Sentences with phrase «frame structure out»

I'll attribute the solid feel to the over-engineered hybrid unibody / box frame structure out back, which likely adds a considerable amount of weight.

Not exact matches

We started out carrying our first child with structured carriers and frame packs that were uncomfortable for us and for our baby.

Damage considerable in specially designed structures; well - designed frame structures thrown out of plumb.

And with sections left out to frame your face, this style works perfectly to contour the structure of your face.

If the narrative structure of the piece is framed by two matches between Eddie and Minnesota, the thematic structure is a freight train to Hell punctuated by first a late - night train ride where Burt lays out what he thinks of Laurie, then this rape sequence, which cements the transition from Elia Kazan's Breem - contaminated A Streetcar Named Desire to the collapse of Breem's Code later in The Hustler's decade.

Excellent to expand vocabulary and structure speaking / writing production (the text can be used as a writing frame) and for culture (finding out about Montpellier).

From body structure to glass, lamp frames, lenses, seat belts, and vanity mirrors, nothing is left out.

The reparability of the Life module's CFRP structure was already a priority in the development of the vehicle concept; for example, several repair stages were set out for the side frame.

To the outside of the vehicle it has Factory Jet Black M Double Spoke Alloys, Black Mirror Caps, Carbon Roof Structure, Black Chrome metal effect Grilles and Side panel frames, Factory 10 mm Suspension Lowering, full Service history including BMW running in service carried out @ 800 miles.

Basically, rather than adjustable pull - outs on each side of the headset, you have an elasticated band of fabric that sits below the metal frame that gives the headset its structure.

A structure of four wooden beams extending diagonally from a point on the floor frames a scattering of small multiples: melted or crumpled sheets of clear acrylic; blue resin casts of bell peppers; oversize screws and bolts laid out in parallel clusters.

The inspiration for the visual structure of the series is drawn from a collection of paper frames cut out from a book of Medieval Persian miniatures.

Made out of wood, polyurethane and epoxy resin they are framing or supporting structures for dried up iodine.

Hagen emphasises this difference in level by making a self - supporting construction in metal space frames — structures formed by interlocking struts — that forms an L - shape, jutting out from the first - floor space and meeting the wall of the lower main space at an angle.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

Resembling a small blacked out window Untitled, (2015) is from a series of new works made from wood, polyurethane and epoxy resin that act as supports or framing structures for iodine - a chemical that the human body needs but can not make, that disinfects but is also highly toxic, that cleans but stains.

Here, López bisects the gallery with the framed - out structure of a wall supporting oversized woodcut prints of windows.

First of all the framing which is usually an integral part of the structure — as in a proscenium arch; secondly the faces look out at you — their frontal position makes them seem to be declaiming and finally, they all seem to be characters, largely because of all the gestures you use to build up the facial structure.

The architectural structure provides a shifting frame of the show, teasing out new relationships between the works, the viewer, and the spaces in between.

The «Torqued Panels» emerged out of the desire to remove the physical structure of the paintings (i.e. the stretcher frame), and to focus more intently on only surface.

They have taken our drawings, worked out all the framing detail and also the engineering to make sure that it's a safe and stable structure.

In addition, the monthly long - term care benefit amount will usually be structured so that the death benefit can be fully paid out over a two or three year time frame.

• Created remote engineer office in the UK including functioning networks, storage, backup and related Sun workstations • Implemented thorough antivirus system within email relay server, including attachment filtering and virus scanning functionality for both incoming and outgoing emails • Upgraded 3Com network switches to Extremes Gigabit switches as well as developed and defined internal IP assignment policies and re-numbered all Internal IP addresses • Established NetBackup system with 100 slot tape library and direct backup Netapp filer utilizing NDMP, improving performance and reducing back up window in comparison to old Legato system • Consolidated 9 Netapp small servers and one Auspex file server into two larger Netapp filers, reorganizing all file structures, eliminating cross mounts, centralizing home directory with quota and creating dedicated volume for each engineer project • Provided home hardware VPN service and remote software service to users as well as upgraded internet lines with dual T1 • Built up global internal DNS and DHCP servers offering dynamic DNS and auto - syncing with NIS hosts map with static DNS hosts records • Implemented site - to - site VPN for all four offices to phase - out frame relay network, gaining bandwidth and saving expenses • Selected Netscreen as corporate firewall standards, integrating successfully in all 4 offices located in both US and Asia

Pieces of lumber are used to frame out the columns and structure.

A frame - out reconstruction retained the original structure's hardwood floors, fireplaces, low doorways, and other salvageable structural elements.