Ronan, who seems to grow into her lanky
frame over the course of the film, nails the sense that Lady Bird's life is a tendentious war between her ego and increasing sense of the world around her, while Metcalf masters Marion's inability to erase her frustration at her inability to be selfish or impulsive.
Not exact matches
Alan's bad habits and negative traits are
framed by his circumstances and worked out
over the
course of the
film, but Daphne gets no such treatment.
What actually transpires is a return to the silly
framing device, which finds no further insight
over the
course of the
film.