Three
framed photographs by theorist Jean Baudrillard introduce the show.
Lot 1, «Under the Eiffel Tower in Tokyo Lauwarm,» a steel, wood, styrofoam, glass object with 48
framed photographs by Martin Kippenberger (1953 - 1997), sold for $ 64,000, an auction record for a sculpture by this artist.
Not exact matches
Among Graham's most important group of works is a series of
photographs of upside - down trees, which both summon up the origins of photography itself, conjuring up the inverted and reversed images created
by the early camera obscuras, as well as draw attention to the process of rationalisation whereby we
frame and define our vision of the world.
A number of
framed photographs taken
by Day also are scattered around.
Near the bar there's the large wicker basket overflowing with game balls; the Caddyshack poster signed
by the film's stars is in the home theater (used exclusively, alas, for watching game video); and in the weight room, a wall is lined with
framed photographs of the proprietor schmoozing with some of football's most recognizable faces.
The society has seen fit to preserve, in
framed photographs and monographs, certain events in the past of Woodson County — such as the birth of Buster Keaton in 1895 and the visit of President Rutherford B. Hayes in 1879 and the arrival in the county of Thurlow Lieurance, the composer of the song Falling Leaves, in 1885 and, most impressive of all perhaps, the sighting on the night of April 19, 1897
by Captain Alexander Hamilton of a brightly lighted, reddish airship with a cigar - shaped cabin 300 feet long.
The winning
photograph will be enlarged and
framed, with costs to be paid
by the Arts Commission, and will be displayed for approximately one year and possibly longer in the Village Hall.
Members of the press were not permitted to
photograph the dorms, which face the back of the building and feature wood -
framed twin - size beds divided
by partial barriers into two - person sections.
The virtual setting can be modified to mimic common hallucinations
by making the walls appear to be closing in,
photographs of one person's face morph into another's, and straight lines such as the edge of picture
frames wobble.
Photographed by Theo Wenner, the new Chloe fall 2016 campaign took models Sofie Hemmet, Michi Kat, Ellen De Weer, and Frederikke Sofie to Southern Italy, Puglia, where tradition meets modernity and jaw - droopingly stunning landscapes, and natural scenery
frames everything.
As a nod to family and all of that rich history, why not hang
framed pictures on a tree
by the sign - in or dessert table, where everyone can have a chance to look at all of the old
photographs?
Today, the 42 - year - old sits at a single desk,
framed by a high shelf lined with
photographs, print campaigns and other ephemera that document the story of Rag & Bone, a brand as deeply rooted in Wainwright's upper class British background as his life in New York and his personal connection to America's shrinking manufacturing base.
Brian Phillips, founder and president, Black
Frame and Framework: «The job of a fashion PR agency used to be very connected to [loaning samples to be
photographed by fashion magazines].
It is beautifully
photographed by Ballhaus in a
frame filled with reflective glass and mirrors.
Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed
by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played
by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten
by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker
by coming on to him, takes
photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously
framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan
by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned
by overworked parents at a sinister recycling plant, who is reluctantly adopted
by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.
Wandering the mountainous landscape, gorgeously
photographed by veteran cinematographer Dean Cundey (Apollo 13, Who
Framed Roger Rabbit, Jurassic Park), the psychically tortured protagonist has a series of run - ins with various figures, including a sympathetic Indian (Adam Beach), a Chinese immigrant (Tzi Ma), an old war buddy (Danny Glover) and, most memorably, a vicious killer named Ezra (Walton Goggins, stealing every scene as usual) who demands a «toll» from Jackson for encroaching on his territory.
Tan's illustrations are in tones of sepia to look like antique
photographs, and depict,
frame by frame, the journey itself, what the man leaves behind, the journey his family takes to meet him, and their new lives in a new place.
This stunning location is
framed by the Namolokama mountain and is one of Kauai's most
photographed locations.
David explains: «This project was special for me because I discovered the scene and vantage point while on my way to do another assignment, and once I began to
photograph I was struck
by the variety of oncoming visual stories that came into
frame as people descended on the escalator down to a store below.»
Gavin Brown's enterprise has a stark presentation of
photographs taken or found (and usually manipulated) and then arranged in six big
framed gangs
by the great filmmaker Arthur Jafa.
American and European Schools, 19th / 20th Century Eleven
Framed Vernacular
Photographs, Including Several Aerial Views and Portraits, and the Lion of Lucerne
by Giorgio Sommer.
By interacting with the
photographed shadows in the image, the real cast shadows of the salient
frame create a coalescence of figurative and real spaces, activating the symbolic tension between materiality and immateriality.
Also of interest are a series of
photographs by Anne Sager, James Brooks's The Springs (lithograph, 1971), Marcia Gygli - King's Main Beach, East Hampton (oil on canvas, mixed media
frame, 1988 - 91), and Terry Elkins's Montauk (collage and pencil, 1994 - 97), a work which is memorable both for his signature collage technique but also for the use of shadowing, which adds a significantly suggestive intimation to the image of the Montauk lighthouse.
In marveling at the beauty of the world
framed by military aircraft, or of the
photograph framed by the artist, the viewer accidentally asks, what exactly is precious here?
Photographed from the same frontal viewpoint, Boomoon's images capture his bodily encounter with the waterfall, intensified
by entering the freezing water of the pool below the falls, to attain a position where the «horizon», (in this case, the point at which the vertical energy of the falling water meets the horizontal axis of the pool) is situated precisely at the lower third of the
frame.
Azoulay, inspired
by both their form and content,
photographed the
frames and used them as dominant elements in her collages.
Shrine For Girls (Uttar Pradesh), 2015 Saris,
framed photograph and wood crate 66 x 60 x 30 inches Photo
by Doug Schwab
Her iconic, large - scale, black - and - white
photograph Walking House, 1989, was recently acquired
by the Modern and is featured in the current exhibition
Framing Desire: Photography and Video.
In this body of work Darzacq's allusive photography of banal subjects is disrupted
by Lüneman's visceral ceramic abstractions which are literally imbedded in the
framed photographs.
A group of
photographs of varying sizes
frames representations of black subjects distanced
by partial views and reflections or
by historical space.
A
framed but broken
photograph of moonlight on trees sits in an armchair close
by adding to the mystery and providing a sense of the occult.
Zac Langdon - Pole, end of history, 2015,
framed digital print,
photograph taken
by Willem de Rooij, 2015, digital prints, The Union Jack and the Southern Cross,
by Miri Davidson, The New Inquiry, March 24 2015 Museum für Moderne Kunst Frankfurt am Main
Framed Cabinet Card
Photograph of Chief «Red Bead»
by the Huffman Studio, gelatin silver print,
frame size 12 1/2 x 10 1/4 in.
Other contents include an essay
by Karl Ove Knausgaard (presented as a removable book); 100
frames from Lotte Reininger's 1926 animation The Adventures of Prince Achmed introduced
by John Canemaker; two film treatments
by screenwriter Hampton Fancher (Blade Runner), based on Esopus subscribers» submissions; anonymous
photographs from the collection of Peter Cohen; materials from MoMA's archives on events and installations in the Museum's garden over the past 60 years; a piece on the creative process behind the survivalist game The Long Dark; a new installment of a regular series, «Guarded Opinions,» for which guards from the Barnes Foundation discuss works they oversee; a comic book
by George Cochrane; and a CD of new music inspired
by «close calls» experienced
by 15 musicians, including Jo Lawry, YC the Cynic and Lemolo.
«Birth» Original
framed mixed media,
photograph with acrylic and oil pastel on canvas
by Brian Graves
Zac Langdon - Pole, The Torture Garden (verso view), 2016,
framed digital print,
photograph taken
by Willem de Rooij, 2015, digital prints, Problem Poem 2, quote from p.g. 2, The Torture Garden,
by Octave Mirbeau, 1889
, these include Rasheed Araeen's Chaaryaar (1968/2014), a sizeable sculpture of different - coloured cube - shaped wood
frames; Hassan Sharif's series of documentary
photographs with the self - explanatory title Drawing Squares on the Floor Using a Cube (1982); Saloua Raouda Choucair's small carved - wood sculpture Poem (1963 — 5); and Dóra Maurer's Seven Rotations 1 — 6 (1979), an infinity - mirror - like set of photographic self - portraits, in which Maurer starts
by holding a blank square, which in the second in the series is replaced
by the previous
photograph, and so on.
More troubling is the dark red room recreating a 1983 show
by Richard Prince, empty but for a single
photograph in a tacky gilt
frame.
This latest issue of Esopus, featuring a brand - new format and design (and encased in a slipcover), features artists» projects
by Sharon Core, Joyce Pensato and John Sparagana; 100 still
frames from David Lynch's Blue Velvet (introduced
by Gregory Crewdson); materials from MoMA's archives related to late artist Scott Burton's early performance pieces; never - before - seen
photographs from 1949
by Magnum photographer Burt Glinn; commentary on artworks from the New Orleans Museum of Art
by two of its guards; fiction
by Chelli Riddiough; and an audio compilation of new songs inspired
by the customer - service experiences of Jens Lekman, Richard Swift, Basia Bulat and others.
She manages to get the
photograph out of its
frame by intervening after the shooting with collage and a mix of materials.
On one wall, a number of birds are collected, in various states of being: a stuffed specimen
photographed by Roni Horn; a dead budgie in an anonymous flea market photo; Jacopo de» Barbari's 16th - century Sparrowhawk; and Dean's own Ear on a Worm (2017), in which a songbird sits poised on a wire before, in the film's final moment, diving off and vanishing beyond the
frame.
There are also
photographs by Felix Gonzalez - Torres, including a group of five
framed gelatin silver prints (from an edition of two) showing birds that seem to disappear into the sky, the artist's comment on the fleeting nature of life.
It was Collishaw's
photograph of a bullet hole in the head, described in the catalogue as a «freeze
frame», that inspired the title of the now infamous Freeze exhibition curated
by Damien Hirst in 1988 which kick - started the YBAs.
© Lorna Simpson, Courtesy Hauser & Wirth, Photo
by Alex Delfanne; LORNA SIMPSON, Detail of «Unanswerable,» 2018 (found
photograph and collage on paper, 40
framed photo collages, approximately 670.5 x 304.8 cm / 264 x 120 inches).
Mark Dion: Men and Game, 1998,
framed photographs in various media, 120 parts, dimensions variable / / Courtesy of the artist and Galerie für Landschaftskunst Hamburg / / Photo
by John Kennard
Anatomy, Persona, and the Moment: 70 «s Experimental
Photographs of Luigi Di Sarro Curated
by Giovanna Pennacchi & Allen
Frame May 25 — July 3, 2010
As in the self - portrait at thirteen, various
photographs demonstrate the absence of the face, if not covered
by hair or objects, cut
by the
framing, hidden
by masks or made invisible
by turn or twist of the neck or bust.
Of course, there were many thematic and visual references to poverty and exclusion that were
framed by the discourse of art history — as in a metal construction
by Jannis Kounellis [who died in February this year] that combines a hard - edged steel - cast minimalist
frame with multicoloured rags of Arte Poveraat White Cube, for example; or in a an arresting display of Sadie Benning's «drawings» made of wood, Aqua - Resin, casein and acrylic gouache with motifs reminiscent of African textilesat Susanne Vielmetter Los Angeles Projects; or works about otherness
framed by the formerly excluded, or on their behalf — as in a display from the Goodman Gallery in Johannesburg, South Africa; or Andres Serrano's unforgettable
photographs of notable figures in American pop culture, such as his portrait of Snoop Dogg (America)(2002) placed next to that of Donald Trump, on view at Galerie Nathalie Obadia.
Blending elements of fairy tales, history, myths, and reality she creates unique scenarios that include, among many other elements, references to the 1960's television series The Avengers, The Beatles, Little Red Riding Hood, ballet stages like Giselle's Cottage at the Bolshoi,
photographs of dead squirrels and birds reminiscent of Dutch still - life paintings, gold
frames, velvet curtains, mirrors, cobwebs, swords, and axes accompanied
by sound - tracks of 18th century choral and harpsichord music as well as the sound of clinging crystal chandeliers.
In 2010 an exhibition of the experimental 70's
photographs of Italian painter Luigi Di Sarro was presented at Baxter St at CCNY, also curated
by Allen
Frame, a photographer who has been the curator of exhibitions in New York at Art in General and PS122 Gallery.