Sentences with phrase «freelance contemporary art curator»

Prior to joining MOCA North Miami, Gartenfeld worked as an editor, art critic, and freelance contemporary art curator.

Not exact matches

He has worked as a freelance curator in Germany, Mexico, Chile, and Brazil, and regularly writes and lectures on contemporary art.

Isabel Carlos, freelance curator and writer Bisi Silva, Director of the Centre for Contemporary Art, Lagos and a freelance curator

Vera Tollmann is a freelance author for (amongst others) the magazine for contemporary art «Springerin» and curator.

Kit Hammonds teaches the Curating Contemporary Art course at the RCA and is also a freelance curator and writer based in London.

Kook - Anderson was most recently the Curator of Contemporary Art at the Laguna Art Museum in Laguna Beach, California, and has spent the last year as an independent curator and freelance writer in PoCurator of Contemporary Art at the Laguna Art Museum in Laguna Beach, California, and has spent the last year as an independent curator and freelance writer in Pocurator and freelance writer in Portland.

Clare Fitzpatrick is a freelance curator, for the past seven years she has worked in the contemporary visual arts with emerging and established artists on new and innovative projects and is currently Gallery Manager (Projects) at Matt's Gallery.

She works as a freelance curator, obstinately and she is obsessed about two things: disseminating contemporary art among the general public, which means creating a «mass avant - garde», and finding emerging talents — among her «discoveries» there are Nathalie Djurberg and Ragnar Kjartansson, while she was the curator of the Nordic Pavilion at the Venice Biennale in 2004.

He worked as a curator at the Barbican Art Gallery, London, 2007 — 09, and his freelance practice has included curating Subcontinent: The Indian Subcontinent in Contemporary Art, Fondazione Sandretto Re Rebaudengo, Turin (2006) and national pavilions at the 52nd Venice Biennale (Tobias Putrih, Slovenian Pavilion, 2007 and Francis Upritchard, New Zealand Pavilion, 2009).

Art historian and art critic, Professor at the West University, Faculty of Fine Arts in Timișoara, freelance curator Ileana Pintilie has curated many one - person and group exhibitions in Romania and abroad, and published widely on modern and contemporary aArt historian and art critic, Professor at the West University, Faculty of Fine Arts in Timișoara, freelance curator Ileana Pintilie has curated many one - person and group exhibitions in Romania and abroad, and published widely on modern and contemporary aart critic, Professor at the West University, Faculty of Fine Arts in Timișoara, freelance curator Ileana Pintilie has curated many one - person and group exhibitions in Romania and abroad, and published widely on modern and contemporary artart.

Her previous experience includes working as a Visual Arts Officer at Arts Council, London, curator of contemporary Asian art in Hong Kong and curator of freelance projects.

In addition to her curatorial role with Invisible Dust her other freelance projects include a series of public art commissions along the River Thames for the Thames Tideway Tunnel; archival work for the British artists Alison Wilding and Tess Jaray; a touring exhibition of work by Emma Hart and Jonathan Baldock; English language editing for the Contemporary Art Centre, Vilnius and research into boredom with curator Gareth Bell - Jonart commissions along the River Thames for the Thames Tideway Tunnel; archival work for the British artists Alison Wilding and Tess Jaray; a touring exhibition of work by Emma Hart and Jonathan Baldock; English language editing for the Contemporary Art Centre, Vilnius and research into boredom with curator Gareth Bell - JonArt Centre, Vilnius and research into boredom with curator Gareth Bell - Jones.

At Bauernmarkt, in the city center, for instance, the freelance curator Elsy Lahner, the philosopher Michael God, and gallery owner Emanuel Layr (of Galerie Layr & Wüstenhagen) made interim use of empty office spaces and apartments as well as artists» studios for their curatorial venture «Into Position,» which encompassed discussion groups, a «Mittwochsbar» (Wednesday Bar), an archive in suitcases, and exhibitions of both emerging and established artists organized by a number of invited guests, including the editors of the Austrian art magazine Spike and the curators from the project space Temporary Contemporary in London.

Panelists: Suzanne Cotter, Curator of the Guggenheim Abu Dhabi Project at the Solomon R. Guggenheim Foundation; Mai Abu ElDahab, freelance curator; Peter Eleey, Curator at MoMA PS1 Contemporary Art Curator of the Guggenheim Abu Dhabi Project at the Solomon R. Guggenheim Foundation; Mai Abu ElDahab, freelance curator; Peter Eleey, Curator at MoMA PS1 Contemporary Art curator; Peter Eleey, Curator at MoMA PS1 Contemporary Art Curator at MoMA PS1 Contemporary Art Center.

Jury: Penelope Curtis (Director of Tate Britain), Katrina Brown (Director of the Common Guild, Glasgow), Nadia Schneider (Freelance Curator), Godfrey Worsdale (Director of BALTIC Centre for Contemporary Art), and Vasif Kortun (SALT, Instanbul).