Sentences with phrase «framed cibachrome»

Three exterior sites comprise Jeff Wall's recent exhibition of his trademark fluorescent - lit and aluminum - framed Cibachrome transparencies.

Nevisian Underground # 2, 2001 framed Cibachrome (dye destruction) print paper: 59 1/2 x 46 1/2 inches (151.1 x 118.1 cm) framed: 62 1/2 x 49 1/2 inches (158.8 x 125.7 cm) edition of 5 with 2 APs JC - 104

Yellow Hallway # 2, 2001 framed Cibachrome (dye destruction) print paper: 46 1/2 x 58 inches (118.1 x 147.3 cm) framed: 49 1/2 x 61 inches (125.7 x 154.9 cm) edition of 5 with 2 APs JC - 125

Arcade, 1995 framed Cibachrome (dye destruction) print paper: 58 3/4 x 46 1/2 inches (149.2 x 118.1 cm) framed: 61 3/4 x 49 1/2 inches (156.8 x 125.7 cm) edition of 5 with 2 APs JC - 119

Two Bunk Cell, 1998 framed Cibachrome (dye destruction) print paper: 58 1/8 x 46 1/2 inches (147.6 x 118.1 cm) framed: 61 1/8 x 49 1/2 inches (155.3 x 125.7 cm) edition of 5 with 2 APs JC - 58

Flooded Hallway, 1998 framed Cibachrome (dye destruction) print paper: 46 1/2 x 58 3/8 inches (118.1 x 148.3 cm) framed: 49 1/2 x 61 3/8 inches (125.7 x 155.9 cm) edition of 5 with 2 APs JC - 30

Monticello # 3, 2001 framed Cibachrome (dye destruction) print paper: 46 1/2 x 58 inches (118.1 x 147.3 cm) framed: 49 1/2 x 61 inches (125.7 x 154.9 cm) edition of 5 with 2 APs JC - 102

Not exact matches

Sarah Charlesworth, Subtle Body, 1989, Laminated Cibachrome with lacquered frame.

Sarah Charlesworth, Trial by Fire, 1992 — 93, Cibachrome, lacquered wood frame, 41 1/4 × 33 1/2».

Roses Are, Violets Are, Sugar Are, 1974 Cibachrome photographs, printed 2013 framed: 40.87 x 30.87 inches 103.8 x 78.4 cm (each) framed: 40.87 x 92.6 inches 103.8 x 78.4 x 235.2 cm (overall) Edition of 3

Vik Muniz Standard Station (Night) after Ed Ruscha, 2008 Cibachrome print mounted on aluminum in artists frame 36 x 67.5 in

On the ground right: Martin Kippenberger Richter - Modell (interconti), 1987 a 1972 Gerhard Richter painting, wood frame, metal legs From right to left: Lucio Fontana — Hisachika Takahashi Concetto spaziale, Attese, 1966 oil on canvas; Louise Lawler Chandelier, 2007 cibachrome mounted on museum box Elad Lassry Man (Selfie), 2014 c - print photograph; Sturtevant Duchamp Man Ray Portrait, 1966 black and white photograph; Louise Lawler Marilyn, 1999 cibachrome, museum mount; Sturtevant Warhol Marilyn (study for Warhol diptych), 1973 silkscreen and acrylic on canvas; Maurizio Mochetti Mochetti di Mochetti (Jean Harlow), 1976 Conté de Paris on paper; Pierre Huyghe De Hory Modigliani, 2007 oil on canvas; Cy Twombly Copy of a Picasso, 1988 acrylic on canvas; Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronze

Three signed «John W. Gregory» on the mat or within the margin l.r., two titled l.l., Night numbered «Ed 20/20» l.c. Three gelatin silver prints and two Cibachrome prints, sight sizes to 10 x 12 1/4 in., four framed, one unframed.

Seven signed «John W. Gregory» on the mat or within the margin l.r., some titled l.l., Night numbered «Ed 20/20» l.c. Seven gelatin silver prints and two Cibachrome prints, sight sizes to 10 x 12 1/2 in., eight framed.

Andres Serrano, Klansman (Great Titan of the Invisible Empire), 1990, cibachrome, silicone, plexiglass, wood frame.

SOLD Standard Station (Night) after Ed Ruscha From Pictures of Cars 2008 Cibachrome print mounted on aluminum in artists frame 36h X 67.5 w in Edition 3/6

Cibachrome prints with mahogany frame.