Amazon achieved this feat with a mainly polymer
frame structured by metal
Not exact matches
God continues to order the natural life of humanity
by means of the concrete historical
structures that impinge on our existence — the particular systems of government, economics, and family that
frame our life.
Further, such an assumption, Whitehead urges, dispenses with the necesslty to believe that the constancy of the velocity of light is pertinent to spatio - temporal
structure, for that
structure is predetermined only
by the existence in nature of interrelated spacetime
frames (CN 193).6
The Ark Encounter (pictured, top) is created
by Answers in Genesis (AiG) and will become the biggest timber -
framed structure in the world when it opens...
These
structure design tools help shorten the packaging development time
frame by reducing the number of physical iterations:
It made with durable wooden
structure frame, which makes it more trusted
by many parents across the globe.
The whole
structure is held together
by a sturdy metal
frame that strongly holds the baby.
«And
by framing this as «war footing,» as a counter-offensive to the assault
by Washington on the entire economic
structure of the state, will make it easier for him to sell the kind of things that a politician can't sell or perhaps get away with in «peacetime.
The Sisbrick's large capacity to absorb the horizontal movements caused
by earthquakes seismically isolates the partition walls from the main building
frame: «They effectively serve as an insulating barrier, avoiding the transfer of loads from these partition elements to the main
structure.
Likewise, very endo - mesomorphic men, men who have disproportionately wide hips, thick shoulder
structures and torsos, high natural testosterone levels, exceptionally long muscle bellies or uncharacteristically small joints for their
frame size may be able to exceed the prediction
by up to roughly 5 % in extreme cases (WNBF World Champion and Mr. Universe Rob Hope comes to mind).
If the narrative
structure of the piece is
framed by two matches between Eddie and Minnesota, the thematic
structure is a freight train to Hell punctuated
by first a late - night train ride where Burt lays out what he thinks of Laurie, then this rape sequence, which cements the transition from Elia Kazan's Breem - contaminated A Streetcar Named Desire to the collapse of Breem's Code later in The Hustler's decade.
Our reaction: «Its dazzling monochrome compositions favour placing actors low in the square
frame and achieving IMAX impact
by oppressing them with towering
structures and huge, weighty skies... Cold War is humane even as it digs for social truths.»
Like Ida, it is shot in Poland (though its second half takes in Germany, Yugoslavia, and France) and its dazzling monochrome compositions favour placing actors low in the square
frame and achieving IMAX impact
by oppressing them with towering
structures and huge, weighty skies.
As a result, the image has a vibrancy and liveliness that's rarely matched
by transfers of indie genre pics, let alone big - studio Blu - ray titles, and the grain
structure holds up, even when scrutinized on a
frame -
by -
frame basis.
Instead, right down to the nearly synonymous title we get a lurid, silly «Prisoners» me - too (and that film itself was far from flawless) in which the only additions are a flashback - and - forward
structure that never works, the kind of contrivance in which a laptop camera accidentally left transmitting records a crucial conversation (perfectly
framed) and a crude, distastefully regressive subtheme which suggests that well, of course that this is what happens to girls and to women (even successful, intelligent, independent women) when they are left alone even for a moment
by their menfolk.
Instead, right down to the nearly synonymous title we get a lurid, silly «Prisoners» me - too (and that film itself was far from flawless) in which the only additions are a flashback - and - forward
structure that never works, the kind of contrivance in which a laptop camera accidentally left transmitting records a crucial conversation (perfectly
framed) and a crude, distastefully regressive sub-theme which suggests that, well, of course this is what happens to girls and to women (even successful, intelligent, independent women) when they are left alone even for a moment
by their menfolk.
Built
by construction contractors Kier, the 600 - student campus is made from a steel
frame structure with a four storey and three storey block linked
by an atrium.
After building a strong
frame fortified
by clear success metrics, you can engineer a set of learning activities that helps students explore these concepts and construct knowledge around them in a variety of ways: Students can play math games, solve a variety of open - ended tasks, or even build Lego
structures with various areas and perimeters.
Gamified online training courses feature rewards, levels, and other game mechanics, all of which are
framed by a traditional online training course
structure.
Strategy 14: Writing
Frames & Writing
Structures By far, my FAVORITE!
By design, under ESSA, the role of the federal government in education is greatly diminished, and states face critical and substantial policy decisions in
framing school accountability and the academic standards and testing systems that underpin those
structures.
We ground the content and
structure of these first four days
by framing the teachers» work in authentic learning experiences, collaboration with colleagues, and exposure to the expertise of a diverse group of district stakeholders, including students.
While some elements of the tubular
frame structure are clearly visible, others are concealed
by body panels.
The Cherokee has a high - strength steel
frame that maximizes crash protection
by creating a rigid body
structure.
Journey is considered a crossover vehicle because it uses a lightweight unit - body
structure similar to that used
by cars, instead of a body - on -
frame truck chassis.
The 2014 Corvette Stingray coupe goes on sale this fall, with a convertible following
by the end of the year — each sharing an all - new aluminum
frame structure and enhanced chassis, as well as completely new exterior and interior designs.
The car has a custom
frame with no B pillar between the doors, providing a wide - open interior, which was achieved
by integrating the B - pillar
structure into the leading edge of the rear suicide doors.
Also, anybody who has ever driven down a «washboard» dirt road in a body - on -
frame truck can appreciate the refinement afforded
by the Ridgeline's unibody
structure, which more effectively minimizes the severe vibrations that can occur.
There are double wishbones at each corner suspending Land Rover's super stiff Integrated Body -
frame structure, while the cabin wraps around the driver creating an aura of intimacy and immediacy that could scarcely be more different to the wide open spaces offered
by the Range Rover.
Ford's design team complies, with higher - strength front - end
structures, fully - boxed front
frame rails, thick C - channel
frame rails and crossmembers secured
by, according to Ford, a «method that optimizes
frame capability.»
I lifted my head up and saw an amazing view of the clear sky,
framed by the pillars of the concrete
structure.
whereas the lower one is reached
by a timber staircase and is
framed by a frangipani tree growing through the
structure.
The timber
frame structure located on the banks of the Kicking Horse river, was built with re-claimed Douglas - fir posts & beams and designed
by Vancouver architect, Brad Lamoureux.
These sculptures — single, doubled or quadrupled
frames of reinforced epoxy - resin casts, sometimes on the skinny stilted pedestals familiar from her earlier concrete pieces — deal with openness and closure, with transparency and translucency
by revealing their inner, supporting
structures, plain, steal - wire mesh or grids.
Your upcoming exhibition is
framed as «working within the parameters set forth
by the
structure and progression of Palermo's installation...» How did you and Øvstebø navigate working within Palermo's parameters in the context of the Renaissance Society's distinct space?
For example, the stretched linen attached
by exposed staples, which tenuously wraps around the
frame's edge draws attention to the tension between surface and
structure.
Hagen emphasises this difference in level
by making a self - supporting construction in metal space
frames —
structures formed
by interlocking struts — that forms an L - shape, jutting out from the first - floor space and meeting the wall of the lower main space at an angle.
in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two
by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «
Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial
Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.
The artist's work has also been exhibited posthumously in solo exhibitions that include a major 1997 installation of the Congregations curated
by Klaus Kertess for the Parrish Art Museum in Southampton, New York; ROAD: Alfonso Ossorio's Response to Jackson Pollock's Death at the Pollock - Krasner House and Study Center in East Hampton in 2001 and, the following year, an exhibition of his ballet and costume designs at the Mississippi Museum of Art in Jackson, MS.. Since his death, Ossorio's work has also been featured in numerous group exhibitions worldwide, most notably Parallel Visions: Modern Artists and Outsider Art at the Los Angeles County Museum of Art, which traveled to the Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain and the Kunsthalle Basel in Switzerland (1992); Shaping a Generation: The Art and Artists of Betty Parsons at the Heckscher Museum of Art in Huntington, NY (1999); Postmodern Transgressions: Artists Working Beyond the
Frame at the Yale University Art Gallery in New Haven, CT (1999); Surrealism USA at the National Academy Museum in New York, which traveled to the Phoenix Art Museum (2005); Repartir à Zéro, 1945 - 1949 (Starting from Scratch) at the Musée des Beaux - Arts de Lyon in France (2008); Asian / American / Modern Art: Shifting Currents, 1900 - 1970 at the de Young Museum in San Francisco, CA (2008); and Splendor of Dynamic
Structure: Celebrating 75 Years of the American Abstract Artists at the Herbert F. Johnson Museum of Art of Cornell University in Ithaca, NY (2011).
More interestingly still, whereas once the art was imported to decorate the dwelling, now the architecture is often built around the art — think of the Rothko Chapel in Houston designed
by Philip Johnson or the various
structures James Turrell builds to
frame a slice of sky.
Many of the exhibited pieces display a relationship with the concept of windows which in the work of the Portuguese artist is amplified, not merely
by the Renaissance
structure of the
frame / window itself — a technique ready to open new abstract perspectives on the concept of space — but in that particular use of materials tied to the construction of a window.
The Freilicher work, in particular, is notably effective in the artist's
structuring of the canvas so that the viewer's eyes are constantly drawn from the lush green foreground and into the peacefully pastoral sky
framed by clouds and a gentle lunar image that dominates the upper portion of the work.
Each Media Bicho
structure is constituted
by panels of wooden
frames, cladded with varied textiles; the panels are especially hinged to allow innumerable possibilities of shape, arrangement and color configurations.
By zooming in closely and skillfully framing reflections cast by a vast array of structures and objects, such as buildings, boats and flags, she creates stunning abstract image
By zooming in closely and skillfully
framing reflections cast
by a vast array of structures and objects, such as buildings, boats and flags, she creates stunning abstract image
by a vast array of
structures and objects, such as buildings, boats and flags, she creates stunning abstract images.
By cutting away at each of his images, Dilworth is not only commenting on
frame but bringing attention to the space that surrounds the
structure, then breaking this same
frame all while creating a new tangible system.
The work is both gestural and
structured, swathes of paint held contained in geometric
frames and
by tight linear abstractions.
Outside, verdant grounds were
framed by a field of sunflowers, crowned
by redwood trees and bracketed
by a bodacious pool topped
by another Turrell Skyspace that can only be experienced
by swimming under the water and up into the
structure.
Inspired
by the dialogue between the two exhibitions, this discussion brings together a group of multicultural artists who will discuss various aspects of «home», including: the micro / macro relationship of home and its relationship to place,
structures of safety, ways of
framing identity, and notions of idealism.
A show is interesting not because it experiments with form or
structure, but because it finds ways to share the content of a work of art
by creating an appropriate
frame for that content.
The group exhibition Playground
Structure takes its title from a 2008 photograph
by Jeff Wall that depicts a climbing
frame in a suburban park.