Sentences with phrase «framing effects in»

But as survey researchers have long been aware (e.g., Cantril 1944; Payne 1951), minor changes in question wording can elicit major shifts in the obtained responses, a message reiterated in the literature on framing effects in judgment and decision research (e.g., Tversky & Kahneman 1981).

Not exact matches

While Aidan Garrib, global macro strategist for Pavilion Global Markets in Montreal, likewise doubts the Trump administration's ability to effect his plans in the time frame that investors» widely expect, one area he thinks will get some traction is financial industry deregulation.

And just as the elevator's effects were amplified by the near - simultaneous introduction of other key tools and practices — from reinforced concrete to new methods of producing steel and framing buildings to modern ventilation systems — so, too, the most transformative of effects over the next decade or two are sure to be found in the confluence of new technologies and ideas.

Of course, there will always be cases in which you need to analyze data on a shorter time frame — like when you are evaluating results of an experiment or testing the effect of a new software release — but for those cases you can always perform an ad hocanalysis using a temporary spreadsheet.

About two years ago, as dPoint's sales team talked with European and Asian customers about problem of dealing with hefty shipping costs, one customer suggested that the firm should think about licensing the machines that manufacture the frames — in effect, outsourcing production to dPoint's clients.

In short, social impact framing reduces the discriminatory effects of gender bias.

Shawn Achor frames this rewiring as «The Positive Tetris Effect» in The Happiness Advantage, drawing from the way Tetris impresses our brain so that we end up parsing the world in terms of the game.

Laugh if you want, but we think you will have to acknowledge that this Nascar ad, which depicts a carnival Ferris wheel coming off its frame and turning into a free - moving thrill ride uses special effects at least as well as the other nominees in the category.

Either they necessitate a deceptive «God», e.g. creating starlight «in transit» which means that for some light the star that supposedly sent said light would never have actually existed, or they would cause effect that should be evident but are not, e.g. temporarily fast starlight would effectively cook many things, such as life on earth, if the required light (and attendant gamma radiation) were compressed into a significantly shorter time frame (think of the radiation from the apparent 13 billion years of the universe arriving at the same time, or even over a 1000 years).

we understand that throught faith the worlds were framed by the word of God... and each word we speak in the earth actually effects events in the earth... some things require a lot fo prayers and some things just a litte..

A party whose response to a whole category of issues is to say, in effect, «we'd rather not talk about it,» is a party that has allowed the opposition to frame the terms of discussion.

He believed, however, that they could be reconciled, for while the glorified body of the risen Jesus is normally neither visible nor tangible, it «temporarily reassumes the human outline, and solid frame, and former appearance, and marks of the wounds, for evidential and instructive purposes».13 In the resurrection narratives the Evangelists «describe the re-entrance of the glorified Body of Christ into terrestrial conditions, effected for the purpose of convincing His apostles of His Resurrection, and of giving them instructions and commssions».14 He believed that Paul, being the theologian, was not concerned with these occasional manifestations, but with the essential condition of the risen Christ and that his is therefore the profounder teaching.

It will have this effect because an appeal to the imagination of the natural man in the actual world of 1935 means an appeal to national culture as the ultimate frame of reference.

Also, their concept that time dilattion accounts for the day - epoc disparity is flawed because neither God nor man would be in a frame of reference where there is enough changing amount of gravition / acceleration required for the changing time - dilation effect.

Recalling that an inertial frame of reference is either at rest or in motion with uniform velocity relative to absolute space, and that the addition of a velocity to an acceleration does not affect the acceleration and hence would not affect the action of gravitational forces (accelerations due to gravity), Newton's law of gravitation is, in effect, formulated relative to absolute space.

Because the study duration was short, future studies should explore the effect of massage on infantile colic symptoms in a wider time - frame.

Okay so I can't reproduce the cartoons in frames to give you full effect, but here is an example from the book that I refer to frequently:

Their dilemma is over whether to implement further structural reform in the frame of the Eurozone, knowing that these measures could take longer to take effect than what is politically acceptable, or exit the Euro in order to regain competitiveness through a sharp currency devaluation and face huge upfront costs and an uncertain future.

Decades in the making, GP - B was launched in April 2004 to sensitively measure two properties of spacetime: the geodetic effect, a 2.8 - centimeter (1.1 - inch) contraction in the circumference of Earth under its own gravity; and frame dragging — the weaker of the two and GP - B's main quarry — in which Earth twists spacetime like a ball rotating in honey.

Another, much smaller effect is gravitomagnetism, or frame - dragging, in which the spin of a massive object tugs space - time in the direction of its rotation, like a spoon twisted in honey (see «A twist in space - time»).

The effects of the cluster's gravity can be seen in the blue arcs and distorted shapes that are scattered across the frame, including galaxies that seem to be bleeding into the surrounding space.

The satellite also confirmed the frame - dragging effect, in which the rotating Earth twists the surrounding spacetime.

(Less massive bodies also cause frame dragging on a smaller scale; NASA's Gravity Probe B launched in 2004 to measure the frame - dragging effects of Earth's rotation with sensitive gyroscopes.)

The figure shows this effect in the spectrum of sound from two overlapping speakers for a single 40 - millisecond time frame (one time slice from a spectrogram).

«We no longer think of simulations in terms of CPU hours but rather frames per second,» Bussmann said, describing the effect this speed - up has had on the team's research.

This video, taken at 500 frames per second, shows the Marangoni effect in action.

A major bottleneck in understanding the biochemistry behind the progression of these complications, and hence rapid drug development, is the lack of genetically tractable models that can recapitulate the effects of α - DC and AGE accumulation in a short time frame.

After another two and a half years of data analysis, they announced in September 2009 that they were able to extract out the much smaller effect caused by the twisting of spacetime (the «frame - dragging effect»).

Only thing is, in effect this did reduce my calorie intake from previous levels because I just can't eat as much in this compressed time frame.

For the final eye framing effect, her natural lashes (upper and lower) were layered in a few coats of Full Fat Lashes in Glossy Black.

Plus putting myself in the frame is a fun visual effect.

The added lines in the frame will add some definition but the overall effect still feels «round.»

Handcrafted in Italy with premium cellulose acetate (basically a natural plastic), each one features a frame - on - frame effect that can take your outfit to the next level.

Softly drape the veil over your head (a hidden comb holds it in place), and the embellished border will frame your face for the prettiest effect.

Does true love come with a «Henley Boy Effect», where from the first moment you get chatting you just connect, and you can remember the first time you saw him, like a freeze - frame in your head?

As for that 3D, even though I continue to wallow in my anti-third dimension misery, adamant that the technology is unnecessary and the same effect can be achieved through proper shot composition, during «An Unexpected Journey» the 3D is far less distracting because the frame rate is far more so.

The special effects are almost photo - realistic, and yet whenever George and Davis are in the same shot it feels like you're watching a joyless modern riff on «Who Framed Roger Rabbit?»

It's also a straightforward, traditionally constructed character drama shot in bright colors, with none of the frame - breaking or Greek - chorus effect or whatever you want to call Boden and Fleck's technique in «Half Nelson.»

There's much joy in seeing classic cartoon characters like Donald Duck, Betty Boop and Dumbo in frame with the human actors, and the effects required over a year of labor - intensive post-production work by animators and Industrial Light & Magic.

If we look for commonality among the worst of the worst, we identify a slippage in film - craft — enough so that the tease that maybe a few more frames of Tod Browning's London After Midnight have turned up was enough to send shivers down the spine of every practical - effects lover in the audience.

Another thing on which the video and makeup effects teams worked side by side was the «breathing screen,» a mechanical effect in which the televised lips of Nicki Brand pucker and blow against the glass of Max Renn's TeleRanger TV screen, making it billow forth from the console frame like a swelling breast, as her seductive voice invites Max to push himself into her waiting mouth: «Don't keep me waiting.»

Music video director Chris Robinson certainly has a talent for the visual components, and the overall vibe, atmosphere, and dramatic punch feed off of the energy he provides through his energetic editing and visual effects components tossed in to frame each scene.

Today's Nintendo eShop news: FRAMED Collection announced for the Nintendo Switch, release date and pre-purchase for Gekido Kintaro's Revenge, Raging Justice releasing in Q2 2018, latest screenshot for World Conqueror X, latest piece of concept - art for Yoku's Island Express, latest screenshot for The Forbidden Arts, latest video clip for Fear Effect Sedna, and Nintendo eShop «launching» in Hong Kong and South Korea next month!

Unlike the Naruto: Ultimate Ninja Storm series which is more and more a mess of technical, balance and gameplay issues these days, Brave Soldiers delivers what is a nice, franchise - based fighting game, at first, i was expecting a simple fighting game with some button mashing, however, the game proved me wrong and i fell in love, the combo system, while easy, is a lot more deep than the one in the Naruto games, with all of the characters having two special attacks, two «burst attacks», a knock - away and a launcher respectively, a throw and an ultimate attack (called a «Big Bang Attack»), every character also has an universal dodge - action that sends them behind their enemies while spending one cosmo bar, making bar management that much precious and shielding you from a half - a-hour combo, unlike in the NUNS series, the fighting and the characters are nicely balanced, with every character being fun to play and viable at the same time, the game runs smoothly without frame - rate issues and the cell - shaded graphics, character models, arenas and effects alike are nice to the eye, battles are divided into rounds, with all the tiny nice stuff like character introductions and outros being intact (fun fact: the characters will even comment on their score after the battle), the game also features an awakening system, called the «Seventh Sense» awakening, unlike the NUNS awakening system which became severely unbalanced in the later game, every character simply gains a damage / defense boost, with the conditions being the same for all characters, eliminating situations when one character can use awakening at almost any point in the battle, or one awakening being drastically stronger than the other, the game has a story mode with three story arcs used to unlock characters, a collection mode, tournament modes, a survival mode, a series of special versus modes and online battle modes.

Antal uses the widescreen canvas to good effect, framing windows within windows to emphasize multiple points of view (indeed, conflicting principles are what eventually set these men at one another's throats) and favouring a steady yet highly mobile camera that's mindful of spatial dynamics when roaming off to follow someone, underscoring the urgency within a scene as differing agendas unfold in the foreground and background.

The gore effects are non-existent, there's absolutely no hint of nudity (unless you frame - advance Nurse Grimace falling down in a skirt), and the tension is nonexistent, though probably magnified if you're afraid of snakes.

Through much of the film, Fanny seems to have stepped off a canvas, an effect heightened by the way she is continually posed in the frames of doorways, windows, and mirrors, the colors in her outfits harmonizing foreground and background.

The disc features the IMAX presentation, with the film letterboxed in the 2.39:1 widescreen format with some scenes reverting to IMAX full frame and special effects spilling out of the frame and into the black bars.

Frame rate dips during effects - heavy encounters are common, requiring a «performance mode» in the game's settings, which smooths out the gameplay while dropping the visual quality dramatically.

The director, Robert Zemeckis, is experienced with the magic that special effects can do (his credits include the «Back To The Future» movies and «Who Framed Roger Rabbit»), and here he uses computerized visual legerdemain to place Gump in historic situations with actual people.