Sentences with phrase «framed by context»

Not exact matches

The strategic context of the business; the culture of the enterprise; and the character of a CEO's leadership must be assessed by objective board members to determine which departure style and time frame are appropriate.

Perhaps because the connotations of the word «malaise» are different in French and in English, perhaps because the word is virtually unusable in this context in the United States so soon after Jimmy Carter, and surely because Taylor expressly frames his book as a continuation of the inquiry nobly undertaken by Lionel Trilling in his Norton Lectures at Harvard under the title Sincerity and Authenticity, the American edition has been entitled The Ethics of Authenticity.

This is the context within which St. Albert the Great discovered in his pupil Thomas a rare equanimity of spirit and a fearless intellect, and saw in this tall, large - framed lad, regarded by his fellow students as a speechless ox, «an ox whose bellows will be heard around the world.»

This is not restricted to simply recognizing the perspectives of the other — in this case, the Koreans themselves — but adopts an approach that understands the wider context, framed by culture and language, of individuals in these areas.

News by Association: Posting a seemingly irrelevant story alongside a Trump story, hoping to create a mental association that will frame the Trump story in a particular context, without the paper ever having made an explicit accusation.

This theme recurred in several contexts throughout the two day summit but was initially framed in Thursday's opening remarks by Francis Maude.

To understand why the issue is so complex in America, you have to frame the conversation in the context in which both sides understand the issue: (Note that I am using the terms «Pro-Life» and «Pro-Choice» even though different groups call them by different labels)

Framing ecological adaptations manifested in morphological and behavioral phenotypes of species from microbes to man in the context of evolution should be detered by experimental evidence of ecological speciation that is nutrient - dependent and pheromone - controlled.

Spicing up the obligatory deck of title cards that films like these invariably require for context — there's this new country called Israel, and the Palestinians are super pissed at them, and now everyone is going to stop being polite and start getting real — Padilha frames the introductory text against a rapturous performance by the Batsheva Dance Company.

This time he alludes to the art - cinema context much more directly by opening with music from Francois Truffaut's Jules and Jim and evoking the form of that film with offscreen narration (delivered by Baumbach himself) recounting the story in past tense and with old - fashioned devices such as irises and wipes and French New Wave devices such as fantasy inserts, fleeting flashbacks, freeze - frames, and jump cuts.

Mistress America's generic context as screwball comedy frames Brooke's quarter - life crisis, and Tracy's coming of age, in a manner of unexpected honesty: behind the frenzied dialogue, so keenly written by Gerwig and Noah Baumbach, is the destruction of ambition and the construction of a self.

There are interesting side - by - side storyboard / finished scene comparisons for the film's more visually complex sequences; a selection of rather understandably deleted scenes that can be viewed with commentary by director and producer as well as within the context of the film (albeit in rather cumbersome fashion); a largely useless montage of still photos from the production cut to a cue of John Murphy's score; the usual cast and crew filmographies and production notes; plus a full - frame version of the film to go with the nicely transferred anamorphic widescreen one.

Also, it's important to point out we work very hard to press back against the inclination that is shared by leaders in philanthropy, government, and education, that the best metric for measuring the success of our students and alumni is recidivism rates because it frames our work overwhelmingly in the context of criminal justice in a way that reduces our students to simply the people that have been incarcerated for a criminal offense.

What we have to do is realize that even if we give this kid free reign to do really cool projects, it's still got to fit within the context of some objectives, standards, and criteria that we bring to it, and frame the project in so that we can say by the end, «I have evidence.

Dialect - related errors can be negotiated by framing their writing in an academic context, asking questions like, «How do you think you textbook would say this?»

This framed the context of the discussions throughout the morning, which primarily focused on policy proposals by Congressmen to tackle the gaps and challenges being faced by Latino students.

The concept of technological pedagogical content knowledge (or technology, pedagogy, and content knowledge [TPACK]-RRB- provides a theoretical frame for doing just that (Mishra & Koehler, 2006)-- as long as TPACK is not used by teacher educators and researchers as a simple static and myopic evaluative lens that fails to pay attention to the range of contexts that teachers work within.

This is most critical for students to develop deeper meaning of the words as generated by context that is relevant to their own particular frames of reference.»

In short, by responding to actual student writing, comparing their responses to those made by a member of their professional community, weighing his commentary on computerized grading against their own evaluations, and responding to this issue from a professional standpoint, teacher candidates using this path are invited to frame teacher response to student writing in the context of the current professional issue of machine scoring.

Additionally, as Dede (2009) notes of River City, the digital immersion allows low - performing students especially to «build confidence in their academic abilities by stepping out of their real - world identity of poor performer academically, which shifts their frame of self reference to successful scientist in the virtual context.»

Using open - ended exploration to frame criteria - setting ensures that creativity and innovation are nurtured, and an experiential context ensures criteria that have the potential to be «lived out» and acted on immediately by both teachers and learners.

The essay assignments which are asked by the students to write indicates the learning and understanding ability of the students to describe their ideas and thought the process which could be helpful for their universities and the professors to evaluate the deep thinking approach of a student in framing the context for the essay writing homework.

Swiping up from the bottom returns users to the Active Frame screen, where a minimized version of all running applications are visible, while menus can be opened by swiping from the top pane or long - pressing on individual items for context - sensitive actions.

Apple's iPad Mini plans are, if the leaks are anything to go by, shaping up for a launch later in 2012, but hardware is only half the story: Apple needs a solid context with which to frame its smaller slate.

Unlike the other commercials here that don't accurately portray their subjects, it actually grabs our attention by remembering to utilize the original context all the while framing it in an unusual yet entertaining premise.

On the assumption that the writers knew the importance of context and framing, as evidenced by the brief sex scenes in previous games, the question is why?

The somber color plates reproduced in the publication are given context by Dumas's own musings, a text framed as a letter to David Zwirner in which she tries to tell him «about the «why»» of this powerful series.

Your upcoming exhibition is framed as «working within the parameters set forth by the structure and progression of Palermo's installation...» How did you and Øvstebø navigate working within Palermo's parameters in the context of the Renaissance Society's distinct space?

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

The fair provides an ideal context for Italian post-war art, as it is framed by Old Masters and late 20th - century art, and is occasionally even shown on the same stands.

The wall - mounted, loosely slung steel and brass tubes of Untitled, secured by thin blue rope, frame the artist's ongoing engagement with environmental context at the more modest scale of a room.

While the show was framed in the context of formal dance, for this three - part exhibition curated by artist Jeremy Millar, which features the work of Paul Elliman, Heather Phillipson and Rebecca Warren among others, the net is widened.

The artist stated in a recent email exchange that the piece is inspired by windows, particularly those of phone screens and other frames of informational context.

But by framing exhilaration in this new artistic context, he is making viscerally evident how it is missing from our daily lives.

But the Whitney's team of curators (led by Chief Curator Donna de Salvo) wisely chose to apply the exhibition's multifarious themes to modular time frames that overlap from floor to floor (e.g., floor 7 covers 1925 to 1960, while floor 6 begins at 1950 and ends in 1975), situating formal innovations within a historical context that underscores the necessity of artistic change.

Organized by the Bronx Museum with guest curator Isolde Brielmaier, Stargazers will be the first exhibition to frame Catlett's role within the context of contemporary art history and to look at her work from a global perspective.

Following shortly on the heels of seeing Jellyfish, seeing a row of tiny portrait paintings set in wood frames by Bobbie Russon stopped me in my tracks and created my favorite art - viewing moments at CONTEXT New York.

After the five year interval which closed that century (the beginning of the minimalist's specially chosen start point for the «plateau / hiatus»), global heating, framed within a context of our entire experience with the phenomenon, unambiguously accelerated by nearly half (45 %).

These decisions and trade - offs should be guided by robust evidence, with global - change science investigating the connections and tradeoffs between the state of the environment and human well - being in the context of the local setting, rather than by framing and reframing environmental challenges in terms of untestable assumptions about the virtues of past environments.

If the context behind the arguments is not included, the public just sees dispute, and can simply lump a science fight with those over abortion, gun rights, energy policy and other issues framed by ideology or values as much as (or more than) data.

-- «Pope Francis and the climate collision ahead,» an excellent Politico piece by Paul Bledsoe assessing the pope's framing of climate action as a moral duty in the context of the rising rich - poor tensions in climate treaty negotiations that could make a mess in Paris in December.

By looking at carbon monoxide levels, aerosol quantities and thermal signatures from active fires, they were able to not only track the event while it happened, but also frame it within the context of previous fire episodes in the 15 - year satellite record.

To her credit, she frames her argument in the context of human safety based on the number of total accidents by different modes of transportation.

Frame your answer by stating the situation to give context, what needed to happen, what you did to address the situation, and the outcome.

Second, the context which framed the court's discussion in Doré was analogous to the present case, namely, the determination by an administrative tribunal about whether a person's conduct had violated the strictures of a statutory rule.

By adding proper context, you frame achievements in a way that completes a story for the reader.

A potential concern is that (1) by framing the problem as one of family adaptation to caring for a child with ID and (2) by treating the social and ecological context in which families live as a background given, research on the resilience of families caring for a child with ID has certain predictable outcomes.