Leigh's script -
free films generally begin with his actors working for months to invent their characters, and then improvising situations in which those characters can interact.
Not exact matches
The struggle to retain
free will takes a strangely spiritual turn in The Adjustment Bureau, a
generally lively
film that plays with questions of self while sprinting through a Philip K. Dick theme park of the unreal and the intimidating.
For the new
film, Osborne («Kung Fu Panda») and screenwriters Irena Brignull («The Boxtrolls») and Bob Persichetti have taken the
generally more effective tack of nesting Saint - Exupery's story within an elaborate framing device set in the kind of modular modern metropolis prophesied by Jacques Tati's «Playtime,» full of technology and
free of wonder.
The
film is full of both marked and unmarked point of view shots, allowing us to both get a sense of the subjective view of certain characters as well as allowing us to view the scene through a camera
freed from some of the imposed restraints of restricted movement that are characteristic of early sound filmmaking and classical Hollywood cinema
generally.