Sentences with phrase «frame the shot where»

Set up your tripod and frame the shot where you think the fireworks are going to be.

Not exact matches

In slow motion - in video originally shot at a thousand frames per second but played back here at 30 frames per second - we see the initial suspension lines deploying out of the pack and taking the parachute backwards where it will ultimately inflate in nearly half a second.
When he shoots a child caught stealing, the others frame him and he is sent to prison where his attitude becomes even worse than before.
I told them, «These frames and references are probably not yours, but I only want to do it if I can shoot in anamorphic 35 mm, in Athens, Georgia, where I'm from, and with these actors»... and they embraced all of it.
Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.
It is just one in a series of moments where Young flexes impressive chops for visual storytelling, utilizing slo - motion, freeze frame, patient panning shots and carefully chosen soundtrack music to set the mood and advance the dreadful narrative without a spoken word.
This achievement is clear in Lady Windermere's Fan, where from the first Lubitsch demonstrates a markedly different style than his German comedies with their absence of establishing shots, long takes, and frontal framings.
It has plenty of long, wide shots where characters move slowly through the frame.
Her solo exhibition The Golden Hour is set to open at SF's Shooting Gallery on Saturday July 12th where she further explores her fascination with all things elemental, using helium gases within the neon works, iron in the framing and staging of the artworks, carbon within her rorschach deer hides and precious periodic elements Gold, Copper and Silver, which are formed during -LSB-...]
A cool thing with your subject taking up so little of the frame is you don't actually need an expensive HSS flash to shoot over the sync speed in daylight, you just have to keep them in the top part of the frame where the flash hits.
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