Not exact matches
I wonder if a
symbol from some other religion managed to survive (unlikely,
as the Christian cross is about
as simple a structure
as you can get in a building's
frame) would
as much «meaning» have been laid upon it?
Regarding the novel, Luhrmann's movie gets the basics of plot and
symbol right, but then again, it
frames its telling
as occurring within a mental institution where Carraway (Tobey Maguire), like Fitzgerald, suffers from morose alcoholism, anxiety, and other sundry neurasthenic ailments.
Those pots - a tangible
symbol of the passage of time - might have served, for the rest of my life,
as my
frame of reference.
Similarly, the
framing, dialogue and casting are also off - kilter, bizarre (and hilarious) Marlene Dietrich playing a Mexican prostitute / fortune teller with a German accent, the aforementioned Charlton Heston
as a Mexican
symbol of the impotence, squareness and just plain lameness of the law, Dennis Weaver
as the world's weirdest hotel clerk, and Orson Welles at his most grotesque
as the fat drunk sheriff who likes to beat confessions out of the suspects he's
framed.
The Audi S3 sports the S - specific single -
frame grille
as a
symbol of uncompromised sportiness.
The trope occurs when women or women's bodies are employed
as rewards for player actions, a pattern which
frames female bodies and sexuality
as collectible or consumable and positions women
as status
symbols designed to validate the masculinity of presumed straight male players.
I'm sure this is what Johns is after: the venture of thinking,
as it tarries over the rules of its own delicate physicality (the string, the slats), grounded,
as it were, by the generic images of thought — the painted mimesis of the
frame's wood grain, the painted picture of a stellar galaxy, the
symbol of the Big Dipper, the harlequin pattern, the word «BRIDGE» — all different means and modes of representing, of disciplining the riot of the real and making something meaningful.
Primarily composed of directed,
framed and focused light projections, Verjux's sculptural exploration of light serve not simply
as simple forms and geometric shapes, but
as indexes and
symbols of an event.
General Idea appropriates this
symbol of power and theism, utilizing the form
as a
framing device to examine questions of branding, architecture and spatial politics.
A Sony reference monitor displayed a 3D animation filtering human experience through found texts in the latter artist's work, YouTube clips, 16 mm film and spoken narratives presented
as «two coded abstract
symbols move in tension with each other» on the screens white,
framed background.
If you use Internet Explorer
as your browser you will see a little closed padlock
symbol in the lower right or top right part of the grey
frame.
If you are using Firefox
as your browser you will see a closed padlock
symbol in the grey
frame in the lower right, right next to the domain name on which the secure page resides.