Sentences with phrase «framed oil painting»
This gorgeous French limestone fireplace with herringbone surround is topped with a gilt faux bois mirror flanked by turquoise Foo dogs, a tiny framed oil painting and a small piece of coral.
https://www.decorpad.com/
A gold - framed oil painting above the mantel draws the eye.
In my living / dining room you'll see some framed art, mirrors, some round baskets, a soft canvas, an oval clock, a framed oil painting and collected oars.
2008 Framed oil painting from TJ Maxx, green plastic, brown plastic, bamboo bead mat, yarn, cloth, copper, plastic bits, thread, lexal caulk, oil and acrylic paint, hardware 29 by 27 by 8 in.
As AP reports, police said they seized 6.5 million euros in real estate and bank accounts Tuesday, including Scarano's luxurious Salerno apartment, filled with gilt - framed oil paintings, ceramic vases and other fancy antiques.
Main Gallery: Unrestored Unrestored (1995) consists of an installation of framed oil paintings that appear to be minor eighteenth - or nineteenth - century European works 60 rely in need of conservation and repair.
Unrestored (1995) consists of an installation of framed oil paintings that appear to be minor eighteenth - or nineteenth - century European works 60 rely in need of conservation and repair.
When venturing downstairs you'll find a series of smaller studies on wood and framed oil paintings on paper.
Yes, to drum shades on the sconce but no to framing the oil painting above the bed.
Not exact matches
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The first animated feature made entirely of painted images, the Polish - British production enlisted dozens of artists, and each of its 65,000 shimmering frames is a high - resolution photograph of an oil painting.
Every frame in this animated tribute to Vincent Van Gogh was hand painted in oil by a team of more than 100 artisans.
Unsurprisingly I guess, oil - paint on canvas (canvas textured boards, we couldn't have bounce of actual canvas on frame) gave us results closest to Vincent's paintings.
Billed as «the world's first oil painted feature film», which is slightly harder to quantify than the film's PR people might hope, Loving Vincent consists 65,000 frames painted by a team of 125 classically - trained painters on glass, with about two - thirds of those have been copied over live - action reference footage.
The first thing you are likely to hear about Loving Vincent is that each one of its more than 65,000 individual frames is an actual oil painting on canvas by one of some 115 artists.
LOVING VINCENT is the world's first fully painted film, with every one of the 65,000 frames of the film an oil - painting hand - painted by 125 professional oil - painters.
Co-directors Dorota Kobiela and Hugh Welchman have put together a movie that is the first ever to be assembled entirely via oil paintings on canvas, with each frame of the animated feature brought to life by the efforts of 125 artists.
The first «fully painted» feature film took a live - action drama of the days following Vincent van Gogh's untimely death in a small French village and, with the work of more than 125 artists from around the world, converted every frame into an oil painting in the Modernist's style.
The film uses a new oil painting for each shot, with movement added from one frame to the next by a painter's brush.
(4536 KG), SUMMIT WHITE, PAINT SOLID, UNDERBODY SHIELD FRAME - MOUNTED SHIELDS includes front underbody shield starting behind front bumper and running to first cross-member protecting front underbody oil pan differential case and transfer case, ENGINE DURAMAX 6.6 L TURBO - DIESEL V8 B20 - DIESEL COMPATIBLE (445 hp [332 kW] @ 2800 rpm 910 lb - ft of torque [1220 Nm] @ 1600 rpm) Includes capped fuel fill (K40) exhaust brake and (K05) engine block heater., SEATS FRONT FULL - FEATURE LEATHER - APPOINTED BUCKET with (KA1) heated seat cushions and seat backs.
(Click picture to enlarge)- Reprint of C. William Flowers 1892 (original oil painting 20» x30») 16 «x20» with an old redwood frame in «good» condition.
Black and white checkerboard floors and ebony furniture speak to a bygone era, as do the monochrome photos that share the walls with bold and colourful oil paintings and framed textiles.
On the wall to the right of the large window hangs an oil painting of Principe Leopoldo d'Medici in its original frame, circa 1560.
The world of Abandon Ship is heavily inspired by naval oil paintings, embracing the beautiful aesthetic of artists like Willem Velde, James Wilson Carmichael and Ebenezer Colls (so much that borders are literal picture frames).
Miller's frames - within - the - painting also gently allude to the studio comforts (the familiarity of the floor and the smell of oil paint) and protection — psychological as well as physical — the truck affords him.
At this year's West Coast Art & Frame Expo, renowned custom - framing company Larson - Juhl launched Brushstrokes — a technology that captures the essence of artists» originals and recreates oil - on - canvas and acrylic paintings in 3 - D.
Kehinde Wiley Portrait of Nick Cave, Nadezhda Polovtseva, 2017 oil on canvas painting: 120 5/16 x 81 3/4 inches (305.6 x 207.6 cm) framed: 131 5/16 x 92 3/4 x 4 1/2 inches (333.5 x 235.6 x 11.4 cm) KW - PA -17-010
Laurent Grasso Studies into the past (rock), 2013 animal adhesive, resin, boiled oil and pigments on wood panel painting: 39 3/8 x 30 3/8 inches (100 x 77.2 cm) framed: 46 1/8 x 37 inches (117.2 x 94 cm) LG - P.13.983
Seascape — Isle of Shoals, 1902, oil on canvas, 29-1/8 x 37-1/2 inches, framed by Gill & Lagodich for the High Museum of Art, Atlanta; c. 1900 Stanford White - style American painting frame, gilded carved wood, attributed to Milch Galleries, New York frame makers.
«Diana at the Bath», 1922, oil on canvas, 98-1/2» x 69-3/8» Custom - made variation of c. 1930s American Modernist painting frame, wide reverse wave profile, water gilded and patinated palladium leaf on wood.
Although his work was initially two - dimensional, mostly paintings in oil and acrylic, he began incorporating sculpture, first separately and then as elaborately constructed frames over which he would stretch canvas.
Church At Head Tide, Maine, 1938, oil on panel, 28» x 22»; c. 1930s - 40s American Modernist painting frame.
Custom - Replica Oil Paintings and Frames Commissioned by the Intercontinental Hotel Barclay, New York, May 2016.
Portrait of Albert Pinkham Ryder, 1938, Oil on Masonite, 28» x 22»; c. 1930s American Modernist painting frame, House of Heydenryk, New York makers; silver - gilded beveled sight edge, wormy chestnut reverse profile, molding width: 4-3/8» CURRENTLY ON VIEW at the Met Breuer in the stellar exhibit «Marsden Hartley's Maine», March 15 — June 18, 2017 (And next summer into autumn at Colby College Museum of Art, July 8 — November 1)
The Whittling Boy, 1873, oil on canvas, 15-3/4» x 22-11/16», period c. 1870s American painting frame, gilded applied composition ornament on wood; molding width: 5-1/4».
Guarding The Pass, 1936, oil on canvas, 16» x 22» Period Frame, 19th - century Northern European painting frame, ebonized carved wood, ogee profile with 12 - karat gilded Frame, 19th - century Northern European painting frame, ebonized carved wood, ogee profile with 12 - karat gilded frame, ebonized carved wood, ogee profile with 12 - karat gilded slip.
Construction No. 5, oil on canvas, 36-1/8» X 26-1/8», c. 1950s American Modernist painting frame; patinated, painted wood; reverse bolection profile.
Aeroplane, 1928, oil on canvas, 44» x 38», framed by Gill & Lagodich in a custom - made replica of ac.1930s - 40s American Modernist painting frame; wide reverse wave profile, water gilded in palladium leaf with light burnt sienna patina.
Charles Ethan Porter, Chrysanthemums, ca. 1881, oil on canvas, 10 x 16», framed by Gill & Lagodich in a custom - made variation of an 1880 - 90s American painting frame; gilded applied ornament on wood, Japonesque chrysanthemum pattern frieze; molding width: 4-1/2».
Brilliant Autumn, Landscape # 28, c. 1930, oil on canvas, 25» x 31-1/4»; c. 1931 American Modernist painting frame.
Museum - quality replica painting and frame: Commissioned by the Intercontinental Barclay Hotel, New York, 2016 CUSTOM REPLICA PAINTING by Simeon Lagodich, 2016, oil on canvas, 32 x 50painting and frame: Commissioned by the Intercontinental Barclay Hotel, New York, 2016 CUSTOM REPLICA PAINTING by Simeon Lagodich, 2016, oil on canvas, 32 x 50PAINTING by Simeon Lagodich, 2016, oil on canvas, 32 x 50 inches.
Mt. Kathadin (Maine), Autumn, No. 2, oil on canvas, 30-1/4» x 40-1/4» PERIOD FRAME c. 1930 American Modernist frame, House of Heydenryk, New York makers, hand carved, paint - finished FRAME c. 1930 American Modernist frame, House of Heydenryk, New York makers, hand carved, paint - finished frame, House of Heydenryk, New York makers, hand carved, paint - finished wood.
Motif From African Textile I and II, oil on board, 29-1/2» x 9-3/8»: matched pair of custom - made replica frames, first - quarter 20th - century American frame; black - painted patinated wood.
Snowy Mountain Range (Path of Souls, Idaho), 1896, oil on canvas, 15» x 27» Custom - made replica, c. 1880s American painting frame; gilded applied composition ornament with gilded oak panel; molding width: 5-1/4»
Portrait of Lynette Yiadom - Boakye, Jacob Morland of Capplethwaite, 2017 oil on canvas painting: 120 5/16 x 93 5/16 inches (305.6 x 237 cm) framed: 131 5/16 x 104 9/16 x 4 1/2 inches (333.5 x 265.6 x 11.4 cm)
Portrait of Rashid Johnson and Sanford Biggers, The Ambassadors, 2017 oil on canvas painting: 120 5/16 x 85 5/8 inches (305.6 x 217.5 cm) framed: 131 5/16 x 96 11/16 x 4 1/2 inches (333.5 x 245.6 x 11.4 cm)
Portrait of Nick Cave, Nadezhda Polovtseva, 2017 oil on canvas painting: 120 5/16 x 81 3/4 inches (305.6 x 207.6 cm) framed: 131 5/16 x 92 3/4 x 4 1/2 inches (333.5 x 235.6 x 11.4 cm)
Portrait of Derrick Adams, El Santo Oficio, 2017 oil on canvas painting: 84 7/8 x 73 5/8 inches (215.6 x 187 cm) framed: 94 7/16 x 84 3/16 x 4 1/2 inches (239.9 x 213.8 x 11.4 cm)
Marine Hugonnier and Abel Boulineau Untitled / Disguised as a Tear, 1875-1880/2008 3 framed parts: oil on canvas and two text panels painting: 48 3/8 x 33 inches (123 x 84 cm) test panels: 14 3/4 x 18 3/8 inches (37.4 x 46.6 cm) each MH - 3201
Laurent Grasso Studies into the past animal adhesive, resin, boiled oil and pigments on oak panel painting: 11 1/2 x 12 7/8 inches (29 x 32.5 cm) framed: 17 1/8 x 18 3/8 inches (43.5 x 46.5 cm) LG - P.10.566