adults, students, and seniors; free for members).
«Per - capita emissions» is the predominant public frame for the climate conversation in India.
Author Andres Edwards frames the conversation about consciousness and sustainability by: Explaining how self - development is a key driver for planetary change.
A 2012 research report from Yale University's Project on Climate Change Communication found that placing the conversation within a public - health frame was more likely «to elicit emotional reactions consistent with support for climate change mitigation and adaptation» than a traditional environmental frame, or even one focused on national security.
These questions came up again and again in my conversations with staff, and may be a useful frame for other managers and employees as they work together to develop a career strategy.
Because of those needs, valuable conversations occurred — but was Big Data the best frame of reference for those discussions?
A well defined legal services platform should help protect against the risk of purchasing power erosion by defining clear processes around requests for increases in fees, and by carefully framing the manner in which the conversation will occur.
And here's something interesting: While your photo or video only remains visible for 24 hours, your conversation about it doesn't necessarily expire in that time frame, as long as the thread remains active.
The extended time frame allows users to have whole conversations that can then be deleted for privacy reasons, or if they wanted to hide typos.
This will give your connection a frame of reference for the conversation.
We focus on telling a story for your reader that properly «frames the conversation» to shape how hiring managers and recruiters and digests your information.
Framing a conversation before you rush into detail will set the stage for high - quality information to flow.
Below, we provide application materials for front - line communicators in the form of a toolkit deploying recommended framing strategies to shift the public conversation about children, child development, child mental health and youth well - being in Tennessee.
For example, if you know that a client has downloaded a home staging white paper on your website, you can frame the conversation around that topic.
I call the bank just about every other day for a status report, and I make sure to always end the conversation with the next steps and a time frame.
For both options we plan on moving that mirror up (maybe painting the frame), reframing some of the photos in wood, white, and gold frames then rearranging them, moving the two side chairs into the room so they feel part of the conversation and adding more personal accessories.
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