Sentences with phrase «freelance line editor»

I beta read sometimes, but due to my «day job» of freelance line editor, I'm a terrible beta reader for rough drafts (unless you're the type to produce pretty clean first drafts).

Not exact matches

I recently left my job as an associate web editor at Bon Appétit to become a full - time line cook and freelance writer.

The bottom line — and I speak as both a seasoned indie author and anthologist (the Panverse series) as well as a freelance editor — is that the tired writing dogma and «rules» that get endlessly recycled in writers» groups, on popular blogs, and elsewhere pale in the face of story.

Details below: Developmental Reads on a full manuscript: 15 % discount Line Edit Reads on a full manuscript: 10 % discount ** Any full read, I will throw in your query for no extra charge WHO I AM I'm a traditionally published author with Penguin Random House and HarperCollins, as well as a freelance editor, and blogger.

In my experience of searching for freelance editors for my stories, the hardest type of editing to nail down and explain what's involved is line editing.

As a freelance editor, she provides deep story analysis, content editing, line by line, and dramatic fiction editing services.

As a freelance editor, he helped Harlequin's digital - first imprint Carina Press build its science fiction and fantasy line, and he has worked on titles for the Nelson Literary Agency Digital Liaison Platform and bestselling indie authors.

Unlike fellow writers, friends, and beta readers who give you «constructive criticism» on the content of your work; and unlike «freelance editors» with no publishing experience who provide corrections and enhancements to the line - by - line language; the experienced book publishing professional will ask, and help you answer, the most important question of all, if you want your published book to sell

If you hire a freelance editor to do the line editing for your book, expect to pay approximately $ 50 - $ 60 an hour.

I will say that with editing, it might not just be an unwillingness to edit, but rather an inability to tell which freelance editors out there are actually worth the time and money and which ones are unable (through lack of experience) to do anything more than copy and line editing.

While the two field marshals, Sara Roffino, the Rail Managing Editor; and Sara Christoph, the Rail Managing Director; held down the fort with our production assistants par excellence at our headquarters in Brooklyn, Maggie Barrett, Anna Tome, Cy Morgan, and I — the current Rail Curatorial Projects team — worked tirelessly with Max Wolf and Jennifer Cooper, the two extraordinary program managers of Red Bull Studios, along with Shan Raoufi, Benjamin Lightle, and their construction team (composed mostly of artists — for artists have worked on a freelance basis in this line of employment since the beginning of time, and this city is one endless construction site in need of constant upkeep), as well as with the relentless PR team led by Maureen Sullivan, Sherlen Archibald, Adam Gorode, and Steffi Muehlenkamp.

I am a freelance editor (copy, line, substantive) and proofreader looking for a contract / part - time or full - time telecommuting position.