Sentences with phrase «framed works on paper»

For the third installment of their Paper Party exhibition series, Galerie Le Feuvre invited a handful of artists to paint on the gallery walls and hang framed works on paper.

Visitors were snapping up framed works on paper valued at $ 5,500 in the early hours of the fair.

Elsewhere the actual dehydrated residue of individual jellyfish is preserved in a series of framed works on paper.

YINKA SHONIBARE MBE The Victorian Philanthropist's Parlour 1996 - 1997 Dutch wax printed fabric covered wood, cast iron, brass, marble, mirror, bound printed books, porcelain, glass, framed works on paper, and props 102 x 192 x 209 in.

★ Matthias Bitzer: «Saturnine Swing» (through April 26) The impressive two - gallery New York debut of a young German artist includes paintings, collages, wire sculptures and framed works on paper ingeniously presented like free - floating LP collections.

John Currin at Gagosian At Frieze NY 2017, Gagosian Gallery featured a salon - style presentation of several hundred framed works on paper by celebrated American painter John Currin.

Dutch wax printed fabric covered wood, cast iron, brass, marble, mirror, bound printed books, porcelain, glass, framed works on paper, and props

In the upstairs gallery, successions of framed works on paper proliferate the main space, as if sentences punctuating the surrounding architecture.

Through a large - scale wall drawing from 1978 and 19 luminous framed works on paper beginning from the 1970s, Sachs draws visitors into LeWitt's career - long exploration of authorship and the means by which it can be defined.

Yinka Shonibare MBE, «The Victorian Philanthropist's Parlour», 1996 - 1997, Dutch wax printed fabric covered wood, cast iron, brass, marble, mirror, bound printed books, porcelain, glass, framed works on paper, and props, 8.5 x 16 x 17.4 feet.

A variety of shaped canvases form a «parade on wheels» down the gallery hallway, along with a dozen framed works on paper.

Yinka Shonibare MBE, The Victorian Philanthropist's Parlour, 1996 - 1997, Dutch wax printed fabric covered wood, cast iron, brass, marble, mirror, bound printed books, porcelain, glass, framed works on paper, and props (Courtesy the artist and James Cohan Gallery; Photo: Phoebe D'Heurle)

Grouping these panels or framed works on paper together allows for diverse thoughts, interests or vantage points within a singular work.

I also source beautiful vintage picture frames which I refurbish and use to frame works on paper.

Framed work on paper by artist Jessica Snow for her solo show entitled «Refraction in the Line of Sight» at Galleri Urbane in Dallas.

Flat oil on mahogany panels with attached framed work on paper and three attached framed works on panel; 95 × 256 inches.

Not exact matches

• A4 lettering spelling ART to head your display • Picture frames to frame pupils art work and also framed writing paper • Sketch pad template for pupils to draw on.

The pack includes: Mother's Day All of these resources include version for «Mum», «Mam», «Mummy» and «Mom» Two colourful display banner - great to use on a display of the children's work - these are for «Mother's Day» and «Mothering Sunday» A Powerpoint about Mother's Day A selection of Mother's Day cards to colour in Coloured Mother's day cards - great to add to a display A selection of cards to cut out and assemble A4 writing borders - these can be used to quickly display work, forthe children to write about their Mums or to use for poetry etc Large display lettering A selection of gift tags to colour in and use on your gifts Various certificates for «Best Mum», «Number one Mum» etc Rosettes to make for your Mum Bookmarks to colour and design to make as a gift for Mum Make a book about Mum - this contains several pages for the children to draw and write about their Mum - great to either send home with the children to fill in together or use at a Mother's Day coffee morning for the children and their Mums to fill in together Colouring posters Write a letter to Mum - decorated letter writing paper Draw your Mum and decorate the frame «My Mum» poster - a poster for the children to draw and write things about their Mums - these make a great display Three recipes to make and give as gifts on Mother's Day Gift boxes - Various gift boxes to colour to use for your Mother's Day gift «A note to my Mum» - write a note to your Mum on this decorated paper Acrostic poem - Write a poem about your Mum

I have been varnishing my watercolors for over a decade, and now with UV protective acrylic varnishes and sprays, I frame all my works on paper, including watercolors without a mat or glazing.

In my case, if I were to pay to have a piece framed, my costs become much higher for a work on paper than for a canvas painting!

Framed by Darbyshire Framers Paper size 29.7 x 21 cm each, including frame 32.6 x 24 x 2.8 cm each 20 pairs of framed works, signed and numbered on the reFramed by Darbyshire Framers Paper size 29.7 x 21 cm each, including frame 32.6 x 24 x 2.8 cm each 20 pairs of framed works, signed and numbered on the reframed works, signed and numbered on the reverse.

These components are used to great effect in both Rejection Letter (acrylic with collage on paper mounted to canvas, 2009) and Untitled (With Your Best Interest at Heart)(framed acrylic on paper, 2009) in which the letters themselves adopt interestingly complex configurations even as the act of «reading» the work becomes a singularly entertaining part of the process.

We framed a number of pastel works on paper for this exhibition which hang alongside large - scale works on canvas.

18th - century French Louis XIV frame, gilded hand - carved wood, molding width 4-7/8» The museum has published extensively on this painting and frame, Pissarro Paintings and Works on Paper at the Art Institute of Chicago, with painting technical report and detailed frame description, Cat.

This uncommon work on paper by renowned artist Lois Dodd measures: 17.75 x 18.75 inches framed; sheet is 8.75 by 11.75 inches.

Lee Lozano Untitled, c. 1964 Graphite on paper Four drawings framed as one work: 1 7/8 x 8 1/2 inches (4.8 x 21.6 cm); 1 7/8 x 3 7/8 inches (4.8 x 9.8 cm); 1 7/8 x 2 1/4 inches (4.8 x 5.7 cm); 3 1/4 x 4 1/8 inches (8.3 x 10.5 cm) © The Estate of Lee Lozano Courtesy Hauser & Wirth

Bringing together a selection of recent cut - out paper figures, mixed media works on paper, collage paintings in beehive frames, a large - scale painted sailcloth and hand - painted texts on the gallery wall, the exhibition will showcase Anna Boghiguian's raw and expressionistic oeuvre that explores economics, philosophy, literature and myth.

Signed and dated lower right front This poignant signed and dated mixed media oil and sand work on paper by Japanese American Abstract Expressionist Taro Yamamoto is in its original vintage metal frame and ready to hang.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

Two framed gouache - on - paper works made when he was a teenager attest to a long - ago desire to become a children's book illustrator; one of them portrays a troop of dwarves climbing the neck of a gigantic giraffe.

Below: A small framed painting on paper relates to the large work on the far wall.

And the ghostly chiaroscuro within the frame of this work, «Traveling,» 2002, was achieved with no ordinary pigment — it was rendered, in fact, in «Harlem earth on paper.»

Susan Cianciolo, in the Frame event this year, created this ink on paper work, «Mari,» in 2016.

The Zimbabwean artist is known for his large works on paper that spill out of their two - dimensional frame and into larger installations on the floor around them.

Work on paper - Graphite, acrylic and mixed media on paper, framed.

One piece that especially stood out — a large work made up of twenty white paper squares divided by a thin wooden frame on which much smaller squares and rectangles painted in oil had been arbitrarily placed — is a visual testimony to the love of music and poetry that informs the creative work of this painter.

Medusa, 2014 Graphite on paper 15.75 x 20.1 inches / 40 x 51 cm (framed) Nikos Kanarelis was born in Athens, Greece in 1975 where he now lives and works.

He creates works on paper that are often hand cut, and break the boundaries of traditionally framed spaces.

Framed This composition on paper is part of a series of works which have three points in common: their title (which is a date), their relatively small size, an...

The 12 works on exhibit, created between 2003 and 2015, all adopt the same format: large, shallow, steel - framed glass boxes holding different arrangements of found objects and two - dimensional works — mostly lithographs but also paint on paper and pochoir on sandpaper.

Indigo, 1990 color aquatint with spitbite, aquatint, ed 15/50 40-1/2 x 54-1/4» - paper size 47-1/8 x 56-1/4» - framed signed on verso Al Held began his career as an Abstract Expressionist, but after becoming dissatisfied with this type of painting, he began to exhibit work demonstrating an alternative style.

Other highlights from the sweeping exhibition include Romare Bearden's Jazz 1930s — The Savoy (1964), South Korean artist Lee Lee - Nam's digital video Early Spring Drawing - Four Seasons 2 (2011), a pair of Lakota gauntlets (ca. 1890), photography by Manuel Álvarez Bravo, Roy DeCarava, and Gertrude Käsebier; paintings by Emile Bernard, Ed Blackburn, Archie Scott Gobber, and Albert Bloch, sculptures by James Henry Haseltine and Tip Toland; works on paper by Kara Walker, George Copeland Ault, Miguel Rivera, and Jules Olitski; and decorative arts including a Christopher Dresser claret jug and umbrella stand, a frame by Archibald Knox, and jewelry by the late artist Marjorie Schick.

Her New Museum exhibition brings together a selection of recent cutout paper figures, mixed - media works on paper, collaged paintings in beehive frames, a large - scale painted sailcloth, and hand - painted texts on the gallery walls.

Four works on paper in irregular jagged frames (Mediator # 1, # 2, # 3, # 4) elaborate the concept further.

David Claerbout's paintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freeze - frame.

The show plans to feature approximately 35 large - scale paintings and works on paper surveying the variety of Bacon's painterly compositions united by Bacon's common motif of surrounding subjects with a faint, framing, cubic or elliptic cage.

Toeko Tatsuno Red, Green, 1977 Silkscreen on paper with hand work 31 x 44 inches, framed Signed and dated on verso

Including a selection of early notebooks, framed sun drawings, texts, photographs and works on paper that show Ackling's first explorations of nature and art through the use of time and light, made concrete on found objects.

The work is tactile, produced on paper the artist made herself and floated in a frame to emphasize the physicality of the print.

Robert Rauschenberg (American, 1925 - 2008), Untitled, 1992, solvent transfer on paper, pen signed along bottom, this a unique work, framed under glass, 8 «h x 6 «w (sheet), 11.5 «h x 10 «w (frame) Read more