Sentences with phrase «free writing space»

Not exact matches

Simply writing down what you want to accomplish will free up space to focus on what is most important, Ghosn says.

Dostoevsky once wrote that a person could live in a square yard of space, as long as that person was free; but he couldn't possibly have meant at $ 589 a night???

Whether you select free or purchased software, opt for something that can be customized as the business grows, Cameron writes, adding, «Understand the types and sizes of files you'll be creating and how you'd like to share them to account for storage space and accessibility.»

Maybe include the free Year of Graces Calendar, a space to write down joy everyday?

i've been doing free stuff for years on nakedpastor, giving people free cartoons and writing and creating a space for debate, etc... but this other little project i've initiated does require a membership fee.

For The King of all Gods is Christ Jesus and I shall be as His Voice within these Worded Chasms of webbed spaces that are Free to all to have a written voice of freedom to declare themselves with due diligences one's righteousness and froelornments.

God, who was not born in a space ship or another planet and who only wrote 10 commandments, gave us FREE WILL.

Writing for the Guardian's Comment is free site, he said: «Are there no spaces in which our politicians can test, discuss and get feedback on ideas with their friends and supporters?

It offers free space for ads on a site with hundreds of local city instances, sitting ninth place in the number of page views served in the United States (as of this writing), up there with Google and its properties Wikipedia and Facebook.

Researchers theorize that by expressing oneself through writing about things that are bothersome, stress and worries can decrease, enabling more space and resources to be freed up for memory capacity.

But my hobbies are mostly stuff - free (writing, reading, biking, going to pubs: >) and yours require more stuff / space.

I don't spend much time on here but If you are this man, please feel free to chat me up on faace b • • ok, Brittany C Haney on faaace boououk» Give space between the words I have written and see

This Presentation Includes: Engaging and Creative Lesson Starter — Story Starters Well Formulated, Measurable, SMART Objectives and Outcomes Overview of Vocabulary used for a Digital Story - Telling Lesson Flipped Lesson Part - 2 Videos and 2 Resources on Digital Story - Telling Collaborative Group Task — Pair - Share Space for Peer Teaching - Seven Elements of Digital Story - Telling Scaffolded Notes to Support the Learners - Shared Writing Mini-Plenary with Critical Thinking Questions — 2 Quizzes Assessment Criteria for Outcome Expectations - Rubrics Differentiated Activities for Level Learners - 4 Task Cards Extensions to Challenge the High Achievers - Seven Stages of Life Plenary to Assesses Learning Outcomes - PEEL - Point - Evidence - Explain - Link Success Criteria for Self Evaluation - My Story Sketch Home Learning for Reinforcement - 18 Free Digital Story - Telling Tools Common Core Standards - ELA - LITERACY.

Self - assessment: When students are self - assessing or reflecting on their strengths, or challenges, recording their thoughts instead of writing offers a space free of red pen marks.

Kids are also given the space to free write within this app.

These 3 graded, illustrated writing frames offer scope for action - words to describe the movements of different baby animals, specifically «baby bunnies» and «young robins», with space for extra contributions and free - style drawing.

Created by Teaching Matters, Writing Matters offers a private, safe, free e-Zine space for students to publish and share their work in progress.

To get started, grab my FREE Rx for Writers: Managing Your Writing Space and Your Writing Time e-book.

Make sure that you create a writing space that is free of distractions.

As such, the gestural marks, handwritten words and phrases appear to hover in space, freeing the written word from the constraints of its two dimensional plane.

@ IPK @ NYU / 20 Cooper Sq. — floor 7 / FREE Tuesday, 12/2, 6 PM / Kate Gilmore on her work / SVA / 133 - 141 W 21 — room 101C / FREE Tuesday, 12/2, 6:30 PM / Fred Tomaselli on his work / New York Studio School / 8 W 8 / FREE Wednesday, 12/3, 6:30 PM / E.V. Day on her work: Exploded Couture / NY Academy of Art / 111 Franklin / FREE Wednesday, 12/3, 6:30 PM / D.Bricker Balken, C.Ducan, V.Hellstein, R.Hobbs on Richard Pousette - Dart / New York Studio School / 8 W 8 / FREE Thursday, 12/4, 5 PM / Kerstin Bratsch on her work / NYU; Einstein Auditorium 34 Stuyvesant St. / FREE Thursday, 12/4, 6:30 PM / Miriam Nichols speaks on her work / SVA Art Critism & Writing / 132 W 21 — floor 6 / FREE Sunday, 12/7, 4 PM / Mokuhanga crator & artists talk / Kentler International Drawing Space / 253 Van Brunt, Red Hook / FREE Monday, 12/8, 7:30 PM / Tamy Ben Tor & Miki Carmi speak on their work / Memorial Hall, Pratt / 200 Willoughby, Brooklyn / FREE Tuesday, 12/9, 6 PM / Media Farzin speaks / SVA / 133 - 141 W 21 — room 101C / FREE Tuesday, 12/9, 6:30 PM / Oriane Stender speaks on her work / Trestle / 168 7th, Gowanus, Brooklyn / FREE Wednesday, 12/10, 6 PM / Talk: Douglas Gordon; Helene Grimaud with Alex Poots / Park Avenue Armory / 643 Park @ 66 / $ Wednesday, 12/10, 7 PM / Panel: Zombie Formalism moderated by Amy Wilson / SVA / Theatre / 333W 23 / FREE Thursday, 12/11, 5 PM / Moyra Davey on her work / NYU; Einstein Auditorium 34 Stuyvesant St. / FREE Friday, 12/12, 6 PM / Performance: Aki Sasamoto / JTT / 170a Suffolk / FREE Saturday, 12/13, time TBA / Symposium: Studio School: M.Schor; B.Schwabsky; R.Bordo; D.Reed moderated by A.Belag / Kasher / 515 W 26 / FREE Saturday, 12/13, 2 PM / Stuart Shils speaks on his work / Harvey / 208 Forsyth / FREE Thursday, 12/18, 5 PM / Yvonne Rainer on her work / NYU; Einstein Auditorium 34 Stuyvesant St. / FREE

Time and space to experiment are crucial elements of her process, as is a certain psychological sovereignty — Bove writes that «creating a nonpurposive, free space in which to play and have fun is essential.»

She is a curator at CSA Space and editor of Bartleby Review, a free and occasional pamphlet of art writing in Vancouver.

For MoMA in 2009, alongside Mira Schendel, he treated free writing as drawing and wire sculpture as drawing in space.

EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!

Group Exhibitions 2016 Regrouping, Edward Thorp Gallery, New York, NY Spaced, Edward Thorp Gallery, New York, NY Philadelphia Painters, Kutztown University, Kutztown PA 2015 Summer Group Exhibition, Edward Thorp Gallery, New York, NY Haunted Summer, One Mile Gallery, Kingston, NY The Nothing That Is: Chapter 1 DDDRRRAAAWWWIIINNNGGG, CAM Raleigh, Raleigh, NC (Curated by Bill Thelen and Jason Polan) Paintings in Trees, The People's Garden, Brooklyn, NY 2014 Mark DeLong and Sarah Gamble, Edward Thorp Gallery, New York, NY Katherine Bradford and Sarah Gamble, Adams / Ollman Gallery, Portland, OR Listening In: Philly Artists Speak, Abington Art Center, Philadelphia, PA (with Grizzly Grizzly) Begin Where You Are, Crane Arts, Icebox Project Space, Philadelphia, PA Love's Industrial Park, Salena Gallery, Long Island University, Brooklyn Campus, Brooklyn, NY Between Matter and Experience, Presidents Gallery, University of the Arts, Philadelphia, PA Underdonk Selects, Underdonk Gallery, Brooklyn, NY 2013 Reprefantasion: Abstracting Reality / Representing Fantasy, Fleisher / Ollman Gallery, Philadelphia, PA Drawing Down the Moon, Vox Populi Gallery, Philadelphia, PA Group Show: Paintings and Drawings, Edward Thorp Gallery, New York, NY Love's Industrial Park, Grizzly Grizzly, Philadelphia, PA Psychedelphia, Pageant Soloveev Gallery, Philadelphia, PA Season Review: Selected Artists, Edward Thorp Gallery, New York, NY 2012 Assembly 2012, Edward Thorp Gallery, New York, NY First Contact, Field Projects Gallery, New York, NY Peep, A Curious Look Into Painting, Little Berlin Gallery, Philadelphia, PA 2011 Free Range: Painting at the University of Pennsylvania, University of Pennsylvania, Morgan Gallery, Philadelphia, PA 2010 Lee Arnold, Sarah Gamble, Andrew Gbur, Fleisher / Ollman Gallery, Philadelphia, PA Philadelphia Painters, The Painting Center, New York, NY Places, Everyone, Cross McLeaf Gallery, Philadelphia, PA 2009 Art of the State, Pennsylvania Museum of Art, Harrisburg, PA Former AIR, Bemis Center for Contemporary Art, Omaha, NE 2008 Philagrafika Invitational Portfolio, University of the Arts, Philadelphia, PA Vision Quest, School 33 Gallery, Baltimore, MD 2007 Sarah Gamble and Terra Fuller, PS122 Gallery, New York, NY minty, VoxPopuli Gallery, Philadelphia, PA 2006 New Trends in Painting, Concordia University, Seward, NE Omaha Hobo Showbo, Bemis Center for Contemporary Art, Omaha, NE Wrote For Luck, Kouros Gallery, New York, NY 2004 Voxenniel, Vox Populi, Philadelphia, PA Bad Touch, Lump Gallery, Rose Museum at Brandeis, Rose Museum at Brandeis University 2003 The New Acropolis, Fleisher / Ollman Gallery, Philadelphia, PA

Please join us: Saturday, March 18, 2006, 9 pm, at Mercer Union FREE About his work for the fourth in our series of 10 Music In Alternative Spaces concerts, Josh Thorpe writes: «The Mercer show contains two half - hour pieces.

Please join us: Saturday, January 21, 2006, 9PM, at Mercer Union FREE For the second in our series of 10 Music In Alternative Spaces concerts, Montréal based violinist Clemens Merkel (Quatour Bozzini, Kore, Wandelweiser) will give a rare performance of l'hiver monastique — 70 consolations harmoniques pour violon, a 70 - minute work for solo violin, written -LSB-...]

2014 New Prints Summer 2014, International Print Center New York, New York, NY Emily Cucalon & Marianne Dages, Free Library of Philadelphia, PA (Two - Person) Picture Books, Power Plant Gallery, Duke University, Durham, NC Light of the Moon, Arrowmont School of Arts and Crafts, Gatlinburg, TN It's About Time, Coburn Gallery at Colorado College, Colorado Springs, CO The Printed Page, Abecedarian Gallery, Denver, CO Printed Matter's LA Art Book Fair, The Geffen Contemporary At MOCA, Los Angeles, CA R / W: Reading and Writing Visual Experience, Hicks Art Center Gallery, Newtown, PA Featured Artist Project: SP Weather Portfolios, The Center for Book Arts, New York, NY Due North, Icebox Project Space, Philadelphia, PA

In addition to gallery spaces, the building comprises of studios which schools can use free of charge and in which people of all ages and abilities can learn skills in ceramics, painting, drawing and writing as part of the courses programme.

Paper is cheap and digital space is practically free, so there is no longer any practical need to abbreviate anymore, whether writing for print or for online.

Little to nothing is written about how much free space you should aim for, however.

You should leave some free space on your solid - state drive or its write performance will slow down dramatically.

When your operating system tries to write a new file to that free space, the sectors must first be erased, then written to.

A reader writes: I train and manage a team of young (22 - 25) paid interns who, as part of their compensation, have free housing in a shared living space owned by my organization.