Sentences with phrase «frame out of paper»

Through an easy sequence of folds, you and your child can make a picture frame out of paper.

Not exact matches

He brought back a magnificent set of photographs in which the hawks, down to the smallest feather, to the glint of light on the golden lores, are portrayed with such startling reality that the paper birds seem to be gathering themselves to swoop down out of the frames.

EYES / GLASSES: Cut out two black circles for the eyeglass frames (max size of paper), two white circles for the eyes, two brown circles for the irises, and two black circles for the pupils.

So I went all DIY up in this ish, cut it out in a circle shape, taped it to a piece of square scrapbooking paper to match the couch, and put that in a shadow box (which is, essentially, a 3D frame).

Picking out our paper goods was one of my favorite parts of the wedding planning process and I am so happy with the way they turned out that I'm hoping to find a way to frame the whole suite for somewhere in our house.

I used the glass of the picture frame as a guide, traced it onto the paper and cut out.

It's better for teachers to say, «Point your eyes toward me» and wait for compliance, instead of saying, «Stop talking, turn around, turn to page 237, take out a pencil, and head your paper with «Geology Frame.»»

Cut out the inside silhouette of the leaf so that a black paper frame remains around the cut - out leaf.

The pack includes: Mother's Day All of these resources include version for «Mum», «Mam», «Mummy» and «Mom» Two colourful display banner - great to use on a display of the children's work - these are for «Mother's Day» and «Mothering Sunday» A Powerpoint about Mother's Day A selection of Mother's Day cards to colour in Coloured Mother's day cards - great to add to a display A selection of cards to cut out and assemble A4 writing borders - these can be used to quickly display work, forthe children to write about their Mums or to use for poetry etc Large display lettering A selection of gift tags to colour in and use on your gifts Various certificates for «Best Mum», «Number one Mum» etc Rosettes to make for your Mum Bookmarks to colour and design to make as a gift for Mum Make a book about Mum - this contains several pages for the children to draw and write about their Mum - great to either send home with the children to fill in together or use at a Mother's Day coffee morning for the children and their Mums to fill in together Colouring posters Write a letter to Mum - decorated letter writing paper Draw your Mum and decorate the frame «My Mum» poster - a poster for the children to draw and write things about their Mums - these make a great display Three recipes to make and give as gifts on Mother's Day Gift boxes - Various gift boxes to colour to use for your Mother's Day gift «A note to my Mum» - write a note to your Mum on this decorated paper Acrostic poem - Write a poem about your Mum

In his seminal 1983 book, Frames of Mind: The Theory of Multiple Intelligences and his update, Multiple Intelligences: New Horizons, Gardner laid out the theory that paper - and - pencil IQ tests are not the best ways to measure intelligence, which can include spatial, interpersonal, existential, musical and, of course, bodily - kinesthetic intelligence.

And one of the things I think is important to remember is that right now, there's a lot of confusion out there for authors, so one of the reasons why I wrote the white paper is this is a way to sort of frame up what options you have.

Bringing together a selection of recent cut - out paper figures, mixed media works on paper, collage paintings in beehive frames, a large - scale painted sailcloth and hand - painted texts on the gallery wall, the exhibition will showcase Anna Boghiguian's raw and expressionistic oeuvre that explores economics, philosophy, literature and myth.

The inspiration for the visual structure of the series is drawn from a collection of paper frames cut out from a book of Medieval Persian miniatures.

The Zimbabwean artist is known for his large works on paper that spill out of their two - dimensional frame and into larger installations on the floor around them.

One piece that especially stood out — a large work made up of twenty white paper squares divided by a thin wooden frame on which much smaller squares and rectangles painted in oil had been arbitrarily placed — is a visual testimony to the love of music and poetry that informs the creative work of this painter.

Rivane Neuenschwander, O nome do medo (recorte): Pesadelo / The Name of Fear (cut - out): Nightmare, 2017, Silkscreen paint and lightening gel sheet on paper, Framed: 51.7 x 36.7 cm, (20 3/8 x 14 1/2 in)

Made out of old, recycled frames and the most raw materials, «Too Young To Burn» is an exploration of both physical and metaphorical mediums, with fire penetrating each and every element, from wood to paper to drawings.

HELEN FRANKENTHALER Guadalupe (H. 164) mixograph in colors, 1989, on white handmade paper, signed and dated in pencil, numbered 50/74 (there were also 16 artist's proofs), published by Mixografía, Los Angeles, the full sheet, apparently in very good condition, not examined out of the frame S. 69 x 45 in.

HELEN FRANKENTHALER Madame Butterfly woodcut in colors, 2000, on three sheets of wove paper, signed in pencil, numbered 31/33 (there were also 14 artist's proofs), published by Tyler Graphics, LTD., Mount Kisco, New York, the full sheets, each sheet hinged in places at the reverse of the sheet to the support (with associated soft rippling), otherwise apparently in very good condition, not examined out of the frame Overall: 41 x 79 in.

Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52

Tracey Emin (b. 1963) Birds 2012 lithograph in blue, 2011, on wove paper, signed, dated and titled in pencil, numbered 233/300 (there were also thirty artist's proofs), published by Counter Editions, London, apparently in very good condition, unexamined out of the frame Image 645 x 490 mm., Sheet 760 x 601 mm.

Condition: Floated within frames, deckled edges, Prison hinged at corners and sides with rice paper (hinges at bottom corners broken), Home not examined out of frame.

HELEN FRANKENTHALER Tahiti (H. 168) mixograph in colors, 1989, on handmade paper, signed and dated in pencil, numbered 18/45 (there were also 11 artist's proofs), published by Mixografía Los Angeles, the full sheet, one short tear at the lower left sheet edge, otherwise apparently in very good condition, not examined out of the frame S. 32 x 54 in.

HELEN FRANKENTHALER Dream Walk (H. 56) lithograph in colors, 1977, on pale mauve handmade paper, signed and dated in pencil, numbered «A.P.» (the edition was 47), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, apparently in very good condition, not examined out of the frame L. 21 7/8 x 29 3/4 in.

Because of his working method, with the paper flat on a table, he could never really see how the picture turned out until it was framed, which makes his vertiginous, highly expressive use of pictorial space all the more impressive.

Helen Frankenthaler (b. 1928) Sky Frame Orbit (Harrison 38) lithograph, etching and aquatint in colours, 1964 - 73, on pinkish - cream Arches paper, signed and dated in pencil, numbered 2/6 (there were also two artist's proofs aside from the edition), published by U.L.A.E, New York, with their blindstamp, with wide margins, the full sheet as published, a deckle edge to left and right, apparently in very good condition, not examined out of the frame L. 545 x 385 mm., S. 759 x 57Frame Orbit (Harrison 38) lithograph, etching and aquatint in colours, 1964 - 73, on pinkish - cream Arches paper, signed and dated in pencil, numbered 2/6 (there were also two artist's proofs aside from the edition), published by U.L.A.E, New York, with their blindstamp, with wide margins, the full sheet as published, a deckle edge to left and right, apparently in very good condition, not examined out of the frame L. 545 x 385 mm., S. 759 x 57frame L. 545 x 385 mm., S. 759 x 571 mm.

Helen Frankenthaler, Freefall (H. 233) Woodcut printed in colors, on hand - dyed TGL handmade paper, 1993, signed in pencil, dated and numbered 8/30 (total edition includes 12 artist's proofs), with the blindstamp of the publisher, Tyler Graphics, Ltd., the full sheet, printed to the edges, in good condition, framed * (not examined out of frame) Sheet 1970 by 1535 mm 77 1/2 by 60 3/8 in

Ref: Harrison, 13 Not examined out of frame; float mounted; slight yellowing at edges of sheet; slight cockling of paper at upper right corner; otherwise appears in general good and stable condition.

HELEN FRANKENTHALER Sirocco (H. 167) mixograph in colors, 1989, on handmade paper, signed and dated in pencil, numbered 20/52 (there were also 11 artist's proofs), published by Mixografia, Los Angeles, the full sheet, apparently in very good condition, not examined out of the frame S. 37 3/8 x 35 in.

HELEN FRANKENTHALER Harvest (H. 54) lithograph in colors, 1976, on Cream HMP handmade paper, signed and dated in pencil, inscribed «Trial proof for Muriel's Birthday, with love HF», (the edition was 43 with 10 artist's proofs), published by Tyler Graphics, Mount Kisco, New York, with full margins, apparently in very good condition, not examined out of the frame S. 26 x 22 in.

HELEN FRANKENTHALER Solar Imp screenprint in colors, 2001, on Somerset rag paper, signed in pencil, numbered 53/126 (there were also 18 artist's proofs), published by The Lincoln Center / List Poster and Print Program, New York, the full sheet, apparently in excellent condition, not examined out of the frame S. 39 1/4 x 29 7/8 in.

2006 Gregos, Katarina, «Eve Sussman, The Rape of the Sabine Women», Flash Art, Jan / Feb Cacoulidis, Cleo, «Sabine Modern: On Location with Eve Sussman & The Rufus Corporation», Art Papers, Jan / Feb Coulson, Amanda, «Spontaneous Combustion», Modern Painters, Dec. 2005 / Jan 2006 2005 Spyridaki, Alexandra, «Video Art», Epsilon, April 17th Schumacher, Mary Louise, «Homage to the Master», Milwaukee Journal Sentinel, February 17th Mays - Powell, Harriet and Eve Sussman, «Frieze Frame», New York Magazine, February 14th Hoban, Phoebe, «Into the Mosh Pit with Velasquez and David ``, The New York Times, February 6th, Snider, Suzanne, «Eve Sussman», The Believer, February Maclaren, Becca, «Another look at Velasquez», Bennington, Fall 2004 / Winter 2005 2004 Stevens, Mark, «Beyond the Frame», New York Magazine, December 13th Gopnik, Blake, «Whittling Down the Whitney», The Washington Post, March 14th Saltz, Jerry, «Being There», The Village Voice, May 7th 2003 Sussman, Eve, «The Paper Sculpture Book», Goggles for Kaleidoscope Eyes, Cabinet 2001 Sussman, Eve, Cabinet Instant Replay, Fall 2001 2000 Sussman, Eve, «The Whites Were a Mystery», Peirogi Press, Fall 1999 Anton, Saul, «Eve Sussman, China / White (Art Reviews)», Time Out, September «Goings on about town, Eve Sussman», NewYorker, October 1997 Halle, Howard, «Eve Sussman, Ornithology» (Art Reviews), Time Out Smith, Roberta, «Despite Changes a Gallery Scene that's Resilient», The New York Times, May Schwendener, Martha, «Eve Sussman, Ornithology», The New Art Examiner, July Fritz von Klinggäff, Die Tagezeitung, «Das Verschwinden des Barbiers», November Gear, Josephine, «Eve Sussman @ Bronwyn Keenan Gallery», Review, May Berger, Laurel, «In Their Sights», Art News, April 1996 Coen, Eva, «Casa tua «e Casa mia», Guiliette, September 1996 1995 Glueck, Grace, «Prowling the City for Public Art», The New York Observer, August 1995 Cotter, Holland, The New York Times, August 1995 1994 Melrod, George, Sculpture, (NYC exhibition review), January 1994 Mattei, Peter, «Who has enlarged this hole?»

Helen Frankenthaler (b. 1928) Skywriting screenprint in colors, 1997, on wove paper, signed in pencil, numbered 98/100, printed by Brand X Editions, the full sheet, apparently in excellent conditionnot examined out of the frame, framed S. 30 x 40 in.

HELEN FRANKENTHALER (b. 1928) Tahiti (Harrison 168) mixograph in colors, 1989, on wove paper, signed and dated in pencil, numbered 41/45 (there were also 11 artist's proofs), published by Mixografia, the full sheet, apparently in excellent condition, unexamined out of the frame, framed S. 32 x 54in.

HELEN FRANKENTHALER Grey Fireworks screenprint in colors, 2000, on wove paper, signed in pencil, numbered 71/108 (there were also 18 artist's proofs), published by the Lincoln Center / List Poster and Print Program, New York, the full sheet, apparently in excellent condition, not examined out of the frame S. 26 x 46 1/8 in.

I could care less if Monckton believes devoutly in Jesus, but if he wraps an entire article in a religious frame and pops it out filled with sanctimonious crap an ironically accusing scientists of being «religious» as his main theme, I'm certainly going to comment on it, just as I would if I were refereeing a physics paper and the same thing occurred.

Now, while it's likely that real scientists included the necessary caveats buried in the depths of their papers, we all know that, during the» 90's, the entire «global warming» thing was framed around the rate of «warming» then being projected out to 2100 or so.

Sure, you're going to remember to fluff the pillows and ensure stacks of papers are out of the frame.

But, I think the BEST way to do a gallery wall is to cut out a piece of brown craft paper the exact size of your framed art and punch a hole where the hook is.

It all started at my shower where we had guests write a wish for the baby on little paper circles.Later on I laid out all the circles on a piece of 11 × 14 paper since I knew that was the frame size I wanted to use.

I got a roll of art paper and traced the frames, cut»em out, and hung»em up to get them positioned... just so.

Cut out a piece of sturdy card to fit the frame, then cut out a smaller front piece from card or paper and snip off the corners.Stick the front piece onto the backing card using a glue stick and allow to dry.Using tweezers, arrange the pressed leaf specimens, snipping stems where necessary, then secure with blobs of craft glue.