Not exact matches
That the
cartoon manages to both viciously lampoon Hitler (whose portrayal here complicated my childhood perception of him as a demonic historical bogeyman) and also make him something of a sympathetic protagonist is a tribute to the oft - unsung talents of director Bob Clampett, whose every hand -
drawn frame is a virtuoso, stand - alone grotesque.
One inspired by the early
cartoons of the Silent Era, each
frame drawn in Photoshop and then edited in Sony Vegas, and another made to look like it was
drawn on a frosted window.
Graphics are a kind of hand
drawn artwork which gives it a
cartoon like style and works fine, the characters could do with a little more
frames of animation though.
I've always been impressed with the discipline of Charles Schulz: 50 years of
drawing his
cartoon, every day, every
frame, every line.
Thinking through early 20th century
cartoons, the kaleidoscopic
drawings of Saul Steinberg, the innovative and self - reflexive film Who
Framed Roger Rabbit?
Thinking through early twentieth - century
cartoons, the kaleidoscopic
drawings of Saul Steinberg, the film Who
Framed Roger Rabbit?
The
framed drawings /
cartoons etc. in the cottage are from Esquire magazines that were found in the attic of the house in 2006, they are from the early fifties and seemed to match the personality of the house.