Sentences with phrase «free brushwork»

His loose, free brushwork impressed the French, notably Eugène Delacroix, but the English wanted more finish.

Paint doesn't necessarily need to be manipulated with small and controlled strokes, on the contrary it is often a free brushwork that makes these paintings stunning and keeps them clear of the boundaries with miniature.»

Not exact matches

The usual components include angst - free Abstract Expressionist brushwork, bits of popular advertising imagery, Surrealist automatist scribbles, spray - can vapor trails reminiscent of graffiti art and, at times, composite images built on the computer.

The new pictures still utilize an all - over armature as a structural footing, but forms, colors and brushwork are allowed to break free, if not gain complete independence.

One of the most influential artists of the twentieth century, and a pivotal figure linking American Impressionism and Abstract Expressionism, Milton Avery is celebrated for his luminous paintings of landscapes, figures and still lifes, which balance distillation of form with free, vigorous brushwork and lyrical colour.

One of the most influential artists of the twentieth century, Milton Avery (1885 - 1965) is celebrated for his luminous paintings of landscapes, figures and still lifes, which balance distillation of form with free, vigorous brushwork and lyrical colour.

One of the foremost artists of the twentieth century, Milton Avery (1885 — 1965) is celebrated for his luminous paintings of landscapes, figures and still lifes, which balance distillation of form with free, vigorous brushwork and lyrical colour.

The colours are browned and yellowed by experience, yet the brushwork is amazingly free and loose.

Gulgee adapted action painting's energy and gesture to a Pakistani context, using virtuoso brushwork to produce large, free - flowing calligraphic abstractions that captured the mystical dance of Sufi dervishes.

Works such as Hole Place and Lid's Night distill the free - flowing brushwork of the New York School into discrete vignettes of glowing form, each emerging from the shadowed plane like a luminescent creature from the quiet depths.

Gorky by 1942 had arrived at a very free, calligraphic brushwork, very bright in colour, often entirely without figurative reference.

In most, his brushwork is free, gestural and unplanned, while his use of colour creates an arena for for his squiggles, which contain more than a hint of a microscopic, molecular universe.

Reinhardt describes these paintings as: «A square (neutral, shapeless) canvas, five feet wide, five feet high, as high as a man, as wide as a man's outstretched arms (not large, not small, sizeless), trisected (no composition), one horizontal form negating one vertical form (formless, no top, no bottom, directionless), three (more or less) dark (lightless) no - contrasting (colorless) colors, brushwork brushed out to remove brushwork, a matte, flat, free - hand, painted surface (glossless, textureless, non-linear, no hard - edge, no soft edge) which does not reflect its surroundings — a pure, abstract, non-objective, timeless, spaceless, changeless, relationless, disinterested painting — an object that is self - conscious (no unconsciousness) ideal, transcendent, aware of no thing but art (absolutely no anti-art).»