That Gustave's portion of the film is
framed in an aspect ratio of 1.37:1 (the standard of decades gone by) only heightens the idiosyncratic nature of the picture, a tactic sure to please fans and alienate most everyone else.
Not exact matches
For an additional preview look at how all the films have been newly tweaked for this Blu - ray release, including
aspect ratio framing, color corrections, soundtrack enhancement and the replacement of the «Muppet Yoda» with an all - CGI version
in the Phantom Menace, check out the report from Slash Film.
The DVD looks great for a show from the 70's and comes presented
in its original
aspect ratio of 1.37:1 and is
in full
frame.
Those like me accustomed to seeing the Indiana Jones films
in the wonder of degraded pan-and-scan videocassettes should rejoice at the sight of these DVDs, which offer higher resolution and preserve the considerable
frame width
in anamorphic widescreen transfers nearer to 2.35:1 than the 2.20:1
aspect ratios widely cited.
Presented
in Dolby Digital with Widescreen 2.39:1
aspect ratio, Oscar Faura's handsomely photographed
frames generally capture the sense of war torn England as a prolonged race against the clock transpires at Bletchley Park.
The film is presented
in 4 X 3 full
frame and its original
aspect ratio of 1.37:1.
In 2013, you don't expect a $ 200 million - budgeted family film to open in the narrow 1.33:1 aspect ratio and black & white, but Oz does that, windowboxing its square old - fashioned visuals within the 2.40:1 fram
In 2013, you don't expect a $ 200 million - budgeted family film to open
in the narrow 1.33:1 aspect ratio and black & white, but Oz does that, windowboxing its square old - fashioned visuals within the 2.40:1 fram
in the narrow 1.33:1
aspect ratio and black & white, but Oz does that, windowboxing its square old - fashioned visuals within the 2.40:1
frame.
Both films are presented on DVD
in standard definition with a 1.66:1 full
frame (original Highways) and an anamorphically enhanced 1.78:1 widescreen
aspect ratio (revisited) and with lossy Dolby Digital 2.0 Stereo audio tracks.
There are also notable
framing differences, and not just due to the difference
in aspect ratio.
«Dawson's Creek: The Complete First Season» presents all thirteen episodes
in their original full -
frame aspect ratio and Dolby Surround.
The episodes are presented
in 4X3 full
frame and their original
aspect ratio of 1.37:1.
Our educated guess (based on the evidence
in the trailer), is that the
aspect ratios work
in a kind of reverse chronological order — the more black
in the
frame the older the time period, the less black, the more recent (which is basically similar to how
aspect ratios progressed
in film history anyhow).
Framing the film
in its 1.85:1 widescreen theatrical
aspect ratio (as opposed to the DVD's 1.33:1 open matte), New York Stories» picture is extremely sharp, clean, and detailed.
The movie's original DVD release back
in 2000 upheld the film's original 2.40:1 theatrical
aspect ratio (along with the pan & scan), albeit with some reported
framing issues.
The very first image we see announces Chazelle's grand ambitions: we see a black - and - white square
frame — the old pre-1953 Academy
aspect ratio of 4:3 — with the word CinemaScope
framed in the center, its right and left syllables cut off, which suddenly expands to the wider
aspect ratio that the word implies (
in this case, 2.55:1), gaining color at the same time.
Presented
in either widescreen (2.35:1
aspect ratio) or full
frame versions, the disc packs along two audio commentaries (one by stars Jodie Foster and Abigail Breslin, and the other by directors Mark Levin and Jennifer Flackett), three featurettes (Nim's Friends, Abigail's Journey and Working on Water) and deleted scenes (where you'll meet some of Nim's imaginary friends).
THE DVD Fox Family releases My Friend Flicka on DVD
in a beautiful full -
frame video transfer (preserving the original
aspect ratio of the film) that feels sixty - years - old without actually looking it.
As for the
framing, the film has been released with different
aspect ratios in the past and I am no authority on which one is the correct one.
Presented
in a full -
frame 1.41:1
aspect ratio that masterfully captures the cavernous landscapes and silver birch forests of Northern China, The Assassin is as beautiful a portrayal of poetry through cinema as one could hope to conceive.
But thankfully they didn't change the
aspect ratio by stretching the
frame or zooming
in.
Choe and DP Zoe White shoot early scenes
in a boxy
aspect ratio, emphasizing the stark limitations of Nancy's life; the
frame widens and brightens when Nancy meets Ellen and Leo, as her world is opened up to possibilities, both emotional and economic, she has never known.
The DVD, put out by Cinema Guild, presents the film
in a 2.35:1
aspect ratio, where the white subtitles are
framed against the black bars.
It wasn't until her second film Fish Tank, one of the ten best films of the last decade, that she brought us into the life of a rebellious teenager through a 4:3
aspect ratio, the very edges of the
frame closing
in on her characters.
THE DVD Both films presented on a single, dual - layer platter, An American Band is
in its original 1.33:1 full -
frame aspect ratio while I just wasn't made for these times appears
in an advertised 1.85:1 (non-anamorphic) presentation that seems closer to 1.66:1.
It is also beautiful presented
in 4X3 full
frame and its original
aspect ratio of 1.37:1.
It looks good but has some spots with issues, It is shows
in it original
aspect ratio 2.40:1 and presented
in 16X9 full
frame.
Well, yes — the 1.33:1
aspect ratio is part and parcel of the film's admittedly confused M.O., which makes Steven Soderbergh the first director to have
framed a studio picture for Academy projection
in decades.
There's a moment
in which Steve (Pilon) cycling on his bike with the blue sky behind him stretches his arms out, literally pushing back the sides of
frame so that the 1:1
aspect ratio becomes widescreen.
We endeavor to present every film
in its original
aspect ratio (i.e., the image's
ratio of height to width), unless the filmmaker expressly requests a slightly different
framing.
This 5 inch smartphone has a 4 × 3
aspect ratio, 1024 × 768 res, stylus - friendly 5 - inch IPS LCD display with a 1.5 GHz dual core CPU, 8MP camera, LTE, 2080mAh battery and Android 2.3
in a slim 8.5 mm thick
frame.
When we will see the rather useless acronym «HD»
in this article replaced with specific technical content about what the screen resolutions, nits,
aspect ratios,
frame - rates for video playback etc.: are?
The PC version of RE Remaster has extended graphical options including anti-aliasing levels, the option to play at 60
frames per second and the ability to play
in both 16:9 widescreen or 4:3
aspect ratios.
Aspect /
Ratio # 9, 2015 oil and varnish on acrylic sheet
in Perspex box
frame painting: 39 1/2 x 67 inches (100.3 x 170.2 cm)
framed: 41 1/8 x 68 15/16 x 2 3/4 inches (104.5 x 175 x 7 cm) JWh - 32
The anecdotal reference to the 4:3
aspect ratio in each of the patches, along with transition from black and white to color, analog to digital and
frame by
frame animation hint at further connections to the many tropes and conventions of the history of screen based media.
Images taken
in this mode also automatically employ a wider
aspect ratio, so all that extra content
in the
frame doesn't go to waste.
Also the 18:9
aspect ratio means that the 9 Lite is able to pack
in a 5.65 - inch display
in a
frame that is smaller than the one housing the Mi A1.
The R11's 20MP and 16MP rear cameras are a first
in the mid-range category and combine to allow 2x optical zoom and better HDR and low - light photography, but also feature slightly different
aspect ratios that allow you to capture portrait and landscape photos using full
frames.
The Galaxy Tab S came
in two distinct sizes (8.4 and 10.5 inches), and the second - generation Tab S made the switch to a 4:3
aspect ratio and felt a lot more premium than its predecessor, thanks to the metal
frame around the sides.
Nevertheless, the render did not disclose any further detail about the Lenovo S5 at least
in terms of the design, except for the likelihood that the device will sport a full screen
in an all - metal
frame, which is typically used
in the Asian market to describe what is otherwise known as a bezel-less design with an
aspect ratio of 18:9.