What / Why: «Rosebud revived an underutilized property in the heart of Waltham, engaging the public with contemporary art through a series of
free video exhibitions.
Not exact matches
Highlights of the
exhibition include Stark's pre-YouTube Cat
Videos (1999 — 2002); the playful, provocative and psychedelic «chorus girl» collages from the series A Torment of Follies (2008); My Best Thing (2011), a
video that debuted at the 2011 Venice Biennale edited from Stark's cyber exchanges with two online paramours; the celebrated
video installation Bobby Jesus's Alma Mater b / w Reading the Book of David and / or Paying Attention Is
Free (2013), set to a West Coast gangsta rap soundtrack and featuring images that range from Renaissance paintings, to family snapshots, to portraits of hip hop legends.
Starting with a visit to Palazzo Grassi and Punta della Dogana's
exhibitions, the classes taking part in the project work in a
free and creative way at school, at home and in the museum to create new content for the site — be it texts, photos, audio and
video — under the guidance of the museum's education staff and their teachers.
Opening Sunday, April 27 at PARTICIPANT INC., New York is «Two Russians in the
Free World,» a collaborative two person
exhibition featuring a multi-channel
video installation by Erik Moskowitz and Amanda Trager.
Screenings in this
free exhibition space for
video, located just across from the Wexner Center Store, run continuously seven days a week, the same hours as our ticket office (Mon — Wed: 9 AM — 6 PM; Thu — Fri: 9 AM — 8 PM; Sat: 10 AM — 8 PM; Sun: 11 AM — 6 PM).
This «rage» is powerfully present, and punctures the
exhibition like a blast in the side — most specifically Pindell's powerful
video work from 1980,
Free, White, and 21, in which the artist recounts for the camera racism she has experienced throughout her life (from childhood to working professional), and then switches into the guise of a blonde white woman who reprimands Pindell for her paranoia and ungratefulness.
Sections: painting, sculpture & installation, photography,
video art & performance, virtual art Deadline: November 8, 2012 Participation: the contest is open to all artists, without any limit of age, the subject is
free Collective
exhibition of 110 finalist artists: March 2013 — Venice Arsenale Exhibition of a selection of Under25 Artists: March 2013 — Romanian Cultural Institute
exhibition of 110 finalist artists: March 2013 — Venice Arsenale
Exhibition of a selection of Under25 Artists: March 2013 — Romanian Cultural Institute
Exhibition of a selection of Under25 Artists: March 2013 — Romanian Cultural Institute of Venice
Shirley's work was also featured in group
exhibitions including: Chance Ecologies, Queens Museum (2016); The Luminous Surface, Salisbury University, Maryland, USA (2015); Magnetic North: Artists of The Arctic Circle, UBS Art Gallery, New York, NY (2014); Sandnes 2160, Museum of Moving Image, New York (2013);
Free City, Public At installation for The Flint Public Art Project, Flint, Michigan (2013); [PAM] Cyland Festival, Hermitage Museum, St. Petersburg, Russia (2009); Drift, National Center for Contemporary Art, Moscow, Russia (2008);
Video Art in The Age of the Internet, Chelsea Art Museum, New York, NY (2007);
Video As Urban Condition, Museum of Modern Art Linz, Linz, Austria (2007).
Charlotte Prodger, AAB (installation detail), Glasgow International, McLellan Galleries, 2014, Photograph by Ruth Clark StatCounter —
Free Web Tracker and Counter http://www.chelseaspace.org 16 John Islip Street London SW1P 4JU CHELSEA space presents Markets, an
exhibition comprising a physical framework of renewed and re-designed CRT monitors by The Block, and a multi-channel
video and sound installation -LSB-...]
Group
exhibitions include International Departure — Gate 10, Fondazione Fotografia, Modena, Italy (2010), Festival of
Video Art, Camaguey, Cuba, Figures of Speech part of Film and
Video Umbrella's
Free to Air Festival, Simply Screen at The Bhavan, London (2009).
The
video by VTV correspondent Lizza May David shows the opening of the
exhibition and the performance in which the ash Buddha's face is being
freed from the last section of the mould.
Together, we produce, plus host, a series of
free art
exhibitions including member shows, juried shows, a
video / film series, and
free musical and spoken - word performances.
18/4 - 12/5/2018 BL CK B X: GENTLEMEN: OLIVER PAYNE AND NICK RELPH LUX presents Oliver Payne and Nick Relph's
video work Gentlemen (2003) as part of the BL CK B X series of
free monthly
exhibitions of artists» moving image.
Previous
exhibitions include One is the loneliest number (2011), featuring artist duos based in Philadelphia and elsewhere; Summer Studio with Anthony Campuzano (2010), a month - long
free art school and working artist's studio in the ICA galleries; Touch Sensitive: Anthony Campuzano (2009), the first museum show of an artist whose work is largely text - based; and Asking Not Telling (2009), a
video show presenting works that use the tropes of documentary filmmaking to capture, record, (re) record, and represent cultural memory.
The
free exhibition brings together over 150 works by 32 international artists working across painting, drawing,
video, photography, performance, sculpture, and installation in an exploration into contemporary art from, and influenced by, Mexico.
Ancillary projects include hours of online
videos and interactive learning materials, museum
exhibitions, the Random House book Craft in America: Celebrating Two Centuries of Artists and Objects, and the
free - to - the - public Craft in America Center located in Los Angeles, offering artist talks,
exhibitions, workshops and a library of publications on the history and techniques of craft.
Through
video, interactive media, installation, performance, and sculpture by participating artists — Peggy Buth, Raquel Cepeda,
Free Breakfast Program, Paloma McGregor, Akeema - Zane, Nicko Nogués, Kyla Marshell, Mark Salvatus, and Phan V. — the
exhibition questioned the relationship between home and communities in flux.
In a Turner prize
exhibition unusually
free from
video or film, traditionalists will also be intrigued to discover that one of the shortlisted artists, Richard Wright, has created a painting on one of the gallery walls using the painstaking, age - old fresco techniques of the old masters — drawing a cartoon, tracing it on the wall, then painting over it and finally gilding it.
Her research and curatorial projects are determined by the specific socio - political conditions: OtherIS (2011 - ongoing) is a curatorial platform of
video art relating to the US - sanctioned countries; Avant - Guide to NYC (apexart, 2009) redressed historical referents of art in the city within the present; Custom Car Commandos (Art in General, 2009) cross-sectioned the auto industry in crisis with the image industry; Soap Box Event by Pia Lindman (Federal Hall National Memorial, 2008) practiced performance of
free speech; among numerous other projects since 1995, when she curated the Third Annual
Exhibition of Soros Center for Contemporary Art in Vilnius, Lithuania (1995) in the post — Soviet conditions at the emergence of global networks.
This fall, the New Museum will present «
Free,» an
exhibition including twenty - three artists working across mediums - including
video, installation, sculpture, photography, the internet, and sound - that reflects artistic strategies that have emerged in a radically democratized landscape redefined by the impact of the web...
I showed
Free Will in a large group
exhibition titled «Into the Light» at the Whitney Museum a few years ago — the piece presents on a monitor a live closed - circuit
video view of the corner behind it.
Instead, they offer a
free and accessible curated selection of images and
video clips from
exhibitions past.
free - standing rippled mirrors conceived by jonas and handcrafted in murano specifically for this
exhibition, are placed within each room; alongside the artist's distinctive drawings and kites, and a curated selection of objects that were used as props in her
videos.