Based on this early footage, Gilroy has traded in
the frantic shaky cam and kinetic editing that director Paul Greengrass favored in Bourne Supremacy and Bourne Ultimatum, in favor of the steadier, but still exhilarating approach of Doug Liman in Bourne Identity.
Gone is the first movie's over-reliance on
frantic shaky cam cinematography, which added a level of frenetic electricity but often at the cost of things like spatial geography or character placement.
Not exact matches
It did not at all rely on
shaky cam and cheap jump scares to set a
frantic mood to scare the audience.