Sentences with phrase «framed painting on paper»
Below: A small framed painting on paper relates to the large work on the far wall.
http://joannemattera.blogspot.com.es/ Not exact matches
For whatever reason, paintings on paper tend to sell for less than paintings on canvas — even though they require framing, which is an added expense.
In my case, if I were to pay to have a piece framed, my costs become much higher for a work on paper than for a canvas painting!
18th - century French Louis XIV frame, gilded hand - carved wood, molding width 4-7/8» The museum has published extensively on this painting and frame, Pissarro Paintings and Works on Paper at the Art Institute of Chicago, with painting technical report and detailed frame description, Cat.
Frank Stella's large abstract painting dominated the side wall, while the frame of Dorothea Rockburne's folded paper collage gathered nicotine above the bar and Forrest (Frosty) Myers» laser beam ran from the front window to a mirror on the juke box and then across the entire restaurant to the back room.
Acrylic on plywood and graphite, pastel, and paint on paper, six parts: five boards, 96 × 48 (243.8 × 121.9) each; framed drawing, 15 1/2 × 12 3/4 (39.4 × 32.4).
5 - 2620 An original crayon pastel painting on paper of a mother and a child, in a giltwood frame under glass.
Meg Cranston 6 Paintings, Same Composition, 4 Hues, Different Titles, After Corbusier 2016 Acrylic on paper (framed) 14 x 17 in / 35.6 x 43.2 cm paper size MC030
Bringing together a selection of recent cut - out paper figures, mixed media works on paper, collage paintings in beehive frames, a large - scale painted sailcloth and hand - painted texts on the gallery wall, the exhibition will showcase Anna Boghiguian's raw and expressionistic oeuvre that explores economics, philosophy, literature and myth.
American artist Augusta Wilson created this framed medium size mixed media on paper abstract painting entitled «Beguiled I» in 2018.
«Beguiled II» is a petite framed mixed media on paper abstract painting created in 2018 by American artist Augusta Wilson.
I was taken by the two framed paintings (not sure of medium) on paper between two larger oil and wax paintings.
David Claerbout Olympia (Januari 2018 -4 °), 2017 inkjet print, collage, tape, washed ink, acrylic paint, felt pen and pencil on cardboard image: 16 1/2 x 22 7/16 inches (42 x 57 cm) paper: 23 5/8 x 31 1/2 inches (60 x 80 cm) framed: 25 3/4 x 33 5/8 x 1 3/4 inches (65.4 x 85.4 x 4.4 cm) DC - 66
enamel paint and metallic powders on archival paper mounted on board, framed colorful abstract painting, bright colors, green gold orange pink blue, metallic powders, horizontal a...
One piece that especially stood out — a large work made up of twenty white paper squares divided by a thin wooden frame on which much smaller squares and rectangles painted in oil had been arbitrarily placed — is a visual testimony to the love of music and poetry that informs the creative work of this painter.
24 x 36 x 3 inches enamel paint and metallic powders on archival paper mounted on panel Thin profile gold metal recessed frame This is a colorful abstract painting with gold magenta...
The 12 works on exhibit, created between 2003 and 2015, all adopt the same format: large, shallow, steel - framed glass boxes holding different arrangements of found objects and two - dimensional works — mostly lithographs but also paint on paper and pochoir on sandpaper.
Indigo, 1990 color aquatint with spitbite, aquatint, ed 15/50 40-1/2 x 54-1/4» - paper size 47-1/8 x 56-1/4» - framed signed on verso Al Held began his career as an Abstract Expressionist, but after becoming dissatisfied with this type of painting, he began to exhibit work demonstrating an alternative style.
Other highlights from the sweeping exhibition include Romare Bearden's Jazz 1930s — The Savoy (1964), South Korean artist Lee Lee - Nam's digital video Early Spring Drawing - Four Seasons 2 (2011), a pair of Lakota gauntlets (ca. 1890), photography by Manuel Álvarez Bravo, Roy DeCarava, and Gertrude Käsebier; paintings by Emile Bernard, Ed Blackburn, Archie Scott Gobber, and Albert Bloch, sculptures by James Henry Haseltine and Tip Toland; works on paper by Kara Walker, George Copeland Ault, Miguel Rivera, and Jules Olitski; and decorative arts including a Christopher Dresser claret jug and umbrella stand, a frame by Archibald Knox, and jewelry by the late artist Marjorie Schick.
A Copy Is a Meta - Original (Fig. 20) III, 2016 acrylic paint on archival pigment print paper: 40 7/8 x 55 inches (103.8 x 139.7 cm) framed: 51 7/8 x 65 15/16 inches (131.7 x 167.5 cm) JDa - 16.071
Polly Morgan, photos Tessa Angus Gary Hume, Blue Nun, 2015, Gloss paint on paper, 30,3 x 21,2 cm, 12 x 8, 3/8 inches, 32,5 x 23,8 cm (framed), 12 7/8 x 9 3/8 inches (framed), © Gary Hume / DACS, London, 2017.
Her New Museum exhibition brings together a selection of recent cutout paper figures, mixed - media works on paper, collaged paintings in beehive frames, a large - scale painted sailcloth, and hand - painted texts on the gallery walls.
Rivane Neuenschwander, O nome do medo (recorte): Pesadelo / The Name of Fear (cut - out): Nightmare, 2017, Silkscreen paint and lightening gel sheet on paper, Framed: 51.7 x 36.7 cm, (20 3/8 x 14 1/2 in)
A Copy Is a Meta - Original (Fig. 38) III, 2016 spray paint on archival pigment print paper: 56 1/4 x 42 1/8 inches (142.9 x 107 cm) framed: 67 3/16 x 53 5/16 inches (170.7 x 135.4 cm) JDa - 16.093
A Copy Is a Meta - Original (Fig. 61) IV, 2016 spray paint on archival pigment print paper: 50 x 42 3/8 inches (127 x 107.6 cm) framed: 60 15/16 x 53 3/8 inches (154.8 x 135.5 cm) JDa - 16.091
Melora Griffis» «imaginary cave» is a framed 16 x 20 inch acrylic, gouache, charcoal, graphite and pastel painting on paper (framed size 19 x 22.75 x 1.25 inches).
Robert Mangold (American b. 1937) «Multiple Panel Paintings» 1973 - 1976 Screenprint on Fabriano Paper 58.3» x 37.2» inches framed 48» x 27.5» inches unframed 11.8» x 27.5» inches (each...
David Claerbout's paintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezePaintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings reimagine the still life as a chance freeze - frame.
The show plans to feature approximately 35 large - scale paintings and works on paper surveying the variety of Bacon's painterly compositions united by Bacon's common motif of surrounding subjects with a faint, framing, cubic or elliptic cage.
David Claerbout Sean Kelly Gallery Olympia (Simulation of late april snow (not yet permanent 1 day)-RRB-, 2016 inkjet print, collage, tape, washed ink, acrylic paint, felt pen and pencil on cardboard image: 15 15/16 x 23 3/8 inches (40.4 x 59.4 cm) paper: 23 5/8 x 31 1/2 inches (60 x 80 cm) framed: 25 3/4 x 33 5/8 x 1 3/4 inches (65.4 x 85.4 x 4.4 cm) DC - 55
Untitled ca. 1972 Ink and fluorescent paint on metallic paper Framed Dimensions: 19 3/8 x 23 3/8 x 1 1/2 inches (49.2 x 59.4 x 3.8 cm) ARG # CMA1972 - 021
Untitled ca. 1972 Silkscreen on metallic paper, spray - paint and ink Framed Dimensions: 19 3/8 x 23 3/8 x 1 1/2 inches (49.2 x 59.4 x 3.8 cm) ARG # CMA1972 - 008
Jose Dávila Exercise of the Possible, 2014 acrylic paint on C. Wool monograph pages; 50 frames paper: 13 x 9 3/4 inches (33 x 24.8 cm) each framed: 16 1/4 x 13 x 1 3/4 inches (41.3 x 33 x 4.4 cm) each overall framed: 85 x 139 3/4 inches (215.9 x 355 cm) Unique JDa - 14.76
Untitled 2009 - 2016 Acrylic paint, enamel paint, dyed colour photograms, dyed solarised silver gelatin print, dyed paper on paper 69.3 x 56.6 x 3.8 cm / 27.3 x 22.3 x 1.5 in framed
Untitled 2009 - 2016 Acrylic paint, enamel paint, dyed colour photograms, dyed photocopies, dyed ink jet print, steel lids, paintbrush tip, coffee grounds, dyed paper, gloss varnish, gouache, acrylic medium, ink, dye on paper 69.3 x 56.6 x 3.8 cm / 27.3 x 22.3 x 1.5 in framed
Untitled 2008 - 2016 Enamel paint, acrylic medium, dyed paper, dyed colour photograms mounted on colour photogram, mounted on newsprint with enamel paint 51.6 x 43.8 x 3.8 cm / 20.3 x 17.3 x 1.5 in framed
Untitled 2009 - 2016 Dyed silver gelatin photogram, dyed photocopy, painted colour photogram, dyed acrylic medium, acrylic paint, enamel paint on paper 51.6 x 43.9 x 3.8 cm / 20.3 x 17.3 x 1.5 in framed
12 x 16 watercolor on paper 17 x 23 x 1 inch custom frame, black wood molding, 8 ply white mat Vertical striped watercolor painting on paper with a playful color combination of neon...
9 x 12 inches watercolor on paper 13 x 16 x 1 inch custom frame, black wood molding, 8 ply white mat Vertical striped watercolor painting on paper with a subtly cool color combinati...
This is an original acrylic painting by Darren Andrews, painted on quality 300g primed paper, it is double mounted and framed.
4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4painted with white color 32 1/4 x 32 1/4 x 2 3/4 inches
Drawing and paint on photographic paper, 60 x 90 cm (74.5 x 103.5 cm with frame), unique.
Mark MANDERS Untitled (Skyjackings Tuned) 2006 offset print on paper, acrylic paint, chickenwire 53 1/2 x 38 1/8 inches; 135.9 x 96.8 cm (framed) 49 x 33 inches; 124 x 84 cm (unframed)
Untitled (Combine) 1958 features oil painting on a Solo coffee cup lid, which is mounted on paper within the artist's frame.
Ash from artist's burnt previous paintings, house paint, oil paint, dirt, burnt wax crayon, on paper mounted on canvas mounted on wood, in custom artist frame
Mark MANDERS Deceived Actor 2006 offset print on paper, acrylic paint, chickenwire 53 1/2 x 38 1/8 inches; 135.9 x 96.8 cm (framed) 49 x 33 inches; 124 x 84 cm (unframed)
Untitled, 2016 Acrylic and vinyl paints, silkscreen ink, and acrylic spray paint on primed Stonehenge paper; white frame and mat 54.5 x 37.75 inches
Assume vivid astro focus actual variations accelerate fecundity series # 1, 2014 Painting - KRINK paint on handmade Japanese paper in handpainted wood frame 104 x 73.5 cm (40.94 x 28.94 in)
Digital C - type on Fuji Crystal Archive paper, frame handmade in walnut with small car paint tins 44 × 30 in.
Like her paintings they are based on a grid derived from harmonic mathematical relationships but, here, the handmade paper acts as both the ground and frame for the grid.